Jay Reatard – London – 13 November 2009
Musicians die. Sometimes quite unexpectedly, most before their time, but not often enough for your brain to idle between song, between string changes or tunings to wonder “will this be the last time?”. You don’t, because you’re too busy enjoying the moment. Having witnessed Jay Reatard play what would be his last ever show in London, he was anything but the vision of a man kicking out the last of his jams.
Nick Cave & The Bad Seeds – Dig, Lazarus, Dig!!!
Mute/EMI, 2008 [rating:8/10] The passing of time has done nothing to dampen Nick Cave's spirit or soften his tongue. In the preceding decade spent mostly strapped to the piano like a bible-addicted lothario, it gave
Headless Chickens – Gaskrankinstation
Continuing our exploration into the Secret History of Australian Music, we open the doors to our New Zealand neighbours and welcome the Headless Chickens as we fill our tanks in their "Gaskrankinstation"
Various Artists – 15 Years Of Bella Union Records
Bella Union, 2012 2012 marks the 15th anniversary of the birth of Bella Union, a record label started by Robin Guthrie and Simon Raymonde of Cocteau Twins that was created, initially, to
Lightspeed Champion – Life is Sweet! Nice to Meet You
Dev Hynes brings us more songs of bittersweet romance on his sophomore release as Lightspeed Champion.
The Low Anthem – Oh My God, Charlie Darwin
Oh my god! The third album from this Rhode Island folk trio proves to be a natural selection.
No Years Festival – Brisbane – 31 December 2010
New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia's Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.
The Charlatans – Who We Touch
Touched by the somewhat friendly eclectic hand of The Charlatans for their tenth album in twenty years.
Wild Nothing – Interview about Nocturne (2012)
Riding the crest of the dream-pop insurgence that brought with it bands like Beach Fossils, Twin Sister and Still Corners, was that of Jack Tatum and Wild Nothing, who' s debut album of 2010, Gemini
HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
Blur – Midlife: A Beginner’s Guide To Blur
The predictable commercial foibles of a greatest hits compilation are largely avoided here; each of the tracks have been carefully selected by the band and many of them are touched-up or alternative versions.
Phoenix – Wolfgang Amadeus Phoenix
Amadeus, Amadeus, rock me Amadeus! Phoenix's fourth album is a show stopper without a Salieri in sight.
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
The Lucksmiths – First Frost
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
Metric – Fantasies
Canadian/American synth-rockers Metric return with their fourth (or third) album. Fantasies. Will it be yours though?