Lykke Li – Wounded Rhymes
A break-up album like no other, Sweden's pop princess Lykke Li hits an emotional core that has Webcuts in awe.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.
Volcano Choir – Unmap
Bon meets the Bees in this post rock collaboration for Justin Vernon and Collections of Colonies of Bees which results in only a slight buzz.
Tindersticks – Interview with David Boutler (2008)
We talk with Tindersticks keyboardist and founding member David Boutler about version 2.0 of Tindersticks, the stunning new album The Hungry Saw, the re-issue of their back catalogue, Songs for the Young at Heart and more.
William Fitzsimmons – The Sparrow and the Crow
William Fitzsimmons goes through the gamut of emotions on his new album - forgiveness, loss, optimism - but it still cannot save the effort from a terminal dullness.
Noah and the Whale – The First Days of Spring
No moby dick here, just a sensational second album from Twickenham's lush indie-folk providers.
James Yorkston – Folk Songs
There's no sitting on the fence about Scottish troubadour James Yorkston's ninth album, which consists of traditional folk songs featuring the likes of "Mary Connaught and James O'Donnel" and "Little Musgrave".
Echo Lake – London – 1 October 2012
Echo Lake + Evans The Death The Lexington, London October 1, 2012 To say that 2012 hasn't been the easiest of years for Echo Lake would be a sad understatement. The tragic loss of their
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.
The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Grizzly Bear – Interview with Ed Droste (Static, 2010)
We hunt down Ed Droste from Brooklyn's Grizzly Bear and get our claws into their move from a studio to live band, how they keep songs fresh, and how they came to record with Yacht rock legend Michael McDonald: "Michael McDonald is one of the coolest Yacht rockers around. We let him know we were fans and he ended up coming to a show and we really liked him and approached him with the idea and he was totally excited to do it."
Jay Reatard – London – 13 November 2009
Musicians die. Sometimes quite unexpectedly, most before their time, but not often enough for your brain to idle between song, between string changes or tunings to wonder “will this be the last time?”. You don’t, because you’re too busy enjoying the moment. Having witnessed Jay Reatard play what would be his last ever show in London, he was anything but the vision of a man kicking out the last of his jams.
The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.
The Fall – The Wonderful And Frightening World Of… / This Nation’s Saving Grace
Two classic, career defining Fall albums get the deluxe box set treatment.
Taken by Trees – Open Field
Rough Trade, 2007 [7/10] Fill up a glass of red wine, put on Open Field, take a seat down in a comfy chair and enjoy the debut of Taken By Trees, a delicate album that