Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
Webcuts brings you the lowdown from this year's Way Out West Festival held in Gothenburg, Sweden, including reviews, photos, and setlists from the first two days, Thursday 7 and Friday 8 August 2008. Bands reviewed:
Matador, 2008 [rating:6.5/10] Chan Marshall walks into a Manhattan recording studio, one arm weighed down by a stack of vinyl and the other carrying a large Starbucks cappuccino. She sits down on a couch by
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
Beat The World, 2012 [rating:7.5/10] At this stage in their career, The Dandy Warhols stand as an infinitely renewable resource. With the major label shackles thrown and now releasing their own records, the only standards
Rough Trade, 2008 [rating:8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women),