Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
Laneway Festival – Brisbane – 4 February 2011
In complete contrast to a month ago when it was "precipitation nation" Brisbane’s fourth St. Jerome’s Laneway festival could've been subtitled "Boiling Brisvegas". Unlike many festivals Laneway 2011 had a remarkably consistent quality throughout the entire day, so regardless of the weather it was always destined to be a scorcher. We braved the extreme ultra violet index to report on Australia's Rat Vs Possum, Cloud Control and Cut Copy. While sampling UK's Foals and America's best of the best with Beach House, The Antlers, Warpaint, Blonde Redhead, Ariel Pink, Holy Fuck. Oh and LES SAVY FAV!.
Shearwater – Rook
Matador, 2008[rating:9/10] There are musicians who would flinch when accused of doing it "for the birds", reducing the act of making music to a mating call, but Jonathan Meiburg and his band ornithologists in Austin,
1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)
During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.
Webcuts Favourite Tracks of 2010 – Part 2
So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.