It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
A star-studded cast pay tribute on this anniversary compilation, but who invited Times New Viking?
Rough Trade, 2008 [8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women), picking up on the ripples and waves they create, and making them part of his own interior monologue. His approach