Lydia Loveless – Columbus – 30 September 2011
A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.
Webcuts Top 25 Albums of 2008
Ladies and gentlemen, the envelope please! Webcuts favourite albums of 2008 as argued and fought over by us, including star-studded appearances from Beach House, My Morning Jacket, Fleet Foxes, Nick Cave, Santogold, Okkervil River and many more...
The White Stripes – Under Great White Northern Lights
Visual document of The White Stripes Canadian invasion of 2007. No Seven Nation Army required.
Mélanie Pain – My Name
Pain by name and by nature? Leaving the confines of Nouvelle Vague, French singer Mélanie Pain releases her debut album sung in both English and French.
The Stills – Snakecharm the Masses in Australia (2009)
Having pulled up a chair with the The Stills in London to have a drink and talk about their most recent album Oceans Will Rise late last year, we continue to follow their adventures as
Joker’s Daughter – The Last Laugh
Producer Danger Mouse and vocalist Helena Costas come together as Joker's Daughter. It's a mixed deck by all accounts.
Who The Hell Are… The Rifle Volunteer?
It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.
Franz Ferdinand – Tonight: Franz Ferdinand
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Deerhunter – Rainwater Cassette Exchange
Hot on the heels of Microcastle comes this warmly welcomed five track EP from Webcuts' band de jour.
Paul Dempsey – Everything Is True
First there was Something for Kate now singer Paul Dempsey has gone it alone and produced something for everyone.
The Lucksmiths – First Frost
The ever durable Lucksmiths get up before dawn on their latest album. Don't forget your mittens, boys!
Who The Hell Are… Janus 4-14?
Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.
The Gun Club – Miami / Death Party / The Las Vegas Story
Load the chamber and light a candle for Jeffrey Lee Pierce, it's rockabilly blues-a-go-go with The Gun Club.
The New Pornographers – Together
An album that makes us love them more, but not enough to wear their t-shirts. The New Pornographers get it Together.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
ROOT! – Interview with DC Root (Damien Cowell) (2008)
In Webcuts' short history we've had the pleasure of publishing many enjoyable and informative interviews, but few have matched the humour and insight pervasive in this feature with DC from Melbourne's ROOT!. The band's history, debunking the misconception that having good lyrics equates to bad music, the sycophantic cult of Nick Cave, politics and much, much more are covered.