M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
Condo Fucks – Fuckbook
Who are the Condo Fucks? What is a Fuckbook and is it any good? So many questions, but are you prepared for the answers?
Deerhunter – London – 18 May 2009
Deerhunter Scala, London 18th May 2009 Palpable expectation, a sold out crowd, a critically received album, a loud northerner standing beside me naively exclaiming “I hope they play something off Turn It Up, Faggot" and
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.
Titus Andronicus – The Monitor
Ragged fist-pumping fury from outta New Jersey. Named after one of Shakespeare's earliest tragedies. Fact.
Mr. Maps – Brisbane – 12 Feb 2011
Photos of Mr. Maps' launch for Wire Empire their debut (and so far only) album. Brisbane, February 12, 2011.
Spoon – Atlanta – 14 April 2008
Spoon Centre Stage, Atlanta, GA 14th April 2008 It's Britt Daniel's birthday but you wouldn't know it. There's no cake and candles, no rambunctious behaviour or jokes. You'd be expecting the band to be soused
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
Webcuts Top 20 Albums of 2007
We graze of the green pastures of 2007 and find the cream of the crop including Damn Arms, Grinderman, Spoon, The Concretes, Feist, Faker, John Doe, The Shins and more.
Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
Webcuts Top 20 of 2010 – Part 1
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)
After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs
Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Who The Hell Are… Silk Flowers?
Dial back to the summer of 2010 having spent the afternoon hanging out with electro-be-spectacle Amanda Warner aka MNDR, we get a tweet from her inviting us to come down to Camp Basement in Old Street to watch synth experimentalists Silk Flowers, a Brooklyn three-piece that she’d recently produced an album for. Standing facing each other in a semi-circle surrounded by banks of synths, the band were undoubtedly not of this planet, but one Krautrock based in nature, appearing wholly entranced in their own music which veered from instrumental collages to deadpan delivered pop.
R.E.M. – Retracing The Maps & Legends
Could it be true that the end of a beloved and highly regarded band came down to a simple “a funny thing happened while putting together our career retrospective”? How many bands, when faced with
Webcuts Top 20 of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.