Luke Haines – London – 19 January 2011
This was to be the debut and sole performance of Outsider Music, Luke Haines' most successful solo album to date. An album of some notoriety in that it was individually recorded 50 times and released last September for £75 a throw. An artistic experiment and a gamble of sorts, it was an undeniable success for Haines, the old adage about fools and their money standing true -- all 50 volumes of Outsider Music disappearing quicker than anticipated. With each volume a unique item on its own, buyers have been reticent on sharing and as of yet, no copies have surfaced. So Haines - 1, Rich Fans - 1, Poor Fans - go eat a shit sandwich.
Various Artists – Be True To Your School (A Fortuna Pop! Compilation)
Fortuna Pop!, 2008 [7/10] Fortuna Pop! is the pre-eminent label for those special acts that can't find a home anywhere else. Think of it as a shelter for the abandoned, misunderstood band either bursting with
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Animal Collective – Merriweather Post Pavilion
Animal Collective shake the sand from their fur as they take Merriweather Post Pavillion down to the Beach, Boys.
Shearwater – The Golden Archipelago
Shearwater seem to have run aground on The Golden Archipelago. Not quite paradise, nor a place you'll likely return to soon.
Glasvegas – Glasvegas
Columbia, 2008 [9/10] From the Jesus and Mary Chain through to Franz Ferdinand, every once in a while the sound of Scotland will seemingly unleash an act that will take the music world by storm.
Various Artists – Brand NEU!
Just say NEU! to drugs. Or NEU! to Oasis. A hit and miss compilation of acts influenced by this seminal German outfit.
Stuart Murdoch – God Help the Girl
Stuart Murdoch and a cast of thousands get by with some divine intervention in the long awaited God Help the Girl.
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
Beach House – Bloom
Bella Union, 2012 Since their self-titled debut in 2006, Portland duo Beach House have become a band synonymous with the 'dream-pop' side of contemporary music, a tag that suitably sums
Miss Li – Late Night Heartbroken Blues
National, 2006 [8/10] With three albums within a twelve months period and a best of album summarising her first year released, Miss Li may be the most productive artist in Scandinavia today, if not ever.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Daestro – Moondagger
Will it be knives out for Detroit's Randoph Chabot aka Daestro or maybe a friendly slap on the back instead?
Stars – The Five Ghosts
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".