Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
Who The Hell Are… Zoo Animal?
Picture the scene... in a dark Minneapolis jazz club, three anonymous musicians take the stage. The usual rituals of tuning and testing, smiling and carrying on, and then the lead singer steps up to the microphone. It only takes a few songs to appreciate the underestimated prowess of the band; the churning bass, the precision in the drumming, and a fiesty singer whose melancholy adroitness shines through her toned-down Joplin-esque voice and ferocious, half-prostrated guitar solos. This is Holly Newsom and Zoo Animal, a band marked by a soulful yet minimal electrofolk sound and introspective, sometimes spiritual lyrics.
1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)
During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.
Wendy James – London – 9 June 2011
Why hello, Wendy James. It’s been a while. Almost 20 years since I saw Transvision Vamp play at the Hordern Pavilion in Sydney. A mostly unremarkable show except for the amount of intimidating drunks in attendance and the fact they played their current ‘hit‘ twice. Australia loved Transvision Vamp, almost in the same way it loved Blondie, decades before. Stick a blonde wig on a mop, put it in front of a bunch of guys in leather jackets and you're set. Transvision Vamp at that time were in their career descent with Little Magnets Versus The Bubble of Babble (my head still shudders at the idiocy of this title) and this was their last roll of the dice.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)
After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs
Bad Lieutenant – London – 18 March 2010
As a teenage music fan, one of my prized possessions was a bootleg LP of Joy Division recorded on the same stage Bad Lieutenant are playing tonight, 30 years later. You think Bernard Sumner, guitarist in both bands, would mention the significance, or perhaps the memory has left him, like his own introduction to an Electronic song later in the set "This is called "Tighten Up", I've no fucking clue what it's about".
Who The Hell Are… KIDCITY?
Introducing KIDCITY. Two people, One word, uppercase for menacing effect. But really, aren't they just too cute for words? Which is apt, seeing as the music that these two Canadian 21-year-olds make is more like haunted voices leaking from an overloaded digital landscape. "Somewhere between Enya and Dr. Dre", someone said. Sure, why not. It might be simple enough to place them within the geographical radius of another glitchy electronic duo, Crystal Castles, but Kelly Ann's vocals soothe, rather than antagonise, as the cracked beats and blistered frequencies dial up the intensity. Significantly impressed, we had no choice but to ask 'Who the hell are... KIDCITY?"
The Walkmen – Heaven
Bella Union, 2012 [rating:8/10] From the outset, The Walkmen's seventh album Heaven ('seventh heaven' geddit?) does much to reignite interest in a band, who to be completely honest, have regularly under-performed on record (critically, backslaps all
Be Your Own Pet – Get Awkward
XL, 2008 [6/10] Junior Nashville punk rockers, Be Your Own Pet caused something of a stir at a show in London recently. Previewing tracks from their follow-up to 2006's self-titled debut, the band engaged in
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
The Walkmen – You & Me
Fierce Panda, 2008 [8/10] The Walkmen have always sounded like a band out of time. From the ashes of once great Jonathan Fire-eater, they arrived on the New York scene shortly before the great Strokes
Webcuts Top 25 Albums of 2008
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
Who The Hell Is… Joel Edmondson?
Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.