Mercury Rev – Australian Interview (Static, 2009)
Touring Australia on the bequest of the all-conquering Coldplay, Mercury Rev stopped into visit Static's Chris Berkley to talk about their latest album Snowflake Midnight and an impressive career that cannot be reigned in by simple film analogies.
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
Beirut – The Rip Tide
With our review dispensing superlatives like "timeless" and "classic", Beirut's The Rip Tide is one of the must-listen albums of 2011.
Why? – Eskimo Snow
The unlikely paring of hip-hop and indie rock actual make for compatible bedfellows with Californian band Why?'s fourth full length album.
The Twilight Singers – Interview with Greg Dulli about Dynamite Steps (2011)
Dynamite Steps the new album from Greg Dulli's The Twilight Singers is an extraordinarily cohesive album in every aspect: from production to the vocals, the masterful songwriting to the clever sequencing. Grunge guitar workouts give way to piano balladry, shoegaze meets folk and punchy rock. These are all anchored by that remarkable voice which ranges from ragged roar to velvety tenor to strained falsetto singing of love, libido, mortality and the devil. A couple of weeks before the release we spoke with Greg, a man who has seen more than his share of highs and lows in his twenty odd year career, clearly relaxed and affable, about all things dynamite and twilight, from the gutter to the (guest) stars.
Phoenix – Australian Interview (Static, 2009)
Thomas Mars talks about the evolution of Phoenix, including their stint as a covers band, the seemingly infinite number of Phoenix remixes, the Kitsuné Tabloid compilation and Lord Byron.
Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.
Is Lady Gaga’s “Bad Romance” the Greatest Pop Song Ever?
Inescapable, inexplicable, infuriatingly addictive and an irrefutable pop phenomenon. She is Lady Gaga and she has come to take your children. If this were true, I'm sure it would be a fair trade but in reality, her goals are much, much higher. She is Lady Gaga and you know full well why she is here. A fashion and style icon, Gaga has made her two years in the public eye seem like a special kind of Chinese water torture. Chances are you’ve either succumbed to her spell, or fighting the effects with all the strength you can muster.
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Kaki King – Junior
More depressing pop dressed up espionage style on the fifth album from this diminutive guitar goddess. "Junior", indeed.
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.
Way Out West Festival – Gothenburg – 2009 – Part 2
The third day of Sweden's 2009 Way Out West is a quieter affair but we still manage to squeeze in Patrick Wolf, Jenny Wilson, Vampire Weekend, Wolfmother, Lily Allen, My Bloody Valentine and Deerhunter.
The Fall – Your Future, Our Clutter
The Northern white crap that talks back are... back. Smith and Co. hit the 21st Century in style with album number 277 or thereabouts.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Peaches – I Feel Cream
The always fruity Peaches is back with fourth album I Feel Cream which finds her giving the past a slip and whipping it real good.