Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Friendly Fires – Interview with Edd Gibson & Ed Macfarlane (Static, 2009)
The friendly folks from indie-dance sensations Friendly Fires stroll into Static's studio to talk the good talk about their new single "Kiss of Life", the Mercury music prize and more -- "It’s good to kind of feed off the energy of the crowd: suck them like vampires."
The Church – Untitled #23
Moving on from Uninvited, Like The Clouds to Untitled #23, The Church near the end of the alphabet but not the end of their career.
Kaki King – Mexican Teenagers EP
Diminutive guitar goddess Kaki King gets caught up with the wrong crowd on Mexican Teenagers.
Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
Lightspeed Champion – Life is Sweet! Nice to Meet You
Dev Hynes brings us more songs of bittersweet romance on his sophomore release as Lightspeed Champion.
Vivian Girls – Vivian Girls
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
The New Pornographers – Together
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
Ape School – Ape School
Former member of Natural, Lily's and Holopaw, Florida's Michael Johnson aka Ape School shows off a whole new set of skills for his second album.
The Morning Benders – Interview with Chris Chu (Static, 2010)
For The Morning Benders, a big echo doesn't necessarily mean a big noise, but the latter is certainly what these Californian boys encountered following the release of their sophomore album Big Echo earlier this year, easily giving Webcuts one of our favourite albums of 2010. Perfectly formed and lavishly constructed, Big Echo stretched its influences across the decades, from the lush '60s doo-wop harmonies of "Excuses", the '70s Californian pop-rock of "All Day Day Light" to the peer rivaling, stark echoes (which the album lives up to its name) of "Hand Me Downs".
Stuart Murdoch – God Help the Girl
Stuart Murdoch and a cast of thousands get by with some divine intervention in the long awaited God Help the Girl.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Grand Atlantic / The Lovers of Modern Art / We All Want To – Brisbane – 26 June 2009
Not ones to throw angular shapes the boys here strive to find the right notes and the majority of the time they hit them.
Titus Andronicus – The Monitor
Ragged fist-pumping fury from outta New Jersey. Named after one of Shakespeare's earliest tragedies. Fact.