Lykke Li – Wounded Rhymes
A break-up album like no other, Sweden's pop princess Lykke Li hits an emotional core that has Webcuts in awe.
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Owen Pallett – Heartland
From Final Fantasy to something more pallettable Canada's Owen Pallett continues to enthrall with his third album which gets to right to the heart.
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Franz Ferdinand – Tonight: Franz Ferdinand
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.
M.Ward – Hold Time
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
They Might Be Giants – Join Us
Join Us finds They Might Be Giants at their "quirkiest, catchiest and most clever", which is simply music to our old-school fan ears.
Supergrass – Brisbane – 2 October 2008
"How you doin'? You alright?" asks an out of breath Gaz Coombes during their first Brisbane show in several years. The assembled punters shout back "yeah!", hoping that the next song will be the
Various Artists – 15 Years Of Bella Union Records
Bella Union, 2012 2012 marks the 15th anniversary of the birth of Bella Union, a record label started by Robin Guthrie and Simon Raymonde of Cocteau Twins that was created, initially, to
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.
Camera Obscura – Interview with Carey Lander (Static, 2010)
With their fourth album My Maudlin Career Glasgow's Camera Obscura shifted further away from their indie pop origins to create their own take on Bacharachian orchestral pop and '60s soul contrasted against sparse country melancholy. Keyboardist and backing vocalist Carey Lander talks about joining the band, meeting Lloyd Cole, the orchestral and country elements in their sound and how they came to cover the Boss.
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.