Chris Thile – Los Angeles – 26 April 2010
"You must be the most attentive audience, ever" joked Chris Thile, during his performance at LA's gem Largo at the Coronet, "It's not often that you can hear the performer's water bottle snap back into place." And it was true -- in this intimate setting of about 75 people (including fan Minnie Driver), Mr. Thile was the center of everyone's attention. There was no heckling or chatter between songs, just enthusiastic, almost rapturous applause for this mandolin virtuoso.
Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
Dappled Cities – Interview with Dave Rennick (Static, 2009)
Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.
The Besnard Lakes – On the Sydney Shores (2011)
The Besnard Lakes Are The Dark Horses. A fitting album title for these Montreal, Quebec, Canadians, as much as it was a challenge for a band who've skirted success but in turn garnered acclaim for their lush and psychedelic sound. Their most recent album The Besnard Lakes Are The Roaring Night appeared in early 2010, and once again it was that intimate and expansive sound, coupled with vocalist/guitarist Jace Lacek's Beach Boys-like falsetto that saw the band release their most definitive collection of songs yet. Touring Australia for the very first time, Chris Berkley of Static caught up with Lacek and drummer Kevin Laing of The Besnard Lakes to talk about the slow rise of the band and their move into film scores.
Spiritualized – Interview with Jason Pierce about Songs in A&E (Static, 2008)
After a break of five years since their last album Amazing Grace, and a near crippling bout of double pneumonia, Spiritualized are back and in perfect health with their finest album to date with Songs
Who The Hell Are… Villa Cola?
Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.
Deerhunter – Microcastle
4AD, 2008 [10/10] It's refreshing to listen to a band riding on a wave of no hype. No Myspace campaigns, no sycophantic hipsters attempting to crystal ball the next Vampire Weekend. Bradford Cox could probably
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
Colin Meloy – Colin Meloy Sings Live!
Rough Trade, 2008 [6/10] Colin Meloy. You either love him or you hate him. At times I've found myself wanting to do both. He's the perennial literate geek come celebrated indie star. He's charming and
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.
Wendy James – London – 9 June 2011
Why hello, Wendy James. It’s been a while. Almost 20 years since I saw Transvision Vamp play at the Hordern Pavilion in Sydney. A mostly unremarkable show except for the amount of intimidating drunks in attendance and the fact they played their current ‘hit‘ twice. Australia loved Transvision Vamp, almost in the same way it loved Blondie, decades before. Stick a blonde wig on a mop, put it in front of a bunch of guys in leather jackets and you're set. Transvision Vamp at that time were in their career descent with Little Magnets Versus The Bubble of Babble (my head still shudders at the idiocy of this title) and this was their last roll of the dice.
Savages – London – 11 October 2012
Savages Electrowerkz, London 11th October 2012 Does anyone remember the post-punk explosion of 2005 when every second band seemed to be cribbing off each other's influences sheets, and labels with derivative names
Mansun – Interview with Dominic Chad (1997)
A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.
Grand Duchy – Petit Fours
Grand who? Just call them Mr. and Mrs. Frank Black and everything will be peachy, or desserty...
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.