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Contiuum Books 33 1/3 – Television, Rolling Stones, Dinosaur Jr

By |August 2nd, 2011|Categories: Book Reviews, Reviews|Tags: , , , , , |

Behind every great album is more often than not, an even greater story waiting to be told. The pursuit for higher understanding of artists and their most influential pieces of work and how the two came to pass has long been the ultimate goal of the ardent music fan who thrives on having every recorded nuance and historical detail mapped out like a combined atlas and encyclopedia of the human body. One of the more indispensible series of music books published that actually does, more or less, what is expected above, has been Continuum's 33 1/3. With the recent addition of The Rolling Stones Some Girls, Dinosaur Jr's You're Living All Over Me and Television's Marquee Moon to their honour roll, 33 1/3 show no sign of scraping the bargain bin anytime soon.

The Big Pink – Interview with Robbie Furze (Static, 2009)

By |September 22nd, 2009|Categories: Interviews|Tags: , , , , , , , |

Recently setting the stereo at Webcuts HQ on fire with their debut release A Brief History of Love, we speak to Robbie Furze of The Big Pink as he explains the power of love and offers us a brief history of this incredible electronic/shoegaze duo.

1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)

By |December 14th, 2007|Categories: Interviews|Tags: , , , , , |

During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.

Webcuts Top 20 of 2010 – Part 1

By |January 1st, 2011|Categories: Features|Tags: , , , , , , , , , , |

So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.

Kaki King – London – 13 July 2010

By |July 23rd, 2010|Categories: Live Reviews|Tags: , , , |

When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".

Hop Farm Festival – Kent – 1-3 July 2011

By |July 8th, 2011|Categories: Live Reviews|Tags: , , , , |

In the history of modern music festivals, few line-ups could compare with the distinctly 70's flavoured action offered at the Hop Farm Festival last weekend. While The Eagles were wheeled out of retirement as headliners on the first night, the purportedly Morrissey-curated second day included such rock pantheon artists as Lou Reed, Iggy Pop, and Patti Smith. All in all, it's a jaw-dropping stroke of genius, with Morrissey having the hardest of acts to follow the swathe these three so cleanly cut through the Kent countryside. Oh, and did we forget to mention Prince was there too?

Webcuts Top 11 Of 2011

By |July 8th, 2011|Categories: Features|Tags: , , , , , , , , , , |

It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.

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