The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.
Tom McRae – The Alphabet of Hurricanes
If only England had their version of the Wild West, otherwise Tom McRae might've found himself in much stronger grounding.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
The Besnard Lakes – On the Sydney Shores (2011)
The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.
British India – Interview with Nic Wilson and Matt O’Gorman (2009)
The rise and rise of Melbourne's British India has been something to behold. They've gone from their first release in 2005, the rough and ready Counter Culture EP, to 2007's incendiary debut Guillotine, and from feted
Wild Nothing – Interview about Nocturne (2012)
Riding the crest of the dream-pop insurgence that brought with it bands like Beach Fossils, Twin Sister and Still Corners, was that of Jack Tatum and Wild Nothing, who' s debut album of 2010, Gemini
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
Bob Mould – Silver Age
Merge, 2012 Alterna-rock statesman hot from bringing a little 90's Sugar to the 10's masses returns with shit-hot album. If that's all the convincing you need, you might as well stop reading now
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Jacob Golden – Interview circa Revenge Songs (2008)
If success was awarded by the amount of struggle and heartbreak an artist had endured, and took into account the innate talent the artist had, Jacob Golden would be multi-platinum and headlining London's Royal
Who The Hell Are… Fear Of Men?
The online buzz surrounding the release of current single “Mosaic” was uniform in the way the agreeable (and occasionally obnoxious) tastemaker blogs began to fall in line with praise. This was slightly akin to a
Love of Diagrams – Nowhere Forever
Our love for Love of Diagrams knows no bounds especially for the Melbourne noise merchants freshly minted third album.
Daestro – Moondagger
Will it be knives out for Detroit's Randoph Chabot aka Daestro or maybe a friendly slap on the back instead?
Moonface – Organ Music Not Vibraphone Like I’d Hoped
...says Wolf Parade's Spencer Krug of his solo off-shoot project Moonface. Not as good as we'd hoped, either.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.