In our never-ending attempt to immortalise those classic Australian singles that touched our collective hearts, Webcuts shines a light on the Hoodoo Gurus and their tear-jerking ode to love gone astray "My Girl". It was in the pages of Countdown magazine around 1984 that I first recall seeing the Hoodoo Gurus, hanging out in the
"I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's Forum last Friday night. This time those words held a little more poignancy, playing in the same venue Hoodoo Gurus once played a little over twenty years ago. Powering through with a set
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s actually wrote something worth a damn. I remember when I first heard this (which would've been sometime around January 1997), turning
Peak Plasma Conc., 2008[rating:6/10] "A soundtrack for driving around the city at night" is how Australia's Steven Heath depicts his latest release and it's not a far fetched description; the overall feeling that it leaves behind is that of cold, lonely nights with the radio as your only companion. Recorded in a friend's spare room,
The Post-Punk years in Australia were a mixed ground. The key bands of that era were floundering or disbanding while the second wave was about to hit, bands like Hunters and Collectors, Hoodoo Gurus, The Scientists and The Beasts of Bourbon would soon come to prominence, but one of the bands who had been lingering
EMI, 2008 [rating:8/10] Robert Forster and Grant McLennan were two months into writing the next Go-Betweens album when on May 6th 2006, Grant McLennan died suddenly of a heart attack at age 48. An indescribable blow to Australian music, McLennan's death was felt worldwide, and while we mourned his loss, attention turned to Forster
Bughouse's classic debut single "V for Vendetta" is remembered in our ongoing "Secret History of Australian Music" series which digs through our archives looking for some forgotten vinyl gems by bands of the Australian music scene that shone brightly, but all too briefly. We spoke with Genevieve Maynard, bassist of Bughouse and solo singer/songwriter of
In Webcuts' short history we've had the pleasure of publishing many enjoyable and informative interviews, but few have matched the humour and insight pervasive in this feature with DC from Melbourne's ROOT!. The band's history, debunking the misconception that having good lyrics equates to bad music, the sycophantic cult of Nick Cave, politics and much, much more are covered.
It should be obvious by now, but if you want to sell me your record, couple it with some chiming chords, a memorable lyric and a catchy hook, and I'm all yours for the next three to four minutes. The plangent chords and echoed vocals of The Screaming Tribesmen's "Igloo" create a chilling landscape, blanketing
All my favourite bands break up too soon. Some dissolve and leave no trace they ever existed, others leave behind a body of work, be it that beguiling debut or just one crucial single that will go on to stand the test of time. The reasons may be acrimonious, incongruous or ingenious. From the other
Mute/EMI, 2008 [rating:8/10] The passing of time has done nothing to dampen Nick Cave's spirit or soften his tongue. In the preceding decade spent mostly strapped to the piano like a bible-addicted lothario, it gave the impression that this is where the story ends: in ebony and ivory theology. Those Leonard Cohen years that
Capitol/EMI, 2007 [rating:9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a magnet for the achiever and under-achiever alike. It carries a certain charm and superiority, to tell your friends that "you're
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to something approaching riches tale.
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?