Animal Collective – Interview with David Portner (Static, 2009)
Having just released the second single "Summertime Clothes" from their acclaimed eighth album, Merriweather Post Pavilion, Chris Berkley from Static spoke to David Portner from Baltimore, Maryland's favourite sons, Animal Collective and asked, among other
Devo – Something for Everybody
There are people who write for this website who weren't even born when Devo last made a record. This is not for them.
Hatcham Social – You Dig The Tunnel, I’ll Hide The Soil
There's no hiding Hatcham Social. "You Dig The Tunnel" kicks the dirt long and high in a dazzling display of pop sensibility.
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Husky Rescue – Interview with Marko Nyberg (2008)
Hailing from Helsinki Husky Rescue are the brainchild of songwriter/bassist Marko Nyberg assisted by the magnetic Reeta-Leena Korhola on vocals, Miika Colliander on guitar, Ville Riippa on keyboards, and Anssi Sopanen on drums. Webcuts questions
Twin Sister – Vampires With Dreaming Kids / Colour Your Life
How many times do you get given a record and for it to feel like a breath of fresh air? Here you are then.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.
Slowdive – Just For A Day / Souvlaki / Pygmalion
Champion Shoegazers Slowdive get the back catalogue reissue treatment. We'll have the Souvlaki to go.
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Moonface – Organ Music Not Vibraphone Like I’d Hoped
...says Wolf Parade's Spencer Krug of his solo off-shoot project Moonface. Not as good as we'd hoped, either.
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Louis XIV – Way Out West Interview (2008)
This August Sweden was graced by a visit from San Diego's finest, Louis XIV, a band that shocked parents groups in Alabama and who have enticed numerous girls with their classic rock'n'roll moves. But behind
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.