Smith Westerns – Dye It Blonde
There are some records that forever remain at the bottom of the review pile, and boy do Smith Westerns make us regret it.
Caribou – Australian Interview with Dan Snaith (Static, 2010)
Caribou (aka Dan Snaith) is not an artist prone to repeating himself. His second album, 2007's Andorra took '60s psychedelic pop and merged it with complex rhythm patterns, while his LP from last year Swim saw Snaith heading into a denser electronic direction while still retaining a fair amount of pop smarts. Caribou with long time friend Kieran Hebden better known as Four Tet will soon be the Antipodes for a series of shows but late last year Chris Berkley caught up with Snaith whilst on the seemingly never ending tour for Swim where Dan took time out to talk about the art of Caribou live versus recording, his electric friends, how some people perceive Swim to be his dark album and how to win over the doom metal crowd.
Adem – Takes
Domino, 2008 [8/10] Home recorded, folk-tinged, somewhat sullen but with equal parts warmth and optimism, South London's Adem Illhan lives a Nick Drake-ian life in a Brian Eno world. Having paid his dues with the
Adorable – Footnotes 92-94
Review of mid-90s band, Adorable, compilation album that combines singles, album tracks from their two LPs and b-sides.
Tender Trap – Dansette Dansette
It's summertime twee pop hour and who better to soundtrack but ex-Heavenly and Talullah Gosh popsters back with their third album.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.
Colin Meloy – Colin Meloy Sings Live!
Rough Trade, 2008 [6/10] Colin Meloy. You either love him or you hate him. At times I've found myself wanting to do both. He's the perennial literate geek come celebrated indie star. He's charming and
Dean Wareham – London – 8 December 2010
Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.
The Drones – London – 8 June 2009
Watching Gareth Liddiard sing is like witnessing a drunk arguing with his own reflection. His posture is one of vexed irritation, his face is strained, the tendons on his neck bulge, his entire frame in spasm.
Dum Dum Girls – Only In Dreams
Dum Dum Girls add an extra coat of polish and put on a brave garage-pop face for album number 2.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
The Faint – Australian Interview with Jacob Thiele about Faciinatiion (Static, 2008)
It may come as some surprise that for a band who always seem to be on the cutting edge The Faint have actually been in existence for over a decade, combining punk attitude and guitars
Truck Festival – Steventon – 22-24 July 2011
Quietly, unassumingly, Truck Festival has become an annual celebration of all that is so very right about music. When the Bennett brothers witnessed the exploitative attitude of industrial sized events they didn’t just get mad they got even. Truck Festival was their baby and now in its fourteenth year it has blossomed into a rather lovely adolescent. Webcuts birthday boy Don Blandford was at Truck all weekend to report on the action, featuring appearances by: Graham Coxon, Lanterns On The Lake, Cashier No.9, Sarah Cracknell, Johnny Flynn, Edwyn Collins, Caitlin Rose, Mechanical Bride and Sea Of Bees.
Silversun Pickups – Swoon
Have the Silversun Pickups swooned too soon? We pickup the pieces of the LA band's second album.
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Austra – Feel It Break
Electro-dance-goth-opera by way of Canada, Austra's debut album Feel It Break is akin to a good night out in loud, dark room. Kinda fun, but where's the door?