Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Titus Andronicus – The Monitor
Ragged fist-pumping fury from outta New Jersey. Named after one of Shakespeare's earliest tragedies. Fact.
The Long Blondes – Couples
Rough Trade, 2008 [8/10] "Couples" by name and couples by nature, Sheffield's indie darlings, The Long Blondes, were once discreetly paired up (drummer with bassist, obviously, and guitarist with keyboardist) leaving them looking like the
Darren Hayman and Jack Hayter – London – 13 June 2008
Darren Hayman and Jack Hayter Luminaire, London 13th June 2008 What do you call a Hefner revival without two of it's original members? Halfner. Hayman has recognised that it would be
Who The Hell Are… The Beggar Folk?
Folk bands are slowly going the way of the emo bands -- cookie-cutter, predictable, uninspired, and inevitably becoming a parody of themselves because music is a business and the market dictates that consumers will always want more of what's popular. The Beggar Folk fall nicely into the afore-mentioned folk music genre, however their music doesn't seem to follow suit with the folk status quo. These are ballads and hymns, carved from trees and molded from soil. This music demands your attention and effortlessly passes any authenticity tests. It conjures up what real Americana and country music should conjure.
Malcolm Middleton – Sleight of Heart
Inertia, 2008 [7.5/10] Malcolm Middleton, previously one half of gritty Scottish miserabilists Arap Strap, establishes the modus operandi for his fourth album Sleight of Heart right from the get go. When he sings "We're having
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
Lotus Plaza – The Floodlight Collective
The second solo project members of Deerhunter, Lotus Plaza is guitarist Lockett Pundt's self-fulfilling dreampop odyssey.
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001
M.Ward – Hold Time
As Conor Oberst once proclaimed, "M. Ward for President". As far-fetched as it sounds, Oberst may have a point.
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Ariel Pink’s Haunted Graffiti – Before Today
Sounding more like a theme park ride than a band, Ariel Pink pulls off both with a little 70's funk and 80's new wave self-exploration.
Rowland S. Howard – The Final Interview (Static, 2009)
Forever known as Nick Cave's red right hand in the Birthday Party, Rowland was the purveyor of that skeletal, metallic guitar style that along with the bass growl of Tracey Pew, defined the sound of the band. Speaking to Static's Chris Berkley, only a few weeks before his passing, Rowland S. Howard recounts his extensive career and his brief return to music with Pop Crimes.
Girls – Australian Interview (Static, 2009)
You've probably seen the x-rated video clip for "Lust for Life". The 'penis as microphone' image is something you really don't recall seeing in pop videos these days, either then or now (and feel free to correct me if I'm wrong). As vague and internet-search challenging as calling your band Girls is, Christopher Owens and Chet "JR" White are both neither, and are, so to speak.