Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
Faker – Be the Twilight
Capitol/EMI, 2007 [9/10] There is a litany of bands that make the decision to pack their bags and move to Los Angeles to try and catch a spark of what makes the town such a
The Soft Pack – Interview (2010)
Originally they were The Muslims but now they have a less volatile name, The Soft Pack, and a more polished repertoire as heard on their self titled debut. Touring that album in Australia they spent some quality time with Static's Chris Berkley who got to the beginnings of how the band formed, that name change, the San Diego and LA rock scenes, surfing, the prestigious honour of being covered by Nada Surf and the possibility of covering some Australian indie classics.
Daestro – Moondagger
Will it be knives out for Detroit's Randoph Chabot aka Daestro or maybe a friendly slap on the back instead?
The Long Blondes – Couples
Rough Trade, 2008 [8/10] "Couples" by name and couples by nature, Sheffield's indie darlings, The Long Blondes, were once discreetly paired up (drummer with bassist, obviously, and guitarist with keyboardist) leaving them looking like the
Webcuts Top 11 Of 2011
It hasn’t been an amazing year for music, but surely an entertaining one. Lots of new acts jockeying for position amongst the wily veterans, and plenty of debate even as early as June over love ‘em-or hate ‘em titles such as King of Limbs and James Blake’s eponymous debut and where they belong in the year’s final canonization of greats. Honestly, I can’t remember a year in recent memory when I’ve found so many hyped records I’ve disliked or been entirely disinterested in. Cults? Pass. Tyler, The Creator? Garbage. The saviors from musical banality have consistently been experienced groups who know what they’re doing and get praised for their music and not being arrested in LA and starting riots.
The Faint / Ladytron – Atlanta – 17 April 2009
Variety Playhouse Atlanta, GA 17th April 2009 The black-clad kids were out in force as the rolling The Faint/Ladytron sideshow pulled into Atlanta, Georgia, offloading what could be unkindly dubbed an ‘electroclash revival’ as both
The Faint – Australian Interview with Jacob Thiele about Faciinatiion (Static, 2008)
It may come as some surprise that for a band who always seem to be on the cutting edge The Faint have actually been in existence for over a decade, combining punk attitude and guitars
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
The Church – Untitled #23
Moving on from Uninvited, Like The Clouds to Untitled #23, The Church near the end of the alphabet but not the end of their career.
The Heavy – The House That Dirt Built
UK retro-funk n' soul act The Heavy roll out the grooves and ask the question "How you like me now?". Our answer awaits.
1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)
During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
HTRK – Marry Me Tonight
New No Wave or Narco-Electro? Whatever the case, Marry Me Tonight is well worth making an engagement with...
The Veils – Interview with Finn Andrews about Sun Gangs (Static, 2009)
Chris Berkley from Static talks to the rather talented Veiled one about the new album, the band's love for The Wire and possible antipodean tours.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.