The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.
Webcuts Top 25 Albums of 2008
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
The Breeders – London – 3 September 2008
The Breeders Shepherd's Bush Empire London 3rd September 2008 For a long time The Breeders seemed to go the way of the Pixies. As both Deal sisters battled their demons, Kim with liquor and Kelley
Decoder Ring, Bridezilla – Brisbane – 22 August 2009
Two of Sydney's finest: Bridezilla's dark brand of baroque folk and Decoder Ring's post-rock electronica, strut their wares in Brisbane.
Dean & Britta – London – 30 July 2010
Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.
Who The Hell Is… Jonneine Zapata?
Interview with LA-based chanteuse Jonneine Zapata around the time of her debut album Cast the Demons Out.
Peaches – I Feel Cream
The always fruity Peaches is back with fourth album I Feel Cream which finds her giving the past a slip and whipping it real good.
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Miss Li – Best Of 061122-071122
National, 2007 [rating:7/10] The twelve month period denoted by the title of this compilation (that's how the logical Swedes write the date) was an ultra productive period for Stockholm's Linda Carlsson otherwise known as Miss
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Wild Nothing – Nocturne
Bella Union, 2012 Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This
Taken By Trees – East of Eden
Ex-Concrete Victoria Bergsman heads to Pakistan to seek inspiration for her second album as Taken By Trees.
HTRK – London – 9 March 2009
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue
Webcuts Top 20 of 2010 – Part 1
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.