The Veils – Interview with Finn Andrews about Sun Gangs (Static, 2009)
Chris Berkley from Static talks to the rather talented Veiled one about the new album, the band's love for The Wire and possible antipodean tours.
Tindersticks – Interview with David Boutler (2008)
We talk with Tindersticks keyboardist and founding member David Boutler about version 2.0 of Tindersticks, the stunning new album The Hungry Saw, the re-issue of their back catalogue, Songs for the Young at Heart and more.
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
Harlem – Hippies
Of Harlem, this brief explanation should suffice -- "those who don’t sicken quickly of energetic, repetitive three-chord rock will have a lot to love".
Beach House – Bloom
Bella Union, 2012 Since their self-titled debut in 2006, Portland duo Beach House have become a band synonymous with the 'dream-pop' side of contemporary music, a tag that suitably sums
The Stills – Snakecharm the Masses in Australia (2009)
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
They Might Be Giants – Join Us
Join Us finds They Might Be Giants at their "quirkiest, catchiest and most clever", which is simply music to our old-school fan ears.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
Deerhunter – Australian Interview with Bradford Cox (Static, 2009)
Deerhunter's willowy singer-guitarist and stand-up comic in the making Bradford Cox entered the 2Ser studios to trade words with Static's Chris Berkley about all things in the Deerhunter-verse.
Pavement – Brighten The Corners (Nicene Creedence Edition)
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Webcuts Top 20 of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Malcolm Middleton – Sleight of Heart
Inertia, 2008 [7.5/10] Malcolm Middleton, previously one half of gritty Scottish miserabilists Arap Strap, establishes the modus operandi for his fourth album Sleight of Heart right from the get go. When he sings "We're having