Wild Nothing – Nocturne
Bella Union, 2012 Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This
Shearwater – London – 22 November 2008
"I don't know. I feel a bit naughty playing here", confides Jonathan Meiburg, singer with the Austin, Texas outfit Shearwater, sitting in front of a grand piano in St. Giles in the Fields, an 17th
Models – God Bless America
The Post-Punk years in Australia were a mixed ground. The key bands of that era were floundering or disbanding while the second wave was about to hit, bands like Hunters and Collectors, Hoodoo Gurus, The
Black Cab – Brisbane Interview (2010)
Sometimes the best music is just under your nose, as in literally right under your nose on your desk hiding in a spindle of CDs. That’s what happened with Melbourne's Black Cab as after receiving a promo of their third album Call Signs mid last year it was put on said spindle and largely forgotten about until the video for the first single, the chugging rock epic “Church of Berlin” was seen, which quickly made me hunt out the promo disc and give it my full, rapt attention. With Calls Signs recently being given an European release we talked to Andrew and Steve about their visit to the sunshine state, the sexiness of “Sexy Polizei”, the allure of Germany as a source for lyrics, covering alternative classics and new recordings.
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
Deerhunter – London – 18 May 2009
Deerhunter Scala, London 18th May 2009 Palpable expectation, a sold out crowd, a critically received album, a loud northerner standing beside me naively exclaiming “I hope they play something off Turn It Up, Faggot" and
Love of Diagrams – Nowhere Forever
Our love for Love of Diagrams knows no bounds especially for the Melbourne noise merchants freshly minted third album.
The Soft Pack – The Soft Pack
No hard hits from San Diego's The Soft Pack, just bland indie rock with some scant memorable moments.
Who The Hell Are… The Volcano Diary?
Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.
Okkervil River – Brisbane – 3 May 2009
The highlights of the night are rightly saved for the encore; “Blue Tulip” combines both delicate folk and heavier rock modes with an acoustic beginning slowly building to a layered, cathartic second half that envelopes the Zoo in a thick haze of distorted bliss.
TV on the Radio – Dear Science
4AD, 2008 [9/10] Brooklyn art/beat innovators TV on the Radio return with their third album, a soulful slice of inspiration and invention, moving away from the doom and desperation of 2006's Return to Cookie Mountain
Girls – Talking Father, Son, Holy Ghost (2011)
San Francisco's Girls self-titled debut of 2009 garnered widespread acclaim based on its fancy-free and free-love attitude that offered irresistible pop gems bathed in x-rated video clips ("Lust for Life" anyone?). Sex and pop, what more do you want out of music these days? For their sophomore album Father, Son, Holy Ghost, the Girls duo of Christopher Owen and Chet "JR" White have upped the songwriter stakes to put together an album that's impressive straight out of the blocks. Static's Chris Berkley spoke with Girl's JR over the phone in the midst of a very suspect (if you're to believe what he says) video shoot.
Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
Daestro – Moondagger
Will it be knives out for Detroit's Randoph Chabot aka Daestro or maybe a friendly slap on the back instead?
Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Truck Festival – Steventon – 22-24 July 2011
Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.