Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
Adalita – Adalita
Australia's first lady of rock and founder member of Magic Dirt, Adalita Srsen, adopts a stripped back stance for her debut solo effort.
The Strokes – Angles
Thumbs down for the skinny ties and tight jeans brigade on their fourth go-round. Surely it can't be worse than First Impressions Of Earth?
They Might Be Giants – Join Us
Join Us finds They Might Be Giants at their "quirkiest, catchiest and most clever", which is simply music to our old-school fan ears.
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
The Charlatans – Some Friendly (20th Anniversary Expanded Edition)
20th Anniversary? Seriously? You're twisting my melon, man! Wait, wrong band...
Dappled Cities – Zounds
The new album from Sydney art-pop five piece Dappled Cities reached forty eight on the Australian chart. Gold Zoundz indeed.
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
Stephin Merritt – Obscurities
Obscurities he called it, but more like a forgotten treasure trove from all chapters of the Stephin Merritt songbook.
Kurt Vile – Smoke Ring for My Halo
"I don't wanna work/but I don't wanna sit around/all day frowning". Kurt Vile, you speak to us in a way few artists ever do. You can stay.
Kings Of Leon – Come Around Sundown
"a polished genre grab bag record of mostly stale, completely innocuous songs". Kings of Leon - Win!
The Long Blondes – Couples
Rough Trade, 2008 [8/10] "Couples" by name and couples by nature, Sheffield's indie darlings, The Long Blondes, were once discreetly paired up (drummer with bassist, obviously, and guitarist with keyboardist) leaving them looking like the
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Cat Power – Jukebox
Matador, 2008 [rating:6.5/10] Chan Marshall walks into a Manhattan recording studio, one arm weighed down by a stack of vinyl and the other carrying a large Starbucks cappuccino. She sits down on a couch by
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.















