The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
The Lucksmiths – First Frost
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
Malcolm Middleton – Sleight of Heart
Inertia, 2008 [7.5/10] Malcolm Middleton, previously one half of gritty Scottish miserabilists Arap Strap, establishes the modus operandi for his fourth album Sleight of Heart right from the get go. When he sings "We're having
The Primitives – Back and In Full Bloom (2010)
When you get down to the nuts and bolts of rock and roll, it's not about how tight your jeans are or how good your stylist is, it's about the music. It's about the song. For some bands in particular, it's about the pop song. Two and half minutes of spun gold that held your attention long after the needle left the record. Few bands embodied the spirit of the sublime '60s pop song than The Primitives. Sitting backstage at The Scala in London, Webcuts catches up with Tracy and Paul to rewind the clock and to talk about the events that brought The Primitives into the 21st Century and what lies ahead for the band.
We Were Promised Jetpacks – Q&A with Darren Lackie (2009)
...And we got them. Darren Lackie drummer from Glasgow's anthem driven rock band We Were Promised Jetpacks does the honours - "We've learnt from our mistakes recording the first album though so who knows with the next one (please let us have a next one, I don't want a job)"
Arcade Fire – The Suburbs
From a Funeral to a Neon Bible and now out to The Suburbs, the long-awaited third album from Arcade Fire has Webcuts feeling right at home.
Crystal Antlers – Tentacles
Young bucks Crystal Antlers release their debut album which unfortunately shatters upon the weight of expectation.
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".
Mark E. Smith – Renegade: The Lives and Tales of Mark E. Smith
Viking, 2008 [rating:6/10] It begins at the end, or the supposed end, where having retired the old guard for a succession of young guns, Mark E. Smith faces up to a musician mutiny on The
Who The Hell Is… Joel Edmondson?
Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.
Various Artists – Be True To Your School (A Fortuna Pop! Compilation)
Fortuna Pop!, 2008 [7/10] Fortuna Pop! is the pre-eminent label for those special acts that can't find a home anywhere else. Think of it as a shelter for the abandoned, misunderstood band either bursting with
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
The Beasts of Bourbon – Box Set
Crucial re-release of the first three albums by these hard rocking legends. From The Axeman's Jazz to Black Milk, the gang's all here.
The Organ – Thieves
Mint Records, 2008 [9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by