The Gun Club – Miami / Death Party / The Las Vegas Story
Load the chamber and light a candle for Jeffrey Lee Pierce, it's rockabilly blues-a-go-go with The Gun Club.
Broken Records – Until the Earth Begins to Part
If the news makes you sad, don't watch it, rather listen to Broken Records' dazzling debut.
Who The Hell Were… Naomi Hates Humans?
This is a first for Webcuts, in the sense that between asking a band to appear in a future 'Who The Hell Are...?' and publishing said feature, the band broke up. Our recent hiatus, which
Hatcham Social – You Dig The Tunnel, I’ll Hide The Soil
There's no hiding Hatcham Social. "You Dig The Tunnel" kicks the dirt long and high in a dazzling display of pop sensibility.
Who The Hell Is… Jonneine Zapata?
Interview with LA-based chanteuse Jonneine Zapata around the time of her debut album Cast the Demons Out.
Camera Obscura – My Maudlin Career
Four albums in, Camera Obscura assess their career, wisely trading 'brilliant' for 'maudlin' and coming up somewhere inbetween.
Lightspeed Champion – Life is Sweet! Nice to Meet You
Dev Hynes brings us more songs of bittersweet romance on his sophomore release as Lightspeed Champion.
Vivian Girls – Vivian Girls
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
Who The Hell Are… Pris?
Uh-oh, here comes trouble. Pris are a four piece from London featuring Cat on vocals, Agatha on guitar, Mary on bass and Sam on drums. Imagine Blondie with an attitude problem, Manics before the middle life spread and Kenickie without the big bones.
Stars – Interview with Evan Cranley on The Five Ghosts (2010)
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
A Hawk and a Hacksaw – Délivrance
Business as usual for New Mexico's A Hawk And A Hacksaw? Just ask "The Man Who Sold His Beard".
Hazards of Swimming Naked, Lion Island, Mr. Maps, Hunz – Brisbane – 21 August 2010
A Brisbane bounty with trippy post-rockers The Hazards of Swimming Naked joined by Lofly math-rock legends Mr. Maps, plus the baroque charms of Lion Island and electronic wunderkind Hunz.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
The Primitives – London – 29 April 2010
What a wonderful world we live in where The Primitives are able to tread the boards once more. A delightful, decorous blend of '60s op-shop pop fronted by the delectable Tracy Tracy. One certified chart smash with “Crash” and some near misses along the way, The Primitives were one of those bands that were championed and loved (the old chestnut about Morrissey being a big fan is worth repeating) but never fully met with pop's good graces.
British Sea Power – Man of Aran
British Sea Power take to the Irish Coast to provide a fresh soundtrack to this 1934 documentary on the people of Aran.