Camera Obscura – My Maudlin Career
Four albums in, Camera Obscura assess their career, wisely trading 'brilliant' for 'maudlin' and coming up somewhere inbetween.
British Sea Power – Valhalla Dancehall
Hurrah for English music. Just when you think Webcuts panders almost exclusively to the Americans, British Sea Power save the day.
British Sea Power – Man of Aran
British Sea Power take to the Irish Coast to provide a fresh soundtrack to this 1934 documentary on the people of Aran.
Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
Dean Wareham – Black Postcards
Penguin Press, 2008 [rating:7/10] "I don't wanna stay at your party/I don't want talk to your friends/I don't wanna vote for your president/I just wanna be your tugboat captain." Over simple chords, and a shaky
Black Cab – Brisbane Interview (2010)
Sometimes the best music is just under your nose, as in literally right under your nose on your desk hiding in a spindle of CDs. That’s what happened with Melbourne's Black Cab as after receiving a promo of their third album Call Signs mid last year it was put on said spindle and largely forgotten about until the video for the first single, the chugging rock epic “Church of Berlin” was seen, which quickly made me hunt out the promo disc and give it my full, rapt attention. With Calls Signs recently being given an European release we talked to Andrew and Steve about their visit to the sunshine state, the sexiness of “Sexy Polizei”, the allure of Germany as a source for lyrics, covering alternative classics and new recordings.
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Broken Bells – Broken Bells
In an era dominated by unexpected musical collaborations, Broken Bells (James Mercer of The Shins and Brian Burton aka Danger Mouse) triumphs.
Plants and Animals – La La Land
For a band who call their music "post-classic rock", Canada's Plants and Rags have at least one thing going for them.
Steven Heath – The Airport Fire
Peak Plasma Conc., 2008 [6/10] "A soundtrack for driving around the city at night" is how Australia's Steven Heath depicts his latest release and it's not a far fetched description; the overall feeling that it
Cat Power – Jukebox
Matador, 2008 [rating:6.5/10] Chan Marshall walks into a Manhattan recording studio, one arm weighed down by a stack of vinyl and the other carrying a large Starbucks cappuccino. She sits down on a couch by
Shearwater – London – 22 November 2008
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th
We Were Promised Jetpacks – Q&A with Darren Lackie (2009)
...And we got them. Darren Lackie drummer from Glasgow's anthem driven rock band We Were Promised Jetpacks does the honours - "We've learnt from our mistakes recording the first album though so who knows with the next one (please let us have a next one, I don't want a job)"
They Might Be Giants – Join Us
Join Us finds They Might Be Giants at their "quirkiest, catchiest and most clever", which is simply music to our old-school fan ears.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.