Who The Hell Are… Lion Island?
Lion Island were first encounted playing a free show in Brisbane's King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby's on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city's most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.
Who The Hell Is… Joel Edmondson?
Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.
Volcano Choir – Unmap
Bon meets the Bees in this post rock collaboration for Justin Vernon and Collections of Colonies of Bees which results in only a slight buzz.
Dean Wareham – London – 8 December 2010
Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.
Zola Jesus – Her Dark Materials (2011)
From her isolated upbringing in rural Wisconsin, combined with a passion for opera, philosophy and industrial music, Nika Rosa Danilova aka Zola Jesus has created a name for herself as being a successor to the
Wendy James – London – 9 June 2011
Why hello, Wendy James. It’s been a while. Almost 20 years since I saw Transvision Vamp play at the Hordern Pavilion in Sydney. A mostly unremarkable show except for the amount of intimidating drunks in attendance and the fact they played their current ‘hit‘ twice. Australia loved Transvision Vamp, almost in the same way it loved Blondie, decades before. Stick a blonde wig on a mop, put it in front of a bunch of guys in leather jackets and you're set. Transvision Vamp at that time were in their career descent with Little Magnets Versus The Bubble of Babble (my head still shudders at the idiocy of this title) and this was their last roll of the dice.
Dum Dum Girls – London – 28 September 2010
California girls. Beach Boys praised them, Katy Perry revived them, but Los Angeles' Dum Dum Girls are the kind of girls that either Brian Wilson or Katy Perry had in mind. Palm trees, bikinis and suntans aren’t their domain, in fact, it would be surprising if daylight ever graced their chalk-white skin, looking as they do Josie and The Pussycats meets Tim Burton. Making a return visit to London in the newly opened (and un-divey) East London venue XOYO, Dum Dum Girls are Dee Dee. The all-girl band she's assembled acts as both an extension of her psyche, and a mirror to how she dresses.
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
Jarvis Cocker – “Further Complications.”
Help the aged. The king of Britpop is back with his second solo effort, which sees a surprising teaming up with Steve "king of rawk" Albini.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
Blitzen Trapper – American Goldwing
Blitzen Trapper brings to mind somebody hunting down reindeer. This has nothing to do with the music.
Who The Hell Are… Villa Cola?
Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.
James Yorkston – Folk Songs
There's no sitting on the fence about Scottish troubadour James Yorkston's ninth album, which consists of traditional folk songs featuring the likes of "Mary Connaught and James O'Donnel" and "Little Musgrave".
Camper Van Beethoven – Popular Songs of Great Enduring Strength and Beauty
Cooking Vinyl, 2008 [7/10] Listening to a Camper Van Beethoven CD is like opening a time capsule to an era where the alternative music scene was more of a nascent beast than what it is
Who The Hell Are… Seize The Chair?
You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.
The Decemberists – The Hazards of Love
EMI/Rough Trade, 2009 [7/10] Where once The Decemberists were a modest modern rock band, albeit outsiders with literate leanings that rarely leaned toward rock's excesses, they have gradually extended their artistic aspirations into the musical