Gemma Ray – We’ve Got a Crush on You (2010)
In the cockney rhyming slang lexicon there really should be an entry marked "Gemma Ray" that translates to "The Hard Way" for the sultry Essex singer's career is one filled with false starts, battles with illness and sheer bloody mindedness. Barely finished from touring her last album Ray has just released an album of covers It's a Shame About Ray which draws its song pool from the likes of Buddy Holly, Lee Hazelwood, Etta Fitzgerald, Sonic Youth, Mudhoney, Gallon Drunk and The Gun Club. Webcuts catches up with the brunette with the beehive during a tour in South Africa to talk knives, the new album, Rosemary's Baby, illness affecting songwriting and the recording of new material.
Deerhunter – Halcyon Digest
The stakes are high on Deerhunter's 4th album. Can they beat Webcuts album of the year 2008, their own magnificent Microcastle?
Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
Lykke Li – Wounded Rhymes
A break-up album like no other, Sweden's pop princess Lykke Li hits an emotional core that has Webcuts in awe.
Twin Sister – Vampires With Dreaming Kids / Colour Your Life
How many times do you get given a record and for it to feel like a breath of fresh air? Here you are then.
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.
Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.
Hop Farm Festival – Kent – 1-3 July 2011
In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?
Owen Pallett – Heartland
From Final Fantasy to something more pallettable Canada's Owen Pallett continues to enthrall with his third album which gets to right to the heart.
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
Divine Fits – A Thing Called Divine Fits
Merge, 2012 The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh
Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Warpaint – London – 26 August 2010
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Silversun Pickups – Swoon
Have the Silversun Pickups swooned too soon? We pickup the pieces of the LA band's second album.