Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Who The Hell Are… Best Friends?
What to say about Sheffield's Best Friends... The name of the band is self-explanatory. The a-side of their debut single “Surf Bitches” could either be about the kinds of girls they like or things they
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.
Mental As Anything – Essential As Anything / Tents Up
Both mental and essential, Sydney's pop legends Mental as Anything return with a career-encompassing collection and a brand new studio album.
Projekt A-KO – Yoyodyne
From the ashes of the almighty Urusei Yatsura come Projekt A-KO, and the great guitar-led fuzzpop revolution begins anew.
Okkervil River – Brisbane – 3 May 2009
The highlights of the night are rightly saved for the encore; “Blue Tulip” combines both delicate folk and heavier rock modes with an acoustic beginning slowly building to a layered, cathartic second half that envelopes the Zoo in a thick haze of distorted bliss.
Heaven 17 – Live at Last
Cooking Vinyl, 2008 [1/10] For those unaware, Heaven 17 existed on the periphery of the pioneering electronic new wave scene. They didn't have the pop flair of the Human League or the sequined glitz of
Summer Camp – Welcome To Condale
London, Paris, Condale, Munich. Everybody's talking about Summer Camp's pop music. Well, not everybody. But they should.
Beirut – The Rip Tide
With our review dispensing superlatives like "timeless" and "classic", Beirut's The Rip Tide is one of the must-listen albums of 2011.
Way Out West Festival – Gothenburg – 2009 – Part 1
Once again Sweden's WoW proved to be worthy of its acronym and Webcuts was there to cover all three days. We (re) acquaint ourselves with the likes of Glasvegas, Grizzly Bear, Florence & The Machine, Echo & The Bunnymen, Wilco, Vivian Girls, Bon Iver and My Bloody Valentine, to name but a few.
Vivian Girls – Interview on Valentine’s Day in London town (2009)
Flowers and chocolates? We brought neither but Brooklyn three-piece the Vivian Girls graciously didn't hold that against us.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Deerhunter – Rainwater Cassette Exchange
Hot on the heels of Microcastle comes this warmly welcomed five track EP from Webcuts' band de jour.
Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Doves – Kingdom of Rust
Fourth album in from these Mancunian maestros, offering a slight return to their electro/house days as Sub Sub.














