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Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

Who The Hell Are… Sisterland?

By |March 22nd, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

The best way to make a record company uncomfortable? -- choose a highly litiguous band name and then sit back and watch them sweat. Once upon a time there was a Leicester-based three-piece called Dysneyland who existed for a few months and released one independent single "Walking Wounded" before seeing the error of their short-sighted ways, or perhaps the pointed finger of 'The Man' who said "no change-y, no release-y" and thus Sisterland was born. With their debut single "Tomorrow" released this week as part of the Too Pure Singles Club, we play the getting-to-know-you game with Sisterland.

Camera Obscura – Interview with Carey Lander (Static, 2010)

By |May 24th, 2010|Categories: Interviews|Tags: , , , , , |

With their fourth album My Maudlin Career Glasgow's Camera Obscura shifted further away from their indie pop origins to create their own take on Bacharachian orchestral pop and '60s soul contrasted against sparse country melancholy. Keyboardist and backing vocalist Carey Lander talks about joining the band, meeting Lloyd Cole, the orchestral and country elements in their sound and how they came to cover the Boss.