Generationals – Actor-Caster
Louisiana's Generationals Actor-Caster is a "treasure trove of indie pop rock songs". That's exactly the kind of booty we like around here.
Luke Haines – London – 19 January 2011
This was to be the debut and sole performance of Outsider Music, Luke Haines' most successful solo album to date. An album of some notoriety in that it was individually recorded 50 times and released last September for £75 a throw. An artistic experiment and a gamble of sorts, it was an undeniable success for Haines, the old adage about fools and their money standing true -- all 50 volumes of Outsider Music disappearing quicker than anticipated. With each volume a unique item on its own, buyers have been reticent on sharing and as of yet, no copies have surfaced. So Haines - 1, Rich Fans - 1, Poor Fans - go eat a shit sandwich.
The Stills – Interview with Tim Fletcher (2009)
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
Detektivbyrån – Copenhagen – 13 February 2009
Detektivbyrån Lille Vega, Copenhagen 13 February 2009 The other day a friend of mine came by and flicked through my records and asked "Don't you have any music that is not depressing?". I replied "I
Ramona – London – 17 April 2011
It's easy to love Ramona, even though everything about them is so flawless and en pointe, unheard for a scruffy bunch of Brighton by-way-of-New-York rockers. Picks in hand, they transform a handful of chords into polished punk perfection, fronted by the coquettish bleach-blonde tomboy Karen Anne, a second generation Edie and Debbie who knows how to hang from a mic stand like she was hanging from your shoulder. Absent from the stage this year so far, they cycle through their set in a brisk half hour, including encore, and you're crying out for a flubbed note, an unrehearsed run through a song they just wrote in the van, or general indifference to whether anybody is listening.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Neon Indian – Pills, Chills and Genre Ache (2010)
Astute music fans have probably heard of the genre chillwave – a blend of 80s synths, psychedelic pop and liberal amounts of distortion – put upon acts like Memory Tapes, Toro Y Moi and Nite Jewel. The band most closely associated with that word is Neon Indian whose main man Alan Palomo, who also has a solo project VEGA, had a chat to Chris Berkley recently in London about the c-word, the beginnings of Psychic Chasms, the Yacht remix, his collaborations with Australian dance merchants Miami Horror, how he loves to make music that messes with people’s heads and the forthcoming Australian tour for the Texan group.
Centro-Matic / South San Gabriel – Dual Hawks
Cooking Vinyl, 2008 [5/10] (Centro-Matic) [7/10] (South San Gabriel) Will Johnson can seemingly do anything. A prolific songwriter, Johnson has spent over a decade playing indie rock in Denton, Texas' Centro-Matic, putting out a succession
Eels – Hombre Lobo
America's rock werewolf Mark Oliver Everett otherwise known as Eels howls twelve songs of desire on his seventh studio disc.
The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
Stars – Interview with Amy Millan & Evan Cranley (Static, 2008)
It may've taken eight long years but Canadian indie pop quintet Stars made their way to Australia for the first time recently on the back of their fourth LP and one of 2007's best releases,
Primavera Festival – Barcelona – 27-29 May 2010
Ah, Barcelona, your beaches are beautiful, your women are smoking jewels (literally), and this festival by the beach (really an explosion of concrete by the seaside) is clearly the diamond in the rough for the travelling roadshow of bands that litter the skies with one thing in mind - a paid holiday. With a selection of acts that suited this weary hack like a good pair of tight jeans and a band tee, Primavera was a stage to stage delight. The current crop of new band like The Drums, Surfer Blood and Dum Dum Girls rose up to meet the challenge of the '90s alternative old guard of Pixies, Pavement and Superchunk.
Adalita Srsen – Interview and Live Review, Bulli, Australia (2009)
Having first dipped her toes in the solo waters for the soundtrack to the movie Suburban Mayhem in 2006, Adalita Srsen has remained steadfast fronting Melbourne's mothers of sonic invention, Magic Dirt. Webcuts catches up with Adalita to discuss her transition into the solo arena.
Shearwater – The Golden Archipelago
Shearwater seem to have run aground on The Golden Archipelago. Not quite paradise, nor a place you'll likely return to soon.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.