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Miss Li – Best Of 061122-071122

By |April 6th, 2008|Categories: Album Reviews|Tags: , , , , , , , |

National, 2007 [rating:7/10] The twelve month period denoted by the title of this compilation (that's how the logical Swedes write the date) was an ultra productive period for Stockholm's Linda Carlsson otherwise known as Miss

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ROOT! – Interview with DC Root (Damien Cowell) (2008)

By |April 27th, 2008|Categories: Interviews|Tags: , , , , |

In Webcuts' short history we've had the pleasure of publishing many enjoyable and informative interviews, but few have matched the humour and insight pervasive in this feature with DC from Melbourne's ROOT!. The band's history, debunking the misconception that having good lyrics equates to bad music, the sycophantic cult of Nick Cave, politics and much, much more are covered.

The Faint – Australian Interview with Jacob Thiele about Faciinatiion (Static, 2008)

By |October 3rd, 2008|Categories: Interviews|Tags: , , , , |

It may come as some surprise that for a band who always seem to be on the cutting edge The Faint have actually been in existence for over a decade, combining punk attitude and guitars

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Dean & Britta – London – 30 July 2010

By |August 17th, 2010|Categories: Live Reviews|Tags: , , , , , , |

Releasing their soundtrack to 13 of Andy Warhol's screen tests was an opportune moment for ex-Galaxie 500/Luna star Dean Wareham to fully express his love for Velvet Underground and the stars of Andy Warhol's Factory. The screen tests alone, wavering between the visually arresting and the arrestingly mundane, were elevated into a new realm with the musical accompaniment provided by Wareham and partner Britta Phillips. Bringing the 13 Most Beautiful show to London (having frustratingly been given its UK premiere in Dunfermline last year) was a long-anticipated occasion.

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Lydia Loveless – Columbus – 30 September 2011

By |October 7th, 2011|Categories: Live Reviews|Tags: , , , |

A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.

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