When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".
For the third Sunset Sounds festival it rained, it poured, it pelted down. Water came down in sheets, hell it came down in slabs. Even those who came with waterproof clothing were completely soaked not just to the bone but to the very marrow. Sunset Sounds became Sunless Sounds, Soggy Sounds and Mudset Sounds. It brought out the worst in some people and the best in others. Still the show went on and so we report on Sleigh Bells, Cold War Kids, Ladyhawke, Pubic Enemy, The National and Interpol on day one. While for the second day we braved the wet again to deliver reports on The Soft Pack, Peaches, Junip, The Morning Benders, Washington and Paul Kelly.
I'd be surprised if the majority in attendance were familiar at all with Atlas Sound, but the crammed in masses of which Webcuts was one of the last to make the cut, were calling out requests that even Cox felt too obscure and unplayable.
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
Homeless Records, 2011 [rating:5.5/10] To call Layabouts chest-beating/car-loving/girl-banging rock n' roll as being derivative is to say rock n’ roll is derivative of rock n’ roll. If you stay true to the message, the music