Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Concept albums, rock operas, the artistic chasm of failure widens as Fucked Up take the challenge and make the album of their career.
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
Electro-dance-goth-opera by way of Canada, Austra's debut album Feel It Break is akin to a good night out in loud, dark room. Kinda fun, but where's the door?
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
The best band to come out of Canada, ever, celebrate their 20th anniversary with The Double Cross. It's a Roman numeral thing, y'dig?
The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
There’s been a noticeable shift slash longing backward glance in music trends towards all things 80’s. It seems that the product of that era now want to know everything about where they came from and the music that was made. For synth pop acts like Summer Camp and Twin Shadow, the 80’s are a nostalgia/inspirational goldmine, but with the rise of Zola Jesus, Salem, oOoOO, etc, it was inevitable that Goth music and its mutated electro/dark wave offspring would get discovered by the black clad suburban misfits of today. Enter, Austra from Toronto, Canada.
Brooding psychedelic rock with some Zeppelin-esque undertones, Canada's Black Mountain let loose on their third.
Touring off the back of their third studio release The Besnard Lakes Are the Roaring Night, the Quebec-based The Besnard Lakes returned to London to treat us with some more of their epic Beach Boys meets Spiritualized jams. Given the massive sound present on ...The Roaring Night, there was some anticipation in how the band were going to pull this off as a four piece. With the newer tracks being a lot denser and harder to recreate live without either a 10 piece line up or a maze of effects and loop pedals, assistance came via laptop, which helped embellish the sound and keep true to their recorded material.
From a Funeral to a Neon Bible and now out to The Suburbs, the long-awaited third album from Arcade Fire has Webcuts feeling right at home.
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Critic proof Canadian indie-poppers release their fifth disc of tunes but like its subject matter we find it lacks substance.
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
For a band who call their music "post-classic rock", Canada's Plants and Rags have at least one thing going for them.
In Sloan's case, it was definitely the A Sides that won, but there's some forgotten treats amongst this rarities collection.
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.
Murray from The Dears lays it all out - "I didn’t sign up for any of this shit. I just write songs and try to work with people to facilitate those songs and get them out to people to hear them."
Give it up, or rather give up your gold, for one of Montreal's premier exponents of indie-pop Pony Up, and their sophomore album.
As predicted Metric have blown up, but not blown away, big time. Fantasies reached number eight on the Canadian charts and crept into the Australian Top 40 and US Top 100, while incessant touring in Europe and North America has further strengthened their fan base. Webcuts emailed Metric guitarist and half of Metric's lead songwriting
Canadian/American synth-rockers Metric return with their fourth (or third) album. Fantasies. Will it be yours though?
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as The Stills join the Kings of Leon on tour in Australia, where Chris Berkley of Static catches up with both
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
Back in the UK touring their latest album Kensington Heights, Webcuts managed to square away some interview time with Constantines guitarist/vocalist Steve Lambke before their recent headline show at London's Wilmington Arms. Constantines - Live at the Wilmington Arms, London - 18th September 2008 You played last night with Shearwater. From where I stood both
Mint Records, 2008[rating:9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by singer/lyricist Katie Sketch, they created a delicate sound that brooded and pined, Sketch's lyrics reading like private diary entries turned into
Arts & Crafts, 2008[rating:8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk and impassioned rock and roll. They're like a true modern day blue-collar rock band. Endlessly compared to Bruce Springsteen and Fugazi,
It may've taken eight long years but Canadian indie pop quintet Stars made their way to Australia for the first time recently on the back of their fourth LP and one of 2007's best releases, In Our Bedroom After the War -- a record brimming with heartfelt pop and rock with electronic and soul flourishes.
Vapor/Sire, 2007 [rating:8.5/10] Although always writing separately, the initial blueprints for The Con, saw the twins geographically distanced -- Tegan in Vancouver, Sara in Montreal. Reunited and with demos in hand the pair moved to Portland with producer Chris Walla (Death Cab for Cutie, The Decemberists) at the helm, recording in his basement studio. Tegan