Sunset Rubdown – Dragonslayer
Despite all the record's anomalisms, it's really gorgeous at its core, and there are more than enough enticing musical phrases to drive the listener back to wrestling with its eccentricities.
Mark Kozelek – London – 29 July 2010
“Give me a minute and I’ll blow your minds“. The crowd laughs, so does the man who just uttered those words. The mood, somewhat quiet, respectful, shiftless, is lightened, and Mark Kozelek begins another master-class in tinkling the nylon strings of his Spanish guitar like Liberace would the piano. “I’m old” he breaks the silence again, “I’m fat, I need water, I need lyrics to my songs”. From my pew to the right side of the stage I have to squint to see if it’s not Neil Young sitting there complaining about his arthritis. To Kozelek’s credit, he’s still as ageless as ever, and that gut you were grabbing at? I’m pretty sure you’ve been carrying that for a while now.
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Beth Jeans Houghton – London – 26 September 2012
Beth Jeans Houghton & The Hooves of Destiny Kings College, London September 26, 2012 A little face paint and a rummage through the fancy dress chest has the potential to turn even the dreariest of
Jess Ducrou – Interview about Splendour in the Grass (2009)
Second Splendour line up in full and interview with Splendour promoter Jess Ducrou about the tremendous success of the festival, the process for picking the line-up and this year's bands, future expansion of the site and the improvements in ticketing technology.
Vivian Girls – Australian Interview (Static, 2009)
Cassie, Katy and Ali aka Vivian Girls are back again with their sophomore album Everything Goes Wrong and we caught up with them in a place where nothing ever goes wrong, unless you have a show scheduled at the Hopetoun Hotel this week (fyi girls - it's closed).
Times New Viking – Born Again Revisited
Born Again Revisited or bad idea revisited? Public opinion be damned. Is this the worst album we've heard all year?
Luke Haines – London – 19 January 2011
This was to be the debut and sole performance of Outsider Music, Luke Haines' most successful solo album to date. An album of some notoriety in that it was individually recorded 50 times and released last September for £75 a throw. An artistic experiment and a gamble of sorts, it was an undeniable success for Haines, the old adage about fools and their money standing true -- all 50 volumes of Outsider Music disappearing quicker than anticipated. With each volume a unique item on its own, buyers have been reticent on sharing and as of yet, no copies have surfaced. So Haines - 1, Rich Fans - 1, Poor Fans - go eat a shit sandwich.
She & Him – A Very She & Him Christmas
It's October. Why are we reviewing Christmas albums in October? Why She & Him? Why?
Top Ten – B-Sides
The B-side is every music geek/fan’s favourite thing to debate over. It’s the one place where an artist is allowed to record whatever they see fit, and the one place where a fan can expect
Taken by Trees – Open Field
Rough Trade, 2007 [7/10] Fill up a glass of red wine, put on Open Field, take a seat down in a comfy chair and enjoy the debut of Taken By Trees, a delicate album that
Destroyer – Dan Bejar talking about Kaputt (2011)
It's been said by Webcuts in the past that Destroyer's Dan Bejar is the Woody Allen of pop music. His idiosyncratic, poetic touch is less that of a lyricist but a storyteller with a revolving cast of characters (mostly women), and picking up on the ripples and waves they create to make them a part of his own interior monologue. An essential eighth of the mighty New Pornographers, Bejar has been recording as Destroyer since the 90's. Kaputt, his ninth album is a sumptious, rhapsodic slice of 80's melodrama, immersing itself entirely in the era from the vintage instrumentation to Bejar's own penchance for seeking the sublime out of what some might find the ridiculous.
The Loves – …Love You
The final bow from London’s The Loves balances its buoyant pop against a knowing end and comes up smelling of roses.
Shearwater – Rook
Matador, 2008[rating:9/10] There are musicians who would flinch when accused of doing it "for the birds", reducing the act of making music to a mating call, but Jonathan Meiburg and his band ornithologists in Austin,
The Stills – Interview with Tim Fletcher (2009)
Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.
The Scare – The Final Interview, Sydney (2010)
Is there anything more cliched than the rock and roll break-up? Secret meetings in dark alleys. The guitarist that suddenly pops up on other people's records. The singer who doesn't return their calls. You either see it coming a mile away, or it creeps up on you like old age. It happens to the best and it happens to the worst, and eventually it will happen to them all. Piss and moan about it all you like, but what's done is done. The latest induction to the rock and roll hall of "fuck this shit for a laugh" are Webcuts' favourite punk sons, The Scare.