Grizzly Bear – Interview with Ed Droste (Static, 2010)
We hunt down Ed Droste from Brooklyn's Grizzly Bear and get our claws into their move from a studio to live band, how they keep songs fresh, and how they came to record with Yacht rock legend Michael McDonald: "Michael McDonald is one of the coolest Yacht rockers around. We let him know we were fans and he ended up coming to a show and we really liked him and approached him with the idea and he was totally excited to do it."
Silversun Pickups – Swoon
Have the Silversun Pickups swooned too soon? We pickup the pieces of the LA band's second album.
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
Jacob Golden – Revenge Songs
Echo, 2007 [rating:9/10] Those lucky enough to catch Jacob Golden's live know just how extraordinary he can be armed with only an acoustic guitar and his angelic voice. His self titled debut EP in 2001
Twin Sister – London – 25 November 2010
Latching hold of our ears earlier in the year with their double EP release Colour Your Life/Vampires With Dreaming Kids, Long Island’s Twin Sister had secured a place on our date card long before their they announced their first UK tour. Sneaking across the pond in October, we’d caught the band supporting rising stars, The Morning Benders at the Music Box in Los Angeles (apologies boys, I owe you one live review) and were suitably impressed. Jaded beyond jaded as the years drag on and the revolving floorshow of new bands yawn in our faces with old ideas, it was refreshing to witness a band breathe colour and life into their music.
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.
Top 10 – Australian Music Videos
The early days of music video in Australia bore some shoddy, shoddy home-produced efforts. Essentially labours of love from minimal means designed to get the message across. The big budget video clip was not the
The Scare – Oozevoodoo
If you've been with The Scare lately, you'll be lucky if it's only voodoo you're oozing, otherwise you better see a doctor.
Beach House – Australian Interview about Teen Dream (Static, 2011)
Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar. It was their style and approach, reminiscent of Mazzy Star, Yo La Tengo and This Mortal Coil, that found favour with a like-minded audience. Recently touring Australia and appearing as part of the travelling Laneway Festival, Chris Berkley caught up with Victoria and Alex of Beach House to talk about their gradual rise and amongst other things, how to keep cheese out of the live set.
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).
Wild Nothing – Nocturne
Bella Union, 2012 [rating:6.5/10] Jack Tatum thought he must've hit a goldmine when his 2010 debut album as Wild Nothing was so rapturously received with little to no preceding fanfare. This North Virginian native, and
Austra – London – 6 September 2011
Having changed careers mid-stream from a piano-based singer-songwriter with a touch of the Regina Spectors to a Nico-esque bleach-blonde gothic siren, in Austra Katie Stelmanis has found the form to match the function. With a handful of impressive singles released either side of their Kate Bush meets Nine Inch Nails debut album Feel It Break, Stelmanis may have found her creative niche but she still has much to prove. On record, Austra cloak themselves in a throbbing monochrome blanket, but on stage their live show is more telling, more vibrant and commanding, as Stelmanis, flanked by a pair of interpretive dancers/backing vocalists, add any absent colour.
Jay Reatard – Watch Me Fall
The ever-prolific Jay Reatard is back with his most potent pop record to date. Watch Me Fall trades sharp licks with cheap tricks.
Bughouse – V For Vendetta
2018 Update: Bughouse released "V for Vendetta / Tax Stamp" on Bandcamp in 2017 with their second album from 2014 Fink Tank the following year: bughouse1.bandcamp.com Bughouse's classic debut single
Broken Bells – Broken Bells
In an era dominated by unexpected musical collaborations, Broken Bells (James Mercer of The Shins and Brian Burton aka Danger Mouse) triumphs.