Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Webcuts Top 20 of 2010 – Part 1
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Who The Hell Are… Silk Flowers?
Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.
Camera Obscura – My Maudlin Career
Four albums in, Camera Obscura assess their career, wisely trading 'brilliant' for 'maudlin' and coming up somewhere inbetween.
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
Helvelln – Interview with Jeremy Gronow – Part 2
Part 1 Bedroom critic that I am, I'd be amiss not to suggest that only thing that lets Side 1 down is the lugubrious "Temptation". If I had my way, I would've swapped it for
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.
Cat Power – Sun
Matador, 2012 [rating:7/10] Time and distance, be it geographical or emotional, have always been great assets to a songwriter. The ability to cease all activity, to step off the treadmill and get his/her shit straight,
Who The Hell Are… Big Scary?
While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
Pama International – Pama Outernational
A fusion of dub reggae, ska and soul, the brilliance of Pama International comes to the fore with their seventh album Pama Outernational.
Pete Fijalkowski – Interview about Adorable & Polak (1998)
Interview conducted via email with Pete Fijalkowski from 1998 when the dust had settled from Adorable and his then new band Polak had just released their first single "2 Minutes 45".
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
The Honeys – Interview with Bruce Begley about Star Baby (2008)
All my favourite bands break up too soon. Some dissolve and leave no trace they ever existed, others leave behind a body of work, be it that beguiling debut or just one crucial single that
Who The Hell Is… Joel Edmondson?
Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.
Paul Dempsey – Everything Is True
First there was Something for Kate now singer Paul Dempsey has gone it alone and produced something for everyone.















