Who The Hell Are… Deaf Club?
Heavy on atmosphere with a melodic depth that harnesses Banshees-like percussion against rippling guitar-work and bears more than a passing resemblance to the rhythmic whirl of Warpaint and the siren song of Esben and the
Suckers – Wild Smile
Brooklyn's Suckers channel a little ADHD indie rock throughout their debut album, defying hype and maintaining interest.
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
Teenage Fanclub – Los Angeles – 11 October 2010
Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).
Warpaint – The Fool (Deluxe Edition)
Reissue! Repackage! Warpaint's mesmerising debut gets a little dressing up as we wait for album #2.
The Clean – Mister Pop
New Zealand indie legends The Clean are still going, well maybe strong is too kind a word, for their new release Mister Flop, er Pop.
Glasvegas – EUPHORIC /// HEARTBREAK \\\
The only euphoric heartbreak here is all expectations of Glasvegas trumping their debut going out the window.
Luke Haines – 21st Century Man
Luke Haines looks back at the 20th Century, and takes pop shots at the maligned and those who got left behind in typical Haines fashion.
Drop Nineteens – Delaware
Welcome reissue of Boston shoegazers debut effort from 1992 complete with bonus tracks. It's wicked pissa!
The Stills – Snakecharm the Masses in Australia (2009)
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as
Top Ten – Soundtracks
Some of these selections are pretty obvious. Some are from movies you've probably never seen nor have a desire to ever see.
Beach House – Devotion
Bella Union, 2008 [9/10] Baltimore's Beach House first appeared in 2006 with their self-titled debut, a gorgeous collection of dizzying songs built around Victoria Legrand's awash-with-reverb harmonies, church-style organ and Alex Scally's languidly strummed guitar.
HEALTH – Interview with Jake Duzsik (Static, 2010)
Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.
Bob Mould – Silver Age
Merge, 2012 Alterna-rock statesman hot from bringing a little 90's Sugar to the 10's masses returns with shit-hot album. If that's all the convincing you need, you might as well stop reading now
The Beasts of Bourbon – Box Set
Crucial re-release of the first three albums by these hard rocking legends. From The Axeman's Jazz to Black Milk, the gang's all here.
Generationals – Actor-Caster
Louisiana's Generationals Actor-Caster is a "treasure trove of indie pop rock songs". That's exactly the kind of booty we like around here.