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Who The Hell Are… Janus 4-14?

By |September 22nd, 2010|Categories: Features, Who the Hell Are|Tags: , , |

Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.

Jonneine Zapata – Brisbane – 7 October 2010

By |November 18th, 2010|Categories: Live Reviews|Tags: , , , , , , |

Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.

Odawas – Interview with Michael Tapscott (2009)

By |June 16th, 2009|Categories: Interviews|Tags: , , , , , |

The Blue Depths which focussed on ambient old school synths and majestic, dreamy mood-scapes yielded great dividends resulting in Odawas' most cohesive album to date. We recently spoke to Michael Tapscott about the beautiful depths of The Blue Depths, the Odawa live experience including SXSW, soundtracks and the mystery of the sea.

HEALTH – Interview with Jake Duzsik (Static, 2010)

By |April 26th, 2010|Categories: Interviews|Tags: , , , |

Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.

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