Home
Home2021-03-15T09:32:21+00:00

All Tomorrow’s Parties – Brisbane – 2009

By |January 15th, 2009|Categories: Live Reviews|Tags: , , , , , , , , , , , , |

The much lauded ATP festival reaches Australia and we give you the rundown on the Brisbane leg including reviews of Robert Forster, Spiritualized, The Saints and Nick Cave and the Bad Seeds.

Comments Off on All Tomorrow’s Parties – Brisbane – 2009

The Cult – London – 21 January 2011

By |February 18th, 2011|Categories: Live Reviews|Tags: , , , , , , |

When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.

Comments Off on The Cult – London – 21 January 2011

The Horrors – Australian Interview (Static, 2010)

By |March 31st, 2010|Categories: Interviews|Tags: , , , , |

We chew the fat with The Horrors on their recent Australian tour about last year's remarkable second album Primary Colours, and their thoughts on cover versions: "I think it’s a funny idea that this is a conversation you’re more likely to have now than at any other time in the history of rock ’n’ roll, considering most bands really started playing cover versions, being The Beatles or The Stones or even the Sex Pistols. It was something that was just kind of part and parcel of being in a group and part of a live repertoire."

Comments Off on The Horrors – Australian Interview (Static, 2010)

Who The Hell Are… Villa Cola?

By |April 13th, 2011|Categories: Features, Who the Hell Are|Tags: , , , |

Having lived through the 80's, witnessed the birth of Wham!, the ascension of Kylie from Neighbours mechanic to pop princess and the rise and fall of the Stock, Aitken and Waterman (s)hit factory, intelligent, well-crafted synth-pop has had a tough (but not impossible) road to climb to redeem itself. It's easier done now for those with little memory of the 80's, who can mine the decade of its untapped wealth and pull influences from The Human League or Gary Numan or even further back without being mocked, all the while creating something new and exciting. Having a rough guess at their ages, London's Villa Cola could surely fill these shoes.

Comments Off on Who The Hell Are… Villa Cola?