Sunset Rubdown – Dragonslayer
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Tindersticks – Interview with David Boutler (2008)
We talk with Tindersticks keyboardist and founding member David Boutler about version 2.0 of Tindersticks, the stunning new album The Hungry Saw, the re-issue of their back catalogue, Songs for the Young at Heart and more.
Julian Plenti – Julian Plenti is… Skyscraper
Paul Banks discovers that the best path to seduction lies in reduction on his first solo outing as the mysterious Julian Plenti.
Braids – Native Speaker
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
Divine Fits – A Thing Called Divine Fits
Merge, 2012 The concept of the ‘supergroup’ is relative and often abused. The formation itself is prone to suspicion, akin to selling out your bandmates in favour of some fresh
No Age – Everything In Between
No Age push the 'mature album' button while still managing to shred and transcend on their third release.
The Pains of Being Pure at Heart – Australian Interview (Static, 2010)
A firm favourite last year with those of a pop persuasion was the debut album of Brooklyn four-piece, The Pains of Being Pure at Heart. An example of youthful exuberance and melodic indulgences, The Pains (is it ok to call them that?) were as easy to swallow as a chocolate sundae with all the toppings -- and just as addictive and in no way fattening. Recently on tour in Australia, we spoke with guitarist Kip Berman.
Cat Power – Jukebox
Matador, 2008 [rating:6.5/10] Chan Marshall walks into a Manhattan recording studio, one arm weighed down by a stack of vinyl and the other carrying a large Starbucks cappuccino. She sits down on a couch by
Deerhunter – Rainwater Cassette Exchange
Hot on the heels of Microcastle comes this warmly welcomed five track EP from Webcuts' band de jour.
The Welcome Mat – Gram
In the annals of Australian music history, The Welcome Mat only succeeded in living up to their name, laid down at the gates of opportunity to watch in dismay as their more fated friends were
The Strokes – Angles
Thumbs down for the skinny ties and tight jeans brigade on their fourth go-round. Surely it can't be worse than First Impressions Of Earth?
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.