1990s – Interview with Jackie McKeown (2009)
Jackie McKeown enthusiastic front man with Glasgow's 1990s talks effortlessly about their sophomore effort Kicks which is being booted about, delving into the rigours of recording under Bernard Butler, sharing vocals duties, girlfriends and carrying
Atlas Sound – Logos
Bradford Cox of Deerhunter makes us seem like we're slavishly supportive of everything his hand touches, but we mean every word. Honest.
HTRK – London – 9 March 2009
HTRK Lexington, London 9th March 2009 I first witnessed Melbourne/Berlin noise-makers HTRK in action at a time where any favourable impression would not come forthwith. This was in a dingy low ceilinged East London venue
Austra – London – 18 January 2011
There’s been a noticeable shift slash longing backward glance in music trends towards all things 80’s. It seems that the product of that era now want to know everything about where they came from and the music that was made. For synth pop acts like Summer Camp and Twin Shadow, the 80’s are a nostalgia/inspirational goldmine, but with the rise of Zola Jesus, Salem, oOoOO, etc, it was inevitable that Goth music and its mutated electro/dark wave offspring would get discovered by the black clad suburban misfits of today. Enter, Austra from Toronto, Canada.
Washed Out – Riding the Chillwave (2011)
As 2011 continues to reveal an abundance of new artists and great music, it's of no surprise that one of the more anticipated debut albums was that of 28-year-old Atlanta based songwriter and producer Ernest Greene, AKA Washed Out. Full of blissful harmonies and gently shifting arrangements, augmented with hip-hop beats and samples, Within And Without quickly became the preferred summer spin at Webcuts. Static's Chris Berkley recently caught up with Ernest to talk about all things Within And Without -- recording the album, the process behind it, and amongst other things, 10CC's "I'm Not In Love" and the 'raunchy' cover art.
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Grouplove – Never Trust A Happy Song
Energetic indie-rock from LA's Grouplove but watch out for "the boring half of the record". Whoops.
Fink – Sort of Revolution
You say you want a revolution? Well, Fink's folk-tinged Sort of Revolution falls sort of... short.
Titus Andronicus – The Monitor
Ragged fist-pumping fury from outta New Jersey. Named after one of Shakespeare's earliest tragedies. Fact.
Who The Hell Is… Jonneine Zapata?
Interview with LA-based chanteuse Jonneine Zapata around the time of her debut album Cast the Demons Out.
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Helado Negro – Awe Owe
Will you be in awe of Helado Negro's Latin American infused mix of folk and sampled beats? It's very tasty.
Stars – Interview with Evan Cranley on The Five Ghosts (2010)
The new Stars album The Five Ghosts is a focused and streamlined record that in some ways harks back to their synth-pop roots of their first album, albeit being much darker in tone and theme. While Stars' diminutive front-man Torquil Campbell, and its glamorous front-woman Amy Millan, may get the most of the star light we recently had words with the quiet achiever of the band, Evan Cranley. Evan reveals to us details about the process and direction that the new album took, the decision behind the Séance EP, his jack of all trades role in the band, the novel approach to touring the new songs and how to create a fantastic remix.
Splendour in the Grass – 2010 – Woodford
It's Summer festival time in Europe, but over in Australia it's Winter and Webcuts was there to brave the chill and celebrate Splendour in the Grass' tenth birthday with 32,000 others at the new Woodford location in Queensland. Over the three day weekend our reviewers witnessed a phenomenal selection of old and new favourites including -- Ash, Band of Horses, Black Rebel Motorcycle Club, Cloud Control, The Drums, Grizzly Bear, Jonsi, LCD Soundsystem, Paul Kelly, Pixies, School of Seven Bells, Scissor Sisters, The Strokes, Tame Impala, The Vines, Yeasayer, and believe it or not, a whole lot more!!
Cold Cave – London – April 4 & 5 2011
In a long black leather jacket and hoodie and stacked heels, Cold Cave's Wes Eisold looks like any other kid you see in Camden on a Friday night, except that he's not and it isn't and before he even opens his mouth, you're thinking "wow, that leather jacket really is the shit" and it is. It's also a special day for 80's synth-obsessives Cold Cave, as Eisold curtly informs the assembled at Rough Trade Records - "Welcome to our album birthing day". Their second album, the strangely positive sounding Cherish The Light Years showing a marked change from the same Cold Cave that played London back in May 2010.
Windmill – Epcot Starfields
Windmill embark on a musical trip through the Epcot Space Center to give us the futuristic feel of Epcot Starfields.