Grizzly Bear – Veckatimest
How much can a grizzly bear? We're not sure but this Brooklyn four piece's third album gets a perfect 10/10.
Who The Hell Are… Fear Of Men?
The online buzz surrounding the release of current single “Mosaic” was uniform in the way the agreeable (and occasionally obnoxious) tastemaker blogs began to fall in line with praise. This was slightly akin to a
The Raveonettes – London – 7 September 2009
Pretty in black and pretty and back, The Raveonettes rolled into London this week to play a one-off gig showcasing their forthcoming album In and Out of Control. It wasn't all rape, guns, suicide and stealing cars, but it was near enough.
Interpol – Interpol
The Lights are on but the tunes aren't home on Interpol's disappointing fourth otherwise known as #4.
M.I.A. – MAYA
Send out the search parties -- Missing in action on the latest album from M.I.A. -- "melody, listenability, and some semblance of a point".
The Fall – The Wonderful And Frightening World Of… / This Nation’s Saving Grace
Two classic, career defining Fall albums get the deluxe box set treatment.
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
M83 – Interview with Anthony Gonzalez (Static, 2008)
Anthony Gonzalez is the driving force behind French band M83. Since 2001 M83 have released several albums of hypnotic electronica combined with effects laden guitars, and softly sung vocals. Static's Chris Berkley managed to track down Anthony
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Arcade Fire – Los Angeles – 8 October 2010
You know you've had a good day when you wake up in a resort in Palm Springs and end up almost 24 hours later face down, literally face down, in a plate of tacos in downtown LA, head throbbing and ears ringing. There’s no way to rationalise it, nor the fact that between such decadent highs and lows, Webcuts was in attendance to witness the second night of Arcade Fire’s two night stand at the Shrine Auditorium in Los Angeles. On a night where the streets (well, one street) were filled with yellow NYC cabs and fake snow, Arcade Fire required no illusory set-dressing to impress Tinseltown.
Alela Diane – To Be Still
Nevada City's beguiling folk heroine Alela Diane returns with a white diamond of a second album. Be still, our beating heart.
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Tune-yards – Bird-brains
One of the top records of the year that you never want to hear again? Merrill Garbus is Tune-yards and experimental lo-fi folk is the order of the day.
Why? – Eskimo Snow
The unlikely paring of hip-hop and indie rock actual make for compatible bedfellows with Californian band Why?'s fourth full length album.