Darren Hayman and Jack Hayter – London – 13 June 2008
Darren Hayman and Jack Hayter Luminaire, London 13th June 2008 What do you call a Hefner revival without two of it's original members? Halfner. Hayman has recognised that it would be something of an indignity
Ape School – Ape School
Former member of Natural, Lily's and Holopaw, Florida's Michael Johnson aka Ape School shows off a whole new set of skills for his second album.
Helvelln – Interview with Jeremy Gronow – Part 1
It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.
Cold Cave – Cherish the Light Years
Can goth new-wavers Cold Cave come close to the lo-fi synth-brilliance of their debut Love Comes Close? Now, that's the question.
The Radio Dept. – Freddie and the Trojan Horse
Labrador, 2008 [8/10] It was not the lyrics that got me hooked on The Radio Dept but rather their gentle, dreamy melodies. The vocals of Johan Duncanson are an integral part of the band's sound
Twin Shadow – London – 11 May 2011
Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.