Austra – London – 18 January 2011
There’s been a noticeable shift slash longing backward glance in music trends towards all things 80’s. It seems that the product of that era now want to know everything about where they came from and the music that was made. For synth pop acts like Summer Camp and Twin Shadow, the 80’s are a nostalgia/inspirational goldmine, but with the rise of Zola Jesus, Salem, oOoOO, etc, it was inevitable that Goth music and its mutated electro/dark wave offspring would get discovered by the black clad suburban misfits of today. Enter, Austra from Toronto, Canada.
Tame Impala – Interview about Alonerism (2012)
It's a reassuring sight to see an Australian band successfully take on the world in the way Tame Impala have over the last few years. Their lush, psyche-pop sound feels like it was born between
Layabouts – Savage Behaviour
Homeless Records, 2011 To call Layabouts chest-beating/car-loving/girl-banging rock n' roll as being derivative is to say rock n’ roll is derivative of rock n’ roll. If you stay true to
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
My Morning Jacket – Evil Urges
Rough Trade, 2008 [7.5/10] Never has a record so wrong-footed me like Evil Urges has. Louisville's My Morning Jacket were always a band with broad influences in their sound. 2005's Z was the strongest indication
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Adalita – Adalita
Australia's first lady of rock and founder member of Magic Dirt, Adalita Srsen, adopts a stripped back stance for her debut solo effort.
Girls – Talking Father, Son, Holy Ghost (2011)
San Francisco's Girls self-titled debut of 2009 garnered widespread acclaim based on its fancy-free and free-love attitude that offered irresistible pop gems bathed in x-rated video clips ("Lust for Life" anyone?). Sex and pop, what more do you want out of music these days? For their sophomore album Father, Son, Holy Ghost, the Girls duo of Christopher Owen and Chet "JR" White have upped the songwriter stakes to put together an album that's impressive straight out of the blocks. Static's Chris Berkley spoke with Girl's JR over the phone in the midst of a very suspect (if you're to believe what he says) video shoot.
Versus – On the Ones and Threes
Out of nowhere comes a near perfect album by a near forgotten band that rewrites their own history in one superlative-inducing swoop.
Ape School – Ape School
Former member of Natural, Lily's and Holopaw, Florida's Michael Johnson aka Ape School shows off a whole new set of skills for his second album.
Various Artists – 15 Years Of Bella Union Records
Bella Union, 2012 2012 marks the 15th anniversary of the birth of Bella Union, a record label started by Robin Guthrie and Simon Raymonde of Cocteau Twins that was created, initially, to
Centro-Matic / South San Gabriel – Dual Hawks
Cooking Vinyl, 2008 [5/10] (Centro-Matic) [7/10] (South San Gabriel) Will Johnson can seemingly do anything. A prolific songwriter, Johnson has spent over a decade playing indie rock in Denton, Texas' Centro-Matic, putting out a succession
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Santogold – Santogold
Downtown/Inertia, 2008[rating:7/10] "The rules are...there are no rules" intoned one time (Transvision) vamp Wendy James and is a maxim which Santi White, better known as Santogold, takes to heart. Older and wiser than most of
Dean Wareham – London – 8 December 2010
Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.