Blue Roses – Blue Roses
Blue Roses may not exist in nature but there's nothing artificial about Yorkshire songsmith Laura Groves.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
The Lucksmiths – First Frost
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
Taken By Trees – East of Eden
Ex-Concrete Victoria Bergsman heads to Pakistan to seek inspiration for her second album as Taken By Trees.
Weezer – Death To False Metal
Just how many albums are Weezer going to release (or re-release) this year? What's one more for Christmas?
Cat Power – Sun
Matador, 2012 Time and distance, be it geographical or emotional, have always been great assets to a songwriter. The ability to cease all activity, to step off the treadmill and get
Anni Rossi – Rockwell
How does Anni Rossi rock? Does she rock well? Well, no, not so much actually.
Various Artists – Brand NEU!
Just say NEU! to drugs. Or NEU! to Oasis. A hit and miss compilation of acts influenced by this seminal German outfit.
Detektivbyrån – Copenhagen – 13 February 2009
Detektivbyrån Lille Vega, Copenhagen 13 February 2009 The other day a friend of mine came by and flicked through my records and asked "Don't you have any music that is not depressing?". I replied "I
Who The Hell Are… The Capitalist Youth?
Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.
Laetitia Sadier – The One Million Year Trip (2011)
Quietly released last year was the first proper solo album by Stereolab's Laetitia Sadier. A touching tribute to her sister, who in Sadier's words "went on a million year trip/and left everthing behind", The Trip saw Sadier step out from the shadow of Stereolab to make a very revealing album, not only in the way she dealt with her loss, but in how she paid tribute to artists that influenced and inspired her. An album that sparkled in its minimalist approach, The Trip showed a side of Sadier unseen, one that was filled with warmth and emotion, and those little philosophical quirks that you've come to expect.
Decoder Ring, Bridezilla – Brisbane – 22 August 2009
Two of Sydney's finest: Bridezilla's dark brand of baroque folk and Decoder Ring's post-rock electronica, strut their wares in Brisbane.
The Dum Dum Girls – Interview with Dee Dee (Static, 2010)
New York has definitely handed over its crown as being home to earthshaking epicentre of what's hot, hip, and happening. These days all eyes are firmly focused on the eclectic sounds of the West Coast -- as it seems that every single band we talk right now calls the place home. With Katy Perry (of all people) singing the praises of California Girls, just like the Beach Boys did in the 60's, so are we with Los Angeles' Dum Dum Girls.
The Fall – The Wonderful And Frightening World Of… / This Nation’s Saving Grace
Two classic, career defining Fall albums get the deluxe box set treatment.
Deerhunter – London – 31 March 2011
With each successive show played in London growing in size from venue to venue, it’s a clear indication of the steady rise of this beloved Atlanta four-piece, and with Shepherd’s Bush Empire being sold out, it's their largest capacity UK headline show to date.















