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TV on the Radio – Interview with Jaleel Bunton (Static, 2008)

By |November 4th, 2008|Categories: Interviews|Tags: , , , , , , |

Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as

Who The Hell Are… Seize The Chair?

By |August 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.

Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

The Stills – Interview with Tim Fletcher (2009)

By |February 3rd, 2009|Categories: Interviews|Tags: , , , , , , |

Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.

Webcuts Top 20 of 2010 – Part 1

By |January 1st, 2011|Categories: Features|Tags: , , , , , , , , , , |

So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.

Who The Hell Are… Sisterland?

By |March 22nd, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

The best way to make a record company uncomfortable? -- choose a highly litiguous band name and then sit back and watch them sweat. Once upon a time there was a Leicester-based three-piece called Dysneyland who existed for a few months and released one independent single "Walking Wounded" before seeing the error of their short-sighted ways, or perhaps the pointed finger of 'The Man' who said "no change-y, no release-y" and thus Sisterland was born. With their debut single "Tomorrow" released this week as part of the Too Pure Singles Club, we play the getting-to-know-you game with Sisterland.

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