Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
My Morning Jacket – Circuital
Album number six for these free-wheeling long-haired holdin' on to black metal giants of Southern Rock.
Exlovers – Moth
Young & Lost Club, 2012 [rating:6.5/10] When it came to making the kind of sweet and effervescent guitar pop that would chime and ring at your feet, London’s Exlovers were one of a handful of bands
Destroyer – Trouble In Dreams
Rough Trade, 2008 [8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women),
Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
Dinosaur Jr. – Farm
No jokes about rock dinosaurs please, Mascis, Barlow and Murph defy expectation with their ninth disc.
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
of Montreal – Brisbane – 4 March 2009
of Montreal The Zoo, Brisbane 4 March 2009 It's just before the encore that things start getting really weird: Two guys in animal masks start playing -- Mr Fish is on drums while Mr Lion
Blood Orange – Coastal Grooves
Putting aside Lightspeed Champion, the chameleon musician/producer known as Dev Hynes unveils his latest project Blood Orange.
Fruit Bats – Tripper
Chicago's Fruit Bats return to their familiar "effortless and sweet" indie folk ways on their fifth album, Tripper.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
The Walkmen – You & Me
Fierce Panda, 2008 [8/10] The Walkmen have always sounded like a band out of time. From the ashes of once great Jonathan Fire-eater, they arrived on the New York scene shortly before the great Strokes
Camera Obscura – My Maudlin Career
Four albums in, Camera Obscura assess their career, wisely trading 'brilliant' for 'maudlin' and coming up somewhere inbetween.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Pernice Brothers – Goodbye, Killer
All killer, no filler, Joe Pernice and Co. turn up the volume and turn in one of their most enjoyable records to date.