Wild Nothing – Interview about Nocturne (2012)
Riding the crest of the dream-pop insurgence that brought with it bands like Beach Fossils, Twin Sister and Still Corners, was that of Jack Tatum and Wild Nothing, who' s debut album of 2010, Gemini
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)
After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs
The Walkmen – Heaven
Bella Union, 2012 [rating:8/10] From the outset, The Walkmen's seventh album Heaven ('seventh heaven' geddit?) does much to reignite interest in a band, who to be completely honest, have regularly under-performed on record (critically, backslaps all
The Stills – Oceans Will Rise
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.