Headless Chickens – Gaskrankinstation
Continuing our exploration into the Secret History of Australian Music, we open the doors to our New Zealand neighbours and welcome the Headless Chickens as we fill our tanks in their "Gaskrankinstation"
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Crystal Antlers – Tentacles
Young bucks Crystal Antlers release their debut album which unfortunately shatters upon the weight of expectation.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Odawas – Interview with Michael Tapscott (2009)
The Blue Depths which focussed on ambient old school synths and majestic, dreamy mood-scapes yielded great dividends resulting in Odawas' most cohesive album to date. We recently spoke to Michael Tapscott about the beautiful depths of The Blue Depths, the Odawa live experience including SXSW, soundtracks and the mystery of the sea.
The Long Blondes – Couples
Rough Trade, 2008 [8/10] "Couples" by name and couples by nature, Sheffield's indie darlings, The Long Blondes, were once discreetly paired up (drummer with bassist, obviously, and guitarist with keyboardist) leaving them looking like the
The Fauves – When Good Times Go Good
Melbourne's The Fauves prove to be remarkably prophetic with their ninth serve of twisted rock.
She & Him – A Very She & Him Christmas
It's October. Why are we reviewing Christmas albums in October? Why She & Him? Why?
The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Adalita Srsen – Interview and Live Review, Bulli, Australia (2009)
Having first dipped her toes in the solo waters for the soundtrack to the movie Suburban Mayhem in 2006, Adalita Srsen has remained steadfast fronting Melbourne's mothers of sonic invention, Magic Dirt. Webcuts catches up with Adalita to discuss her transition into the solo arena.
Lotus Plaza – The Floodlight Collective
The second solo project members of Deerhunter, Lotus Plaza is guitarist Lockett Pundt's self-fulfilling dreampop odyssey.
Silversun Pickups – Swoon
Have the Silversun Pickups swooned too soon? We pickup the pieces of the LA band's second album.
Animal Collective – Interview with David Portner (Static, 2009)
Having just released the second single "Summertime Clothes" from their acclaimed eighth album, Merriweather Post Pavilion, Chris Berkley from Static spoke to David Portner from Baltimore, Maryland's favourite sons, Animal Collective and asked, among other
Dean Wareham – London – 8 December 2010
Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.