Ariel Pink’s Haunted Graffiti – Before Today
Sounding more like a theme park ride than a band, Ariel Pink pulls off both with a little 70's funk and 80's new wave self-exploration.
Who The Hell Are… Civil Civic?
There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?
Way Out West – Gothenburg – 15 August 2009
The third day of Sweden's 2009 Way Out West is a quieter affair but we still manage to squeeze in Patrick Wolf, Jenny Wilson, Vampire Weekend, Wolfmother, Lily Allen, My Bloody Valentine and Deerhunter.
Friendly Fires – Interview with Edd Gibson & Ed Macfarlane (Static, 2009)
The friendly folks from indie-dance sensations Friendly Fires stroll into Static's studio to talk the good talk about their new single "Kiss of Life", the Mercury music prize and more -- "It’s good to kind of feed off the energy of the crowd: suck them like vampires."
Howler – This One’s Different
From the label that gave you The Libertines and The Strokes, here's another young and disaffected indie guitar band.
Future of the Left – Travels With Myself and Another
To hell with good intentions - Future of the Left's second album blows everything else out of the water.
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
Arcade Fire – Sweden – 30 June 2010
As anticipation mounts for the release of their upcoming third album The Suburbs, Arcade Fire commence on a brief hit-and-run tour of intimate and out-of-the-way places in Europe, somehow finding themselves performing on a moat in the middle of a limestone quarry in Sweden. For a band like Arcade Fire, such inventive and idyllic surrounds seem apt, but it only poses the question -- How hard can a quarry rock?
She & Him – Volume Two
Zooey Deschanel and M. Ward, a perfect pop couple if there ever were one, are back for a second helping of doo-wop and pop.
The Fauves – When Good Times Go Good
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
The Fall – The Wonderful And Frightening World Of… / This Nation’s Saving Grace
Two classic, career defining Fall albums get the deluxe box set treatment.
Models – God Bless America
The Post-Punk years in Australia were a mixed ground. The key bands of that era were floundering or disbanding while the second wave was about to hit, bands like Hunters and Collectors, Hoodoo Gurus, The
Alela Diane – To Be Still
Nevada City's beguiling folk heroine Alela Diane returns with a white diamond of a second album. Be still, our beating heart.
HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the