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The Stills – Interview with Tim Fletcher (2009)

By |February 3rd, 2009|Categories: Interviews|Tags: , , , , , , |

Having released one of Webcuts favourite albums of 2008, the tsunamically stunning Oceans Will Rise, we caught up with vocalist/guitarist Tim Fletcher from Montreal's The Stills whilst in the middle of a brief European tour late last year.

Stars – Interview with Evan Cranley on The Five Ghosts (2010)

By |July 14th, 2010|Categories: Interviews|Tags: , , , , |

The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.

Lydia Loveless – Columbus – 30 September 2011

By |October 7th, 2011|Categories: Live Reviews|Tags: |

A couple of songs into Lydia Loveless’s evening set, and it’s difficult to tell where Lydia the singer ends and Lydia the person begins. It’s simply hard to imagine a woman like this, barely in her twenties, and standing a little over five foot tall in her boots, could be so worldly and explosive. And yet, there she is, muttering a string of f-bombs during a song break because she can’t get her guitar tuned quite right. The attitude, the weathered, sarcastic smile. The edge. That’s pretty damn tough to fake.

The Hold Steady – Interview about Heaven Is Whenever (2010)

By |April 6th, 2010|Categories: Interviews|Tags: , , , , , , |

“Listening again to everything The Hold Steady recorded. Is this the greatest American band now? They just got me through a rough month.” Bret Easton Ellis, Twitter Nov 2009. Lauded by fans, critics and other creative minds for the scope, depth, truth and heart that they bring to chronicling the American rock myth, Craig Finn and Tad Kubler of The Hold Steady hold court to discuss (via impersonal record label Q&A) their forthcoming blue collar opus Heaven is Whenever, due for release on May 3.

The Cult – London – 21 January 2011

By |February 18th, 2011|Categories: Live Reviews|Tags: , , , , |

When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.

Who The Hell Are… The Rifle Volunteer?

By |December 9th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

It's an audacious pronouncement to commit to releasing 12 singles in 12 months. The Wedding Present set the benchmark in the 90's. Ash tried the same thing recently, in a mixture of desperation and overkill in numbers too large to comprehend and tarnishing the very idea of a single. It's not just two songs on a slab of vinyl (or cd, or one of those less satisfying digital w/artwork jobs). It's a living, breathing statement. A trojan horse in disguise. A rallying cry to fall behind. A rallying cry... See, The Rifle Volunteer comprehend this. "I'll Sleep When That Damned Sun Is Dead", the first single in their year long campaign, is what we're talking about. Here is a band that means business.

Who The Hell Are… The Rassle?

By |September 28th, 2011|Categories: Features, Who the Hell Are|Tags: , , |

When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.

Who The Hell Is… Joel Edmondson?

By |September 17th, 2010|Categories: Features, Who the Hell Are|Tags: , , , , |

Originally known to us as one of the curators of the Hangar venue and lofly label in Brisbane we shouldn't have been surprised that Joel Edmondson had a musical project. What we weren't expecting, seeing as his label mates lean more towards the electronic and experimental side of the musical spectrum, was the polished pop and rock awaiting us on his MySpace page. We fired off our standard 15 questions to Mr Edmondson and his swift response proved wry and illuminating, much like his songwriting.

ROOT! – Interview with DC Root (Damien Cowell) (2008)

By |April 27th, 2008|Categories: Interviews|Tags: , , , |

In Webcuts' short history we've had the pleasure of publishing many enjoyable and informative interviews, but few have matched the humour and insight pervasive in this feature with DC from Melbourne's ROOT!. The band's history, debunking the misconception that having good lyrics equates to bad music, the sycophantic cult of Nick Cave, politics and much, much more are covered.

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