It's October. Why are we reviewing Christmas albums in October? Why She & Him? Why?
Sweet jangle pop outta New Jersey and more than likely the only Real Estate we'll ever purchase... (sad but true).
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Putting aside Lightspeed Champion, the chameleon musician/producer known as Dev Hynes unveils his latest project Blood Orange.
As 2011 continues to reveal an abundance of new artists and great music, it's of no surprise that one of the more anticipated debut albums was that of 28-year-old Atlanta based songwriter and producer Ernest Greene, AKA Washed Out. Full of blissful harmonies and gently shifting arrangements, augmented with hip-hop beats and samples, Within And Without quickly became the preferred summer spin at Webcuts. Static's Chris Berkley recently caught up with Ernest to talk about all things Within And Without -- recording the album, the process behind it, and amongst other things, 10CC's "I'm Not In Love" and the 'raunchy' cover art.
Electro-dance-goth-opera by way of Canada, Austra's debut album Feel It Break is akin to a good night out in loud, dark room. Kinda fun, but where's the door?
There’s been a noticeable shift slash longing backward glance in music trends towards all things 80’s. It seems that the product of that era now want to know everything about where they came from and the music that was made. For synth pop acts like Summer Camp and Twin Shadow, the 80’s are a nostalgia/inspirational goldmine, but with the rise of Zola Jesus, Salem, oOoOO, etc, it was inevitable that Goth music and its mutated electro/dark wave offspring would get discovered by the black clad suburban misfits of today. Enter, Austra from Toronto, Canada.
It's hard to believe that he's been gone 7 years now. This collection attempts to define one of last great songwriters of the 20th Century.
Totally random, but a friend of mine once got "Chief" tattooed on the back of her neck and the tattoo guy spelt it wrong. There is no metaphor to be found here.
We're now entering a phase of the year where great albums are in abundance and Villagers' debut is no exception.
Villagers is the nom de plume of one Conor O'Brien, the young Irish gent with the piercing blue eyes positioned above these words. Having released his debut album Becoming A Jackal on Domino Records last month to widespread acclaim (surely topping the album charts in Ireland is nothing to be sneered at), O'Brien has been steadfast in moving his Villagers around the country like a pack of wayward Irish gypsies.
I’m a band purist at heart. You can cut off all your fingers, but you’ve still got a hand. If you cut off all your band members and keep cutting and cutting and cutting, you can't expect your audience to comply with your decision or to even recognise the music you make. What was it John Peel said about The Fall? "always different, always the same". Well, yes, but... no. Mark E. Smith is The Fall, but The Fall isn't just Mark E. Smith.
The Northern white crap that talks back are... back. Smith and Co. hit the 21st Century in style with album number 277 or thereabouts.
Zooey Deschanel and M. Ward, a perfect pop couple if there ever were one, are back for a second helping of doo-wop and pop.
The smell of reunion is in the air as Pavement's back catalogue is harvested for the new-comers in this career-spanning collection.
From Final Fantasy to something more pallettable Canada's Owen Pallett continues to enthrall with his third album which gets to right to the heart.
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
Dev Hynes brings us more songs of bittersweet romance on his sophomore release as Lightspeed Champion.
Having given us one of the most lurid and arresting albums all year in Two Dancers, the Leeds-based Wild Beasts are let loose on London and give us such a performance that we (as they say) still got the taste dancin' on our tongues.
East meets West in a twee wonderland as Glasgow's The Pastels collaborate with Japan's Tenniscoats on Two Sunsets.
Bah, it's the third Artic Monkeys album Humbug - which actually doesn't turn out to be half bad.
There's no sitting on the fence about Scottish troubadour James Yorkston's ninth album, which consists of traditional folk songs featuring the likes of "Mary Connaught and James O'Donnel" and "Little Musgrave".
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
Having just released the second single "Summertime Clothes" from their acclaimed eighth album, Merriweather Post Pavilion, Chris Berkley from Static spoke to David Portner from Baltimore, Maryland's favourite sons, Animal Collective and asked, among other things, what lurked behind the eye-catching artwork and whether or not they had been invited to play the venue they
The two fingered salute is vigorously given by Scottish anti-folk hero King Creosote on new album Flick the Vs.
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex and cigarettes. In the following years, The Kills haven't strayed too far from their original lo-fi blues/rock blueprint, yet still
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Animal Collective shake the sand from their fur as they take Merriweather Post Pavillion down to the Beach, Boys.
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Dev Hynes was once a teenage Test Icicle but now goes it alone under the name Lightspeed Champion. This year's Falling off the Lavender Bridge surprised many, especially Test Icicles fans, as its charming mix of Britpop, folk and alt.country was a significant departure from the indie meets hardcore of his former band. Static's Chris
Domino Records, 2008 [6/10] Post punk, new funk, even if its old junk, it's still rock and roll to me. Call it what you want, but history shows that Manhattan's Liquid Liquid were essentially a dub/groove-based band that while in their short lifespan became incredibly influential on the New York music scene both then and