Stephen Malkmus – London – 9 December 2009
Stephen Malkmus has been ‘jicking’ for as long now as he was leading the charge in Pavement, releasing as many albums, yet never reaching the same heights. His solo career seemed to be in constant war of expectation over delivery. It's not Pavement. It's not a bunch of twenty-year-olds fighting their generation. But the louche stage prescence, that hazy cynical drawl, the greying hair framing the eyes in a semi-slacker curl, little has changed over the years.
LCD Soundsystem – This Is Happening
"This is dance music that’s worth thinking about – or, more accurately, thoughtful music that’s worth dancing to". Agreed.
Way Out West – Gothenburg – 13-14 August 2009
Once again Sweden's WoW proved to be worthy of its acronym and Webcuts was there to cover all three days. We (re) acquaint ourselves with the likes of Glasvegas, Grizzly Bear, Florence & The Machine, Echo & The Bunnymen, Wilco, Vivian Girls, Bon Iver and My Bloody Valentine, to name but a few.
The Scare – Interview (2007)
Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.
Amanda Palmer – Australian Interview (2010)
From the Dresden Dolls to her solo album, Amanda Palmer has never been less than a bold and intriguing character in American rock music. In Australia for a slew of live dates we talk to the force of nature herself about her engagement to Neil Gaiman, her Golden Globes outfit switch-a-roo, the controversy surrounding her new Evelyn Evelyn project, what's on her bed side table and a dream involving Anna Pavlova wearing a spacesuit... and God.
The Twilight Singers – Interview with Greg Dulli about Dynamite Steps (2011)
Dynamite Steps the new album from Greg Dulli's The Twilight Singers is an extraordinarily cohesive album in every aspect: from production to the vocals, the masterful songwriting to the clever sequencing. Grunge guitar workouts give way to piano balladry, shoegaze meets folk and punchy rock. These are all anchored by that remarkable voice which ranges from ragged roar to velvety tenor to strained falsetto singing of love, libido, mortality and the devil. A couple of weeks before the release we spoke with Greg, a man who has seen more than his share of highs and lows in his twenty odd year career, clearly relaxed and affable, about all things dynamite and twilight, from the gutter to the (guest) stars.