Cat Power – Dark End Of The Street
A christmas gift from Chan Marshall aka Cat Power. You might want to keep the receipt...
The Boxer Rebellion – Union
When the dark forces are everywhere who are you gonna call? England's staunchly independent epic rock band The Boxer Rebellion? Maybe not after this disappointing second effort.
Who The Hell Are… Sisterland?
The best way to make a record company uncomfortable? -- choose a highly litiguous band name and then sit back and watch them sweat. Once upon a time there was a Leicester-based three-piece called Dysneyland who existed for a few months and released one independent single "Walking Wounded" before seeing the error of their short-sighted ways, or perhaps the pointed finger of 'The Man' who said "no change-y, no release-y" and thus Sisterland was born. With their debut single "Tomorrow" released this week as part of the Too Pure Singles Club, we play the getting-to-know-you game with Sisterland.
Jess Ducrou – Interview about Splendour in the Grass (2009)
Second Splendour line up in full and interview with Splendour promoter Jess Ducrou about the tremendous success of the festival, the process for picking the line-up and this year's bands, future expansion of the site and the improvements in ticketing technology.
Gemma Ray – We’ve Got a Crush on You (2010)
In the cockney rhyming slang lexicon there really should be an entry marked "Gemma Ray" that translates to "The Hard Way" for the sultry Essex singer's career is one filled with false starts, battles with illness and sheer bloody mindedness. Barely finished from touring her last album Ray has just released an album of covers It's a Shame About Ray which draws its song pool from the likes of Buddy Holly, Lee Hazelwood, Etta Fitzgerald, Sonic Youth, Mudhoney, Gallon Drunk and The Gun Club. Webcuts catches up with the brunette with the beehive during a tour in South Africa to talk knives, the new album, Rosemary's Baby, illness affecting songwriting and the recording of new material.
The Scare – Interview (2007)
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.
The Vines – Melodia
Cooking Vinyl, 2008 [5/10] How times and fortunes quickly change. Where once The Vines were heralded as being part of some new rock and roll explosion, they became its first liability and not even a
Yeasayer – Odd Blood
With a new sound and approach on display, Yeasayer have in their hands a contender for album of the year with Odd Blood. Yes, we know it's only March.
Black Mountain – Wilderness Heart
Brooding psychedelic rock with some Zeppelin-esque undertones, Canada's Black Mountain let loose on their third.
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".
Harlem – Hippies
Of Harlem, this brief explanation should suffice -- "those who don’t sicken quickly of energetic, repetitive three-chord rock will have a lot to love".
Arctic Monkeys – Humbug
Bah, it's the third Artic Monkeys album Humbug - which actually doesn't turn out to be half bad.
King Creosote – Flick the Vs
The two fingered salute is vigorously given by Scottish anti-folk hero King Creosote on new album Flick the Vs.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Who The Hell Are… Civil Civic?
There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.