Deerhunter – London – 18 May 2009
Deerhunter Scala, London 18th May 2009 Palpable expectation, a sold out crowd, a critically received album, a loud northerner standing beside me naively exclaiming “I hope they play something off Turn It Up, Faggot" and
Telekinesis – Telekinesis!
A protégé of Death Cab's Chris Walla, Telekinesis, certainly has the über producer's influence all over its thirteen power pop tracks.
Kurt Vile – Smoke Ring for My Halo
"I don't wanna work/but I don't wanna sit around/all day frowning". Kurt Vile, you speak to us in a way few artists ever do. You can stay.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
Webcuts Top 20 Albums of 2007
We graze of the green pastures of 2007 and find the cream of the crop including Damn Arms, Grinderman, Spoon, The Concretes, Feist, Faker, John Doe, The Shins and more.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Elliott Smith – An Introduction To…
It's hard to believe that he's been gone 7 years now. This collection attempts to define one of last great songwriters of the 20th Century.
Webcuts Top 20 of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.
The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.
The Charlatans – Who We Touch
Touched by the somewhat friendly eclectic hand of The Charlatans for their tenth album in twenty years.
Austra – Feel It Break
Electro-dance-goth-opera by way of Canada, Austra's debut album Feel It Break is akin to a good night out in loud, dark room. Kinda fun, but where's the door?