Darren Hayman and Jack Hayter – London – 13 June 2008
Darren Hayman and Jack Hayter Luminaire, London 13th June 2008 What do you call a Hefner revival without two of it's original members? Halfner. Hayman has recognised that it would be
Tegan and Sara – The Con
Vapor/Sire, 2007 [rating:8.5/10] Although always writing separately, the initial blueprints for The Con, saw the twins geographically distanced -- Tegan in Vancouver, Sara in Montreal. Reunited and with demos in hand the pair moved to
Pavement – Brighten The Corners (Nicene Creedence Edition)
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Stuart Murdoch – God Help the Girl
Stuart Murdoch and a cast of thousands get by with some divine intervention in the long awaited God Help the Girl.
Peter Wolf Crier – Garden Of Arms
Minneapolis folk duo Peter Wolf Crier mix things up on their sophomore album with mixed results.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
The Primitives – Back and In Full Bloom (2010)
When you get down to the nuts and bolts of rock and roll, it's not about how tight your jeans are or how good your stylist is, it's about the music. It's about the song. For some bands in particular, it's about the pop song. Two and half minutes of spun gold that held your attention long after the needle left the record. Few bands embodied the spirit of the sublime '60s pop song than The Primitives. Sitting backstage at The Scala in London, Webcuts catches up with Tracy and Paul to rewind the clock and to talk about the events that brought The Primitives into the 21st Century and what lies ahead for the band.
Lydia Loveless – Columbus – 30 September 2011
A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.
Lotus Plaza – The Floodlight Collective
The second solo project members of Deerhunter, Lotus Plaza is guitarist Lockett Pundt's self-fulfilling dreampop odyssey.
Bibio – Ambivalence Avenue
Turn left off Apathy Street, hang a right on Take It or Leave It road and there you'll find Ambivalence Avenue the new offering from Bibio.
The Hold Steady – Interview about Heaven Is Whenever (2010)
“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
Noah and the Whale – Last Night on Earth
A surprising record or a record full of surprises from this indie-pop quartet? Note reviewer in "I loathed it now I like it" situation.
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the