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Dappled Cities – Interview with Dave Rennick (Static, 2009)

By |January 24th, 2010|Categories: Interviews|Tags: , , , , , , |

Sydney art-pop quintet Dappled Cities have steadily grown in status in the last ten years with 2006’s Granddance and their most recent psyche-pop opus Zounds. Last year, we spoke to Dave Rennick, guitarist and vocalist of Dappled Cities about birthing and touring the album.

Teenage Fanclub – Los Angeles – 11 October 2010

By |October 22nd, 2010|Categories: Live Reviews|Tags: , , |

Blake, McGinley & Love doesn’t have the same ring as Crosby, Stills & Nash, but there’s no reason why they shouldn’t be held in the same breath or as widely known. These three Scotsman and the outfit they've steered for the last 20+ years have consistently made albums that rich in harmonies and heart-on-sleeve emotions. If Teenage Fanclub had a spiritual home, it would be a tie between Nashville or Los Angeles, or perhaps started in Los Angeles and ended up in Nashville (as found on their most recent album Shadows).

Friendly Fires – Interview with Edd Gibson & Ed Macfarlane (Static, 2009)

By |August 17th, 2009|Categories: Interviews|Tags: , , , , , |

The friendly folks from indie-dance sensations Friendly Fires stroll into Static's studio to talk the good talk about their new single "Kiss of Life", the Mercury music prize and more -- "It’s good to kind of feed off the energy of the crowd: suck them like vampires."

The Big Pink – London – 13 May 2010

By |June 18th, 2010|Categories: Live Reviews|Tags: , , , , , , , |

An hour in the company of The Big Pink is a sensory distorting experiment, and one that also questions your sexuality. It’s not a glam/gay thing, but there is a certain amount of homoeroticism about The Big Pink. The obvious sexual nature of the band name notwithstanding, and their record sleeves are all chicks and tits, but I think that’s to throw off the thinly veiled man-love shared between guitarist/vocalist Robbie Furze and bassist Milo Cordell.

The Feelies – Glenn Mercer talks about Here Before (Static, 2011)

By |May 12th, 2011|Categories: Interviews|Tags: , , , , |

An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.

Webcuts Top 20 of 2010 – Part 1

By |January 1st, 2011|Categories: Features|Tags: , , , , , , , , , , |

So that was 2010. What does Webcuts remember most about it? It's hard to say, really. The landscapes shift, the memories flickr and 365 days blur into one long unending soundtrack. One thing our favourite tracks of 2010 all had in common was that they appeared like one night stands that lingered a little longer than usual, almost all of them attached to a singular memory of the song being performed, either from a distance or elbows resting on the stage in mute admiration, or maybe just there emanating from a speaker aimed direct into our inner consciousness, refusing to budge.

The Besnard Lakes – London – 19 August 2010

By |August 23rd, 2010|Categories: Live Reviews|Tags: , , , , |

Touring off the back of their third studio release The Besnard Lakes Are the Roaring Night, the Quebec-based The Besnard Lakes returned to London to treat us with some more of their epic Beach Boys meets Spiritualized jams. Given the massive sound present on ...The Roaring Night, there was some anticipation in how the band were going to pull this off as a four piece. With the newer tracks being a lot denser and harder to recreate live without either a 10 piece line up or a maze of effects and loop pedals, assistance came via laptop, which helped embellish the sound and keep true to their recorded material.

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