Beirut – The Rip Tide
With our review dispensing superlatives like "timeless" and "classic", Beirut's The Rip Tide is one of the must-listen albums of 2011.
The Charlatans – Who We Touch
Touched by the somewhat friendly eclectic hand of The Charlatans for their tenth album in twenty years.
A Place to Bury Strangers – Interviw with Oliver, Jason, Jonathan (Static, 2010)
We trap the loudest band the land - A Place to Bury Strangers - in the Static studios to talk the good talk about their beginnings, effects pedals and not being labeled shoegaze, but are disappointed to learn that they aren't in fact the loudest band from New York -- "Jono: It was Time Out New York, they came to our rehearsal studio and had a decibel meter while we were rehearsing, but then they went to Music Hall of Williamsburg, which is this huge 500-capacity venue and then they recorded Black Dice and they were louder than us."
The Dears – Murry Lightburn Interview (Static, 2009)
Murray from The Dears lays it all out - "I didn’t sign up for any of this shit. I just write songs and try to work with people to facilitate those songs and get them out to people to hear them."
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Franz Ferdinand – Tonight: Franz Ferdinand
Many a rock band have experimented with electronica but can Scotland's most successful export since kilts and haggis pull it off?
Deerhunter – Brisbane – 13 June 2009
Webcuts delivers the verdict on Deerhunter's recent Australian assault with reviews of Brisbane, Sydney and also the secret Atlas Sound Sydney show. Let the hunting begin.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
The Organ – Thieves
Mint Records, 2008 [9/10] Vancouver's The Organ shared that same shadowy intellectual existence that made them sound like a darker version of The Smiths, without Johnny Marr's trademark flair and Morrissey's veiled humour. Helmed by
The Earthmen – Whoever’s Been Using This Bed
It was the Johnny Marr guitar flourishes at the start that first sucked me in. Here is the moment when a band who've been doggedly plying their guitar pop trade since the early 90s
Arcade Fire – Sweden – 30 June 2010
As anticipation mounts for the release of their upcoming third album The Suburbs, Arcade Fire commence on a brief hit-and-run tour of intimate and out-of-the-way places in Europe, somehow finding themselves performing on a moat in the middle of a limestone quarry in Sweden. For a band like Arcade Fire, such inventive and idyllic surrounds seem apt, but it only poses the question -- How hard can a quarry rock?
Owen Pallett – Heartland
From Final Fantasy to something more pallettable Canada's Owen Pallett continues to enthrall with his third album which gets to right to the heart.
Dark Mean – Dark Mean
Canadian folk-sters Dark Mean deliver a "must-listen album with staying power, and one of the year’s best" on their self-released debut.
Stephen Malkmus and The Jicks – Mirror Traffic
Pavement reunion done and dusted, Stephen Malkmus and Co. get back to making adult indie rock on album number five.
Vivian Girls – Vivian Girls
Brooklyn twee-punksters the Vivian Girls hit the reverb heights in a hail of cartoon tattoos and converse on their debut album.
Destroyer – Kaputt
Lyrically and musically, simply one of the best records you'll hear all year. Dan Bejar -- Genius. Kaputt -- Divine.