…And You Will Know Us by the Trail of Dead – The Century of Self
Texas' Trail of Dead increase their shelf life with their sixth album, Century of Self.
Spoon – Transference
The anticipated follow-up to the fan and critic fave Ga Ga Ga Ga Ga, fails to meet expectation, begging the question, 'Where were Spoon transferring to?'.
Otouto – Pip
Melbourne four piece Otouto prove that art pop is not a dirty word on their impressive debut album Pip.
Kent – Gothenburg – 25 July 2008
A great set isn’t achieved by luck and prowess alone. Kent have always kept a keen eye on quality control throughout their career — they have yet to record a bad album, or even average album and new songs such as “Ingenting” (“Nothing”) rank among their best.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
Stereolab – Chemical Chords
4AD, 2008 [7/10] Stereolab were an essential part of the 90s and a flipside to the wave of angst-ridden guitar bands that characterised that decade. Influenced by obscure experimental and pop bands, Stereolab set about
The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
Lisa Mitchell – Wonder
Avoiding the solo artist's temptation of self-indulgence, Lisa Mitchell imparts some wide-eyed optimism on Wonder.
Savages – London – 11 October 2012
Savages Electrowerkz, London 11th October 2012 Does anyone remember the post-punk explosion of 2005 when every second band seemed to be cribbing off each other's influences sheets, and labels with derivative names
No Years Festival – Brisbane – 31 December 2010
New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia's Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.
Stars – Interview with Evan Cranley on The Five Ghosts (2010)
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Blitzen Trapper – American Goldwing
Blitzen Trapper brings to mind somebody hunting down reindeer. This has nothing to do with the music.
The Cult – London – 21 January 2011
When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.
Who The Hell Are… COOLRUNNINGS?
How Webcuts first encountered Knoxville, Tennessee's Coolrunnings could be best described as a lucky accident. And it's no surprise that the best way to get someone's attention is to slap a photo of some naked chicks skateboarding on the cover of your EP and let them sell it for you. The appropriately titled (and NSFW) Babes Forever was clearly the product of talented and warped minds. The creepy, schizoid mayhem of "Trippin' Balls at Der Wienerschnitzel" and the inspired, almost unabashed, synth-pop of "When I Got High With You" sounded like they were made by some slacker Bill & Teds who'd already embarked on their own excellent adventure.