Bon Iver – Bon Iver
Can Bon Iver live up to expectation with his self-titled follow-up to the celebrated For Emma, Forever Ago?
of Montreal – Brisbane – 4 March 2009
But it was the harmony rich blend of disco, psychedelia and pop that made Hissing Fauna... and The Sunlandic Twins surprise alternative pop classics that had The Zoo crowd dancing into the groove.
Release The Sunbird – Come Back To Us
First solo release from Rogue Wave's Zach Rogue under his new moniker, Release The Sunbird. For those who like their rock wimpy.
Shearwater – The Golden Archipelago
Shearwater seem to have run aground on The Golden Archipelago. Not quite paradise, nor a place you'll likely return to soon.
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Foals – Australian Interview with Walter Gervers (Static, 2011)
To say expectations were high for Foals' second album Total Life Forever would be stating the exceedingly obvious but from the grandeur and exquisite melancholy of “Spanish Sahara” to the frenetic indie-pop of “This Orient” to the dance funk of “Miami” it met and exceeded them with uncommon ease. Total Life Forever elevated Foals further from their peers and into the rare league of artists who maintain credibility with a more accessible sound and thus gaining a larger listening base whilst still remaining true to their experimental pop principles. We spoke to bassist Walter Gervers while the band was in Australia for the St. Jerome’s Laneway festivals and some recording on the sly.
Detektivbyrån – Copenhagen – 13 February 2009
Detektivbyrån Lille Vega, Copenhagen 13 February 2009 The other day a friend of mine came by and flicked through my records and asked "Don't you have any music that is not depressing?". I replied "I
Stephen Malkmus & the Jicks – Los Angeles – 25 July 2009
Stephen Malkmus & The Jicks played to an audience brimming with the intoxicating scent of bearded, checked-shirt sporting aging rock dudes. Vanessa From Queens was missing but the gang was all there.
The xx – xx
XX marks the spot for mixed treasures on the much lauded London foursome's debut LP, an album for the post-sunset hours.
My Morning Jacket – Circuital
Album number six for these free-wheeling long-haired holdin' on to black metal giants of Southern Rock.
Heaven 17 – Live at Last
Cooking Vinyl, 2008 [1/10] For those unaware, Heaven 17 existed on the periphery of the pioneering electronic new wave scene. They didn't have the pop flair of the Human League or the sequined glitz of
Cold Cave – Of Dark Days and Light Years (2011)
Cold Cave's debut album of 2009 Love Comes Close was a unique display of synth-oriented mood disorder, venturing out from the bedroom to the dancefloor, filled with idealistic tales of romance and disillusionment. Band leader Wes Eisold’s spin on the world appeared to share a voice (in both dour baritone and content) with Magnetic Fields Stephin Merritt, if he'd spent his adolescence listening to The Cure and Depeche Mode instead of showtunes. On their second album, Eisold moved beyond the testing of the waters that was Love Comes Close and turned its successor, Cherish The Light Years into his dark dream made manifold.
Primal Scream – Brisbane – 5 February 2009
Primal Scream make their once a decade journey to Australia which we catch at the Tivoli in Brisbane along with Adelaide upstarts Wolf & Cub.
The Walkmen – London – 25 August 2010
“You’re one of us, or you’re one of them“. Hamilton Leithauser, fist wrapped tight around the microphone as if he's trying to strangle it, is howling those words. The rest of The Walkmen, heads bowed (as they remain throughout most of the set) play complicit and provide the carnival-esque roar to ram Leithauser’s words home. It’s not so much a question or a suggestion but a statement. For better or for worse, for way back when the band were selling their own white label records at the Middle East in Boston in 2001, I’ve been one of "us".