The Wedding Present – London – 13 December 2010
These are confusing times we live in. The past and the present have merged into one. Bands come back from the dead, sounding better than ever (The Primitives), artists who are clearly dead keep on making dreadful albums from beyond the grave (do we need name names?), and bands will play their best album in full and it becomes ‘an event’ (The Wedding Present). There are few albums in the history of music that deserve to be played in full (though tell that to Echo & The Bunnymen...), there's always at least one track (or more) of filler, or one completely misjudged stinker, but nostalgia has a price and it pays handsomely, so hey, on with the show!
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
Kele – The Boxer
The (Bloc) Party is over. Now, it's a dance party and there's nobody here, except Kele and a few diehard Bloc Party fans looking bored.
The Faint – Australian Interview with Jacob Thiele about Faciinatiion (Static, 2008)
It may come as some surprise that for a band who always seem to be on the cutting edge The Faint have actually been in existence for over a decade, combining punk attitude and guitars
Webcuts Favourite Tracks of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Sunset Rubdown – Dragonslayer
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.