The National – High Violet
Riding high on the charts, The National have found a resounding voice where "High Violet’s loneliest, weightiest moments feel like shared sorrow."
Okkervil River – I Am Very Far
Very unsure about this album, the sixth from past Webcuts pet faves, Okkervil River. I Am Very Far from their best.
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
The Whitest Boy Alive – Rules
Erlend Øye and company break some rules but also unwittingly create them on their second album entitled, you guessed it, Rules.
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
Wendy James – London – 9 June 2011
Why hello, Wendy James. It’s been a while. Almost 20 years since I saw Transvision Vamp play at the Hordern Pavilion in Sydney. A mostly unremarkable show except for the amount of intimidating drunks in attendance and the fact they played their current ‘hit‘ twice. Australia loved Transvision Vamp, almost in the same way it loved Blondie, decades before. Stick a blonde wig on a mop, put it in front of a bunch of guys in leather jackets and you're set. Transvision Vamp at that time were in their career descent with Little Magnets Versus The Bubble of Babble (my head still shudders at the idiocy of this title) and this was their last roll of the dice.
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Why? – Eskimo Snow
The unlikely paring of hip-hop and indie rock actual make for compatible bedfellows with Californian band Why?'s fourth full length album.
Constantines – Kensington Heights
Arts & Crafts, 2008 [8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk
Santogold – Santogold
Downtown/Inertia, 2008[rating:7/10] "The rules are...there are no rules" intoned one time (Transvision) vamp Wendy James and is a maxim which Santi White, better known as Santogold, takes to heart. Older and wiser than most of
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Various Artists – Dark Was The Night
North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".
Twin Sister – Vampires With Dreaming Kids / Colour Your Life
How many times do you get given a record and for it to feel like a breath of fresh air? Here you are then.
Mr. Maps – Mimicry of Lines and Light
Mr. Maps may not be the territory but this Brisbane instrumental rock band are a pretty amazing act to get lost in.