Gorillaz – Plastic Beach
More of a mixtape than a record? Gorillaz latest adds Lou Reed and Mark E. Smith to their line-up for a day down the (plastic) beach.
Mercury Rev – Australian Interview (Static, 2009)
Touring Australia on the bequest of the all-conquering Coldplay, Mercury Rev stopped into visit Static's Chris Berkley to talk about their latest album Snowflake Midnight and an impressive career that cannot be reigned in by simple film analogies.
Who The Hell Are… Fear Of Men?
The online buzz surrounding the release of current single “Mosaic” was uniform in the way the agreeable (and occasionally obnoxious) tastemaker blogs began to fall in line with praise. This was slightly akin to a
I Break Horses – Hearts
Welcome to the lilting shoegaze world of Swedish duo I Break Horses, "more than just a nostalgic pastiche of an ethereal past".
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.
Truck Festival – Steventon – 22-24 July 2011
Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.
The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.
The Lemonheads – Varshons
Evan Dando and a cast of several come together to make the ultimate Lemonheads record so far. With an album featuring songs by Wire and Christina Aguilera, it's both "Strange" and "Beautiful".
Spoon – Transference
The anticipated follow-up to the fan and critic fave Ga Ga Ga Ga Ga, fails to meet expectation, begging the question, 'Where were Spoon transferring to?'.
Luke Haines – Bad Vibes
A timely assault on the looming spectre of the Britpop revival, Luke Haines unleashes his arsenal and takes aim. Camden, look out.
Sonic Youth – The Eternal
The Enternal is Sonic Youth's celebration of newfround freedom. I guess that mean's no more working for the man.
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.
The Organ – Thieves
Mint Records, 2008 [9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by
Belle & Sebastian – Los Angeles – 8 October 2010
On an odd rainy night in downtown Hollywood, weather befit more for their homeland than ours, Belle and Sebastian, Glaswegian art school rockers of yore, played to a sold out crowd of mostly thirty-somethings, brave enough to stand outside...in not just any ordinary venue. Instead, they stylishly bowed and plucked their instruments amongst the mausoleums and graves of some of Los Angeles’ elite. Adding to the macabre setting was the screening of Danny Boyle’s Trainspotting that preceded the show. Taking the stage, B&S lead singer Stuart Murdoch asked “Did you see me? I was in the bar scene!”.
Who The Hell Are… Villa Cola?
Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.