Pavement – Brighten The Corners (Nicene Creedence Edition)
Expanded and remastered fourth album tour de force from Stockton, CA quintet. High-ho silver ride!
Beach House – Bloom
Bella Union, 2012 [rating:5/10] Since their self-titled debut in 2006, Portland duo Beach House have become a band synonymous with the 'dream-pop' side of contemporary music, a tag that suitably sums up Beach House's immaculate
TV on the Radio – Interview with Jaleel Bunton (Static, 2008)
Having just released one of the stand-out (and Webcuts approved) albums of 2008 with the awe-inspiring brilliance of Dear Science, Static's Chris Berkley spoke to Jaleel Bunton, drummer of Brooklyn's roof-raising TV On The Radio as
Divine Fits – A Thing Called Divine Fits
Merge, 2012 [rating:8.5/10] The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh thrills. Often it's the
PJ Harvey & John Parish – A Woman A Man Walked By
We took at poll at Webcuts, and PJ Harvey is most definitely not a woman one of us would walk by.
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
Supergrass – Brisbane – 2 October 2008
"How you doin'? You alright?" asks an out of breath Gaz Coombes during their first Brisbane show in several years. The assembled punters shout back "yeah!", hoping that the next song will be the
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the
1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
The Dead Weather – Interview with Jack Lawrence, Alison Mosshart, Dean Fertita (Static, 2010)
The Dead Weather are a band that more than live up to their name. Dark and bluesy, malevolent and loud. Given the rock credentials brought by each of the musicians attached, you expect nothing less. A multi-headed musical beast comprised of Alison Mosshart, the chain-smoking siren from The Kills, Jack White, leader of the status: in hiatus White Stripes, Dean Fertita of Queens of The Stone Age and Jack Lawrence of The Raconteurs. With a new album Sea of Cowards about to be released, we speak to Alison, Jack, and Dean.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
Truck Festival – Steventon – 22-24 July 2011
Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.
Who The Hell Are… Big Scary?
While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band.
Camera Obscura – My Maudlin Career
Four albums in, Camera Obscura assess their career, wisely trading 'brilliant' for 'maudlin' and coming up somewhere inbetween.
Harlem – Hippies
Of Harlem, this brief explanation should suffice -- "those who don’t sicken quickly of energetic, repetitive three-chord rock will have a lot to love".