It's Summer festival time in Europe, but over in Australia it's Winter and Webcuts was there to brave the chill and celebrate Splendour in the Grass' tenth birthday with 32,000 others at the new Woodford location in Queensland. Over the three day weekend our reviewers witnessed a phenomenal selection of old and new favourites including -- Ash, Band of Horses, Black Rebel Motorcycle Club, Cloud Control, The Drums, Grizzly Bear, Jonsi, LCD Soundsystem, Paul Kelly, Pixies, School of Seven Bells, Scissor Sisters, The Strokes, Tame Impala, The Vines, Yeasayer, and believe it or not, a whole lot more!!
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
We hunt down Ed Droste from Brooklyn's Grizzly Bear and get our claws into their move from a studio to live band, how they keep songs fresh, and how they came to record with Yacht rock legend Michael McDonald: "Michael McDonald is one of the coolest Yacht rockers around. We let him know we were fans and he ended up coming to a show and we really liked him and approached him with the idea and he was totally excited to do it."
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
How much can a grizzly bear? We're not sure but this Brooklyn four piece's third album gets a perfect 10/10.