Chromatics – London – 6 November 2012
Chromatics Heaven, London 6th November 2012 On a night when everyone is locked in an US election day trance, American synth-noir act Chromatics were the alternative for those choosing pop over politics.
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
Stereolab – Chemical Chords
4AD, 2008 [7/10] Stereolab were an essential part of the 90s and a flipside to the wave of angst-ridden guitar bands that characterised that decade. Influenced by obscure experimental and pop bands, Stereolab set about
Heaven 17 – Live at Last
Cooking Vinyl, 2008 [1/10] For those unaware, Heaven 17 existed on the periphery of the pioneering electronic new wave scene. They didn't have the pop flair of the Human League or the sequined glitz of
Mansun – Interview with Dominic Chad (1997)
A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.
The Stills – Snakecharm the Masses in Australia (2009)
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
Lightspeed Champion – Interview with Dev Hynes (Static, 2008)
Dev Hynes was once a teenage Test Icicle but now goes it alone under the name Lightspeed Champion. This year's Falling off the Lavender Bridge surprised many, especially Test Icicles fans, as its charming mix
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
Dappled Cities – Zounds
The new album from Sydney art-pop five piece Dappled Cities reached forty eight on the Australian chart. Gold Zoundz indeed.
The Darling Buds – London – 22 September 2010
You’d be forgiven for having a sense of déjà vu here. Is it 1989? Did The Primitives and The Darling Buds really both play London within a week of each other? Having been absent from the live scene for most of the '90s and all of the past decade, for both bands to surface at the same time is unthinkable. Unthinkable, but pretty damn cool. It brings back memories of a time when the music magazines invented a scene called ‘Blonde’, where bands were lumped together purely based on the colour of the lead singers hair. Which by their way of thinking meant you were either a Blonde, a Goth or in Fairground Attraction.
Ape School – Ape School
Former member of Natural, Lily's and Holopaw, Florida's Michael Johnson aka Ape School shows off a whole new set of skills for his second album.
Odawas – Interview with Michael Tapscott (2009)
The Blue Depths which focussed on ambient old school synths and majestic, dreamy mood-scapes yielded great dividends resulting in Odawas' most cohesive album to date. We recently spoke to Michael Tapscott about the beautiful depths of The Blue Depths, the Odawa live experience including SXSW, soundtracks and the mystery of the sea.