Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
Interpol – Our Love to Admire (Ltd Edition)
Capitol/EMI, 2008 [rating:7.5/10] Our Love to Admire was one of Webcuts' favourite albums of 2007. In fact we considered the third album by Brooklyn's Interpol as their most consistent and fully realised work to date.
Phoenix – Wolfgang Amadeus Phoenix
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Kurt Vile – Smoke Ring for My Halo
"I don't wanna work/but I don't wanna sit around/all day frowning". Kurt Vile, you speak to us in a way few artists ever do. You can stay.
Sloan – The Double Cross
The best band to come out of Canada, ever, celebrate their 20th anniversary with The Double Cross. It's a Roman numeral thing, y'dig?
The Darling Buds – London – 22 September 2010
You’d be forgiven for having a sense of déjà vu here. Is it 1989? Did The Primitives and The Darling Buds really both play London within a week of each other? Having been absent from the live scene for most of the '90s and all of the past decade, for both bands to surface at the same time is unthinkable. Unthinkable, but pretty damn cool. It brings back memories of a time when the music magazines invented a scene called ‘Blonde’, where bands were lumped together purely based on the colour of the lead singers hair. Which by their way of thinking meant you were either a Blonde, a Goth or in Fairground Attraction.
Chief – Modern Rituals
Totally random, but a friend of mine once got "Chief" tattooed on the back of her neck and the tattoo guy spelt it wrong. There is no metaphor to be found here.
Noah and the Whale – The First Days of Spring
No moby dick here, just a sensational second album from Twickenham's lush indie-folk providers.
Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
The Walkmen – You & Me
Fierce Panda, 2008 [8/10] The Walkmen have always sounded like a band out of time. From the ashes of once great Jonathan Fire-eater, they arrived on the New York scene shortly before the great Strokes
M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
Real Estate – Days
Sweet jangle pop outta New Jersey and more than likely the only Real Estate we'll ever purchase... (sad but true).
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
Mr. Maps – Brisbane – 12 Feb 2011
Photos of Mr. Maps' launch for Wire Empire their debut (and so far only) album. Brisbane, February 12, 2011.