Home
Home2021-03-15T09:32:21+00:00

Divine Fits – A Thing Called Divine Fits

By |October 16th, 2012|Categories: Album Reviews|Tags: , , , , , |

Merge, 2012 [rating:8.5/10] The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh thrills. Often it's the

Comments Off on Divine Fits – A Thing Called Divine Fits

Austra – London – 6 September 2011

By |September 8th, 2011|Categories: Live Reviews|Tags: , , , , |

Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.

Comments Off on Austra – London – 6 September 2011

Nick Cave & The Bad Seeds – Dig, Lazarus, Dig!!!

By |March 18th, 2008|Categories: Album Reviews|Tags: , , , , , , , , |

Mute/EMI, 2008 [rating:8/10] The passing of time has done nothing to dampen Nick Cave's spirit or soften his tongue. In the preceding decade spent mostly strapped to the piano like a bible-addicted lothario, it gave

Comments Off on Nick Cave & The Bad Seeds – Dig, Lazarus, Dig!!!

The Morning Benders – Interview with Chris Chu (Static, 2010)

By |July 22nd, 2010|Categories: Interviews|Tags: , , , , , , , , , |

For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".