Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Robert Lurie – No Certainty Attached – Steve Kilbey and The Church
Slighty less than groundbreaking, but no less worthy, biography of Australian poet, musician and icon, Steve Kilbey of The Church.
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Luke Haines – 21st Century Man
Luke Haines looks back at the 20th Century, and takes pop shots at the maligned and those who got left behind in typical Haines fashion.
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound
Julian Plenti – Julian Plenti is… Skyscraper
Paul Banks discovers that the best path to seduction lies in reduction on his first solo outing as the mysterious Julian Plenti.
We Were Promised Jetpacks – These Four Walls
We were promised great things from Scottish act We Were Promised Jetpacks including epic, emotional rock songs and whad'ya know? We got 'em.
Sloan – B Sides Win (1992-2008)
In Sloan's case, it was definitely the A Sides that won, but there's some forgotten treats amongst this rarities collection.
Splendour in the Grass – 2010 – Woodford
It's Summer festival time in Europe, but over in Australia it's Winter and Webcuts was there to brave the chill and celebrate Splendour in the Grass' tenth birthday with 32,000 others at the new Woodford location in Queensland. Over the three day weekend our reviewers witnessed a phenomenal selection of old and new favourites including -- Ash, Band of Horses, Black Rebel Motorcycle Club, Cloud Control, The Drums, Grizzly Bear, Jonsi, LCD Soundsystem, Paul Kelly, Pixies, School of Seven Bells, Scissor Sisters, The Strokes, Tame Impala, The Vines, Yeasayer, and believe it or not, a whole lot more!!
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Who The Hell Are… The Volcano Diary?
Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.
Mumford & Sons – Copenhagen – 11 April 2010
A great band once sang “I’m beginning to like country music. They say that’s the first sign of age” and during the last few years I have seen more and more friends go over to the side of banjos, boots and beards. Maybe age is catching up with us but it could also be that country has sneaked its way into the indie scene more and more, being mixed with folk, rock and pop.
I Break Horses – Hearts
Welcome to the lilting shoegaze world of Swedish duo I Break Horses, "more than just a nostalgic pastiche of an ethereal past".
Noah and the Whale – London – 16 May 2011
It’s a little known piece of Webcuts folklore that Noah And The Whale once played in my living room. Gladly, it was before my time, otherwise a compulsion to head downstairs and have words would‘ve been hard to resist. A sell-out show at the Camden Roundhouse is not to be sneered at, but if commercial success or the ability to fill a room is the barometer in which all great music is measured, we’re on (and have been for decades) very shaky ground, and when superlative-inducing American folk-rock act Okkervil River are playing across town, clearly in the wrong place.
Coco Electrik – Interview (2007)
Former Brisbanite Anne Booty is the leading force behind genre defying Brighton-London based act Coco Electrik. We grill Anne about debut LP Army Behind the Sun, performing live and receive an answer to the question: Are Friends Electrik?