Jarvis Cocker – “Further Complications.”
Help the aged. The king of Britpop is back with his second solo effort, which sees a surprising teaming up with Steve "king of rawk" Albini.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Various Artists – Dark Was The Night
North America's finest show their charitable side with this awe-inspiring collection. Just call it "No Alternative Part 2".
Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Rat vs Possum – Interview (2010)
I'd heard murmurings of a Melbourne band who subscribed to the "let's give them a real show" theory of concert performance - glitter, paint bombs and bubble wrap - along with a huge wall of
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the
Sunset Sounds Festival – Brisbane – 2011
The third Sunset Sounds festival featuring Sleigh Bells, Cold War Kids, Ladyhawke, Pubic Enemy, The National and Interpol on day one. While for the second day we deliver reports on The Soft Pack, Peaches, Junip, The Morning Benders, Washington and Paul Kelly.
I Break Horses – Hearts
Welcome to the lilting shoegaze world of Swedish duo I Break Horses, "more than just a nostalgic pastiche of an ethereal past".
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Hoodoo Gurus – Interview with Dave Faulkner (2008)
Living proof that great bands and great songs endure all, Sydney's Hoodoo Gurus are the epitome of the walking jukebox, with a back catalogue of classic singles and albums that have become as much part
Cat Power – Dark End Of The Street
A christmas gift from Chan Marshall aka Cat Power. You might want to keep the receipt...
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Robert Forster – The Evangelist
EMI, 2008 [8/10] Robert Forster and Grant McLennan were two months into writing the next Go-Betweens album when on May 6th 2006, Grant McLennan died suddenly of a heart attack at age 48. An indescribable
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.