The Antlers – Hospice
Despite the grim subject matter the second album from the Brooklyn trio The Antlers, Hospice is hot stuff.
The Monochrome Set – The Independent Singles Collection
Cherry Red, 2008 [7/10] England 1979 -- punk was morphing into the more experimental post-punk and saw landmark releases from PiL, Gang of Four, The Cure, Joy Division and The Pop Group. And then...then there
The Walkmen – London – 20 February 2009
The Walkmen Scala, London 20th February 2009 While they are most certainly welcomed, perhaps even loved, as a band, The Walkmen are quickly becoming as anachronistic as their name. Coming onstage to an enthusiastic response,
Who The Hell Are… Fennel Seeds?
Never in the history of doing these 'Who The Hell Are... ?' spotlights has a band come along and answered each question so thoroughly and excitedly that to praise them any further would make it seem like we're actually in this band or take bribes (we do. email for details). From the same stable of acts (and household one would presume) that brought you the percussive pop concussions of We//Are//Animal and the not-very-French-at-all Masters In France, come spicy indie rock quartet Fennel Seeds. Further proof that North Wales these days is a happening place or one that naught much else happens.
Sloan – B Sides Win (1992-2008)
In Sloan's case, it was definitely the A Sides that won, but there's some forgotten treats amongst this rarities collection.
Kele – The Boxer
The (Bloc) Party is over. Now, it's a dance party and there's nobody here, except Kele and a few diehard Bloc Party fans looking bored.
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
Liquid Liquid – Slip In and Out of the Phenomenon
Domino Records, 2008 [6/10] Post punk, new funk, even if its old junk, it's still rock and roll to me. Call it what you want, but history shows that Manhattan's Liquid Liquid were essentially a
The Low Anthem – Smart Flesh
Providence, Rhode Island indie-folksters The Low Anthem fail to im-press the smart flesh on their sophomore release.
Jonneine Zapata – Brisbane – 7 October 2010
Jonneine Zapata's Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.
Braids – Native Speaker
Debut album from Montreal's Braids. Like a Canadian Animal Collective with female vocals? Read on and find out...
Destroyer – Trouble In Dreams
Rough Trade, 2008 [8/10] Daniel Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch opens up another world, planting himself square in the middle around a revolving cast of characters (mostly women),
British Sea Power – Man of Aran
British Sea Power take to the Irish Coast to provide a fresh soundtrack to this 1934 documentary on the people of Aran.
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
Miss Li – Late Night Heartbroken Blues
National, 2006 [8/10] With three albums within a twelve months period and a best of album summarising her first year released, Miss Li may be the most productive artist in Scandinavia today, if not ever.
Villagers – Howling at the Moon (Static, 2010)
Villagers is the nom de plume of one Conor O'Brien, the young Irish gent with the piercing blue eyes positioned above these words. Having released his debut album Becoming A Jackal on Domino Records last month to widespread acclaim (surely topping the album charts in Ireland is nothing to be sneered at), O'Brien has been steadfast in moving his Villagers around the country like a pack of wayward Irish gypsies.