Who The Hell Are… We//Are//Animal?
The arrival of their four digit debut single "1268" caused seismic speaker-blowing waves in the Webcuts offices in 2010. It truly was, and still is, a "What the fuck was that?" moment. It was in essence, Gang of Four meets LCD Soundsystem in an abandoned factory in North Wales. An electro pulse and surging beat, sheet metal guitars, inimitable Welsh vocals, it had 'post-punk dancefloor smash' writ large all over it, and had We//Are//Animal been from London instead of Wales, everybody would've been knocking down their door, kneeling to kiss their cossetted behinds (cough The Vaccines).
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
Factory Records – Communications 1978-1992
Long-overdue retrospective from the label that brought you the Happy Mondays, but don't hold that against them...
Lydia Loveless – Columbus – 30 September 2011
A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.
Shout Out Louds – Interview (2007)
Just call it the comeback. While the Shout Out Loud's debut album Howl Howl Gaff Gaff showed promise few could have predicated the seismic improvement for follow-up Our Ill Wills -- a veritable treasure chest
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.
The Clean – Mister Pop
New Zealand indie legends The Clean are still going, well maybe strong is too kind a word, for their new release Mister Flop, er Pop.
Warpaint – London – 26 August 2010
It’s shows like this which give birth to the very nature of rock and roll. The hip-swaying sounds of a band as they rock back and forth, eyes closed, mouths pressed against the microphone with their feet marking the beat. It’s an undeniably sexual thing. This isn't news. It’s why they tried to ban Elvis in the 50’s. He turned young girls on, and it wasn’t so much the man, but the music, the stage, the sweat, the motion -- the rock and roll of it all. Wedged together in this barely ventilated Old Street basement, Los Angeles' Warpaint are presiding over something that had this been the 50's, would've gotten them banned too.
Dappled Cities – Zounds
The new album from Sydney art-pop five piece Dappled Cities reached forty eight on the Australian chart. Gold Zoundz indeed.
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Kurt Vile – Smoke Ring for My Halo
"I don't wanna work/but I don't wanna sit around/all day frowning". Kurt Vile, you speak to us in a way few artists ever do. You can stay.
Mansun – Interview with Dominic Chad (1997)
A decade ago, at the tail end of Britpop, art-rockers Mansun were one of the biggest bands in the UK, seemingly ready to take on the rest of the world. Six years later the band imploded in the wake of backlash towards their third record Little Kix. Webcuts chooses to remember them at their peak with this 1997 interview.
The Big Pink – Interview with Robbie Furze (Static, 2009)
Recently setting the stereo at Webcuts HQ on fire with their debut release A Brief History of Love, we speak to Robbie Furze of The Big Pink as he explains the power of love and offers us a brief history of this incredible electronic/shoegaze duo.
The Primitives – Back and In Full Bloom (2010)
When you get down to the nuts and bolts of rock and roll, it's not about how tight your jeans are or how good your stylist is, it's about the music. It's about the song. For some bands in particular, it's about the pop song. Two and half minutes of spun gold that held your attention long after the needle left the record. Few bands embodied the spirit of the sublime '60s pop song than The Primitives. Sitting backstage at The Scala in London, Webcuts catches up with Tracy and Paul to rewind the clock and to talk about the events that brought The Primitives into the 21st Century and what lies ahead for the band.