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Foals – Australian Interview with Walter Gervers (Static, 2011)

By |February 12th, 2011|Categories: Interviews|Tags: , , , , , |

To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.

The Stills – Interview with Tim Fletcher (2009)

By |February 3rd, 2009|Categories: Interviews|Tags: , , , , , , |

Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.

Girls – Australian Interview (Static, 2009)

By |February 11th, 2010|Categories: Interviews|Tags: , , , , |

You've probably seen the x-rated video clip for "Lust for Life". The 'penis as microphone' image is something you really don't recall seeing in pop videos these days, either then or now (and feel free to correct me if I'm wrong). As vague and internet-search challenging as calling your band Girls is, Christopher Owens and Chet "JR" White are both neither, and are, so to speak.

Beach House – Australian Interview about Teen Dream (Static, 2011)

By |March 10th, 2011|Categories: Interviews|Tags: , , , , |

Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.

Rowland S. Howard – The Final Interview (Static, 2009)

By |March 1st, 2010|Categories: Interviews|Tags: , , , , , , |

Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.

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