So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Touched by the somewhat friendly eclectic hand of The Charlatans for their tenth album in twenty years.
The Lights are on but the tunes aren't home on Interpol's disappointing fourth otherwise known as #4.
The cross overs. Every year has them; bands that get touched by the hand of hype and go from being blogged about to actually selling significant quantities of records/MP3s along with world wide tour schedules and high billed festival slots. This year one of those bands is Brooklyn’s The Drums who have certainly enjoyed a lot of column pixels and radio play on the strength of their back to basics c86 indie-pop as imagined by Phil Spector self titled debut album and its omnipresent lead single “Let’s Go Surfing”. Static’s Chris Berkley has a drink with three quarters of the band for a lesson in how to avoid being drowned by the waves of success.
“Give me a minute and I’ll blow your minds“. The crowd laughs, so does the man who just uttered those words. The mood, somewhat quiet, respectful, shiftless, is lightened, and Mark Kozelek begins another master-class in tinkling the nylon strings of his Spanish guitar like Liberace would the piano. “I’m old” he breaks the silence again, “I’m fat, I need water, I need lyrics to my songs”. From my pew to the right side of the stage I have to squint to see if it’s not Neil Young sitting there complaining about his arthritis. To Kozelek’s credit, he’s still as ageless as ever, and that gut you were grabbing at? I’m pretty sure you’ve been carrying that for a while now.
The (Bloc) Party is over. Now, it's a dance party and there's nobody here, except Kele and a few diehard Bloc Party fans looking bored.
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
More emotional missives from angry, intense, young American men. What steady diet do they feed you on?
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
More depressing pop dressed up espionage style on the fifth album from this diminutive guitar goddess. "Junior", indeed.
“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.
As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".
If New Order and Doves made a record, how would it sound? Something like this, we think...
We take aim at the confusingly labelled American trio fun.'s first offering and find it's a fun album, period.
Can former berry Dolores O'Riordan shake off the skeleton's in her closet and remove the excess baggage? No as it turns out.
No moby dick here, just a sensational second album from Twickenham's lush indie-folk providers.
Thomas Mars talks about the evolution of Phoenix, including their stint as a covers band, the seemingly infinite number of Phoenix remixes, the Kitsuné Tabloid compilation and Lord Byron.
No longer young bucks American supergroup The Minus 5 release their eighth album of beautiful stories, pretty melodies and career-defining songs.
There's a time to be born and, as The Dodos, given their extinct namesake should know, a Time to Die. But man, what a way to go.
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Eddie and the bruisers return with their third long player of songs about love and hate. And comic books and chocolate milkshakes.
Touring Australia on the bequest of the all-conquering Coldplay, Mercury Rev stopped into visit Static's Chris Berkley to talk about their latest album Snowflake Midnight and an impressive career that cannot be reigned in by simple film analogies.
America's rock werewolf Mark Oliver Everett otherwise known as Eels howls twelve songs of desire on his seventh studio disc.
A collaboration between Benjamin Curtis of Secret Machines and twin sisters Alejandra and Claudia Deheza of On-Air Library, the School of Seven Bells (founded in name from a mythical South American pickpocket academy) that surprised all with their ethereal, haunting charms that found them in perfect company of shoegaze/dreampop acts like M83 and Prefuse 73.
Variety Playhouse Atlanta, GA 17th April 2009 The black-clad kids were out in force as the rolling The Faint/Ladytron sideshow pulled into Atlanta, Georgia, offloading what could be unkindly dubbed an ‘electroclash revival’ as both bands came into sharp focus during the height of this abortive musical fad and were adopted into it, yet never
Chris Berkley from Static talks to the rather talented Veiled one about the new album, the band's love for The Wire and possible antipodean tours.
The rise and rise of Melbourne's British India has been something to behold. They've gone from their first release in 2005, the rough and ready Counter Culture EP, to 2007's incendiary debut Guillotine, and from feted Triple J acts to top five chart placings with second album Thieves. We stole some time with guitarist Nic Wilson
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as The Stills join the Kings of Leon on tour in Australia, where Chris Berkley of Static catches up with both
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
Back in the UK touring their latest album Kensington Heights, Webcuts managed to square away some interview time with Constantines guitarist/vocalist Steve Lambke before their recent headline show at London's Wilmington Arms.
Arts & Crafts, 2008 [8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk and impassioned rock and roll. They're like a true modern day blue-collar rock band. Endlessly compared to Bruce Springsteen and
Cooking Vinyl, 2008 [7/10] Listening to a Camper Van Beethoven CD is like opening a time capsule to an era where the alternative music scene was more of a nascent beast than what it is now, where bands like REM, The Replacements and Husker Du reigned supreme. The Zappa-influenced Camper Van Beethoven fell somewhere inbetween,
It may've taken eight long years but Canadian indie pop quintet Stars made their way to Australia for the first time recently on the back of their fourth LP and one of 2007's best releases, In Our Bedroom After the War -- a record brimming with heartfelt pop and rock with electronic and soul flourishes.