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Cold Cave – Of Dark Days and Light Years (2011)

By |July 20th, 2011|Categories: Interviews|Tags: , , , , , , |

Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.

Mansun – Interview with Dominic Chad (1997)

By |April 16th, 1997|Categories: Interviews|Tags: , , , |

A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.

Ripe – Moondriven

By |February 2nd, 2010|Categories: Features, Secret History of Australian Music|Tags: , , , , |

..with a rejuvenated reappraisal of the career of Melbourne psyche-drone-pop quartet Ripe and their space-rock epic "Moondriven", now with 33 1/3% more added insight courtesy of an exclusive interview with guitarist and vocalist Peter Moran who talks about the making of their landmark Australian debut The Plastic Hassle. Fans of Sonic Youth, Swervedriver and Dinosaur Jr take note.

The Horrors – Australian Interview (Static, 2010)

By |March 31st, 2010|Categories: Interviews|Tags: , , , , |

We chew the fat with The Horrors on their recent Australian tour about last year's remarkable second album Primary Colours, and their thoughts on cover versions: "I think it’s a funny idea that this is a conversation you’re more likely to have now than at any other time in the history of rock ’n’ roll, considering most bands really started playing cover versions, being The Beatles or The Stones or even the Sex Pistols. It was something that was just kind of part and parcel of being in a group and part of a live repertoire."

Foals – Australian Interview with Walter Gervers (Static, 2011)

By |February 12th, 2011|Categories: Interviews|Tags: , , , , , |

To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.

Jess Ducrou – Interview about Splendour in the Grass (2009)

By |June 17th, 2009|Categories: Interviews|Tags: , , , , , , , , , , , , , , , , |

Second Splendour line up in full and interview with Splendour promoter Jess Ducrou about the tremendous success of the festival, the process for picking the line-up and this year's bands, future expansion of the site and the improvements in ticketing technology.

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