Laneway Festival – Brisbane – 2009
We brave the laneways of Brisbane to report on No Age, Jay Reatard, The Hold Steady, Cut Off Your Hands, The Drones, Stereolab, Spiral Stairs, Augie March and more.
Kaki King – London – 13 July 2010
When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".
Hop Farm Festival – Kent – 1-3 July 2011
In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Tune-yards – Bird-brains
One of the top records of the year that you never want to hear again? Merrill Garbus is Tune-yards and experimental lo-fi folk is the order of the day.
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Jarvis Cocker – “Further Complications.”
Help the aged. The king of Britpop is back with his second solo effort, which sees a surprising teaming up with Steve "king of rawk" Albini.
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.
The Clean – Mister Pop
New Zealand indie legends The Clean are still going, well maybe strong is too kind a word, for their new release Mister Flop, er Pop.
The Cave Singers – Welcome Joy
No, not Nick Cave's new backing band, Seattle's The Cave Singers have crafted a rich and rewarding second album.
Models – God Bless America
The Post-Punk years in Australia were a mixed ground. The key bands of that era were floundering or disbanding while the second wave was about to hit, bands like Hunters and Collectors, Hoodoo Gurus, The
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
Bad Lieutenant – Never Cry Another Tear
If New Order and Doves made a record, how would it sound? Something like this, we think...