Ariel Pink’s Haunted Graffiti – Before Today
Sounding more like a theme park ride than a band, Ariel Pink pulls off both with a little 70's funk and 80's new wave self-exploration.
The Wedding Present – London – 13 December 2010
These are confusing times we live in. The past and the present have merged into one. Bands come back from the dead, sounding better than ever (The Primitives), artists who are clearly dead keep on making dreadful albums from beyond the grave (do we need name names?), and bands will play their best album in full and it becomes ‘an event’ (The Wedding Present). There are few albums in the history of music that deserve to be played in full (though tell that to Echo & The Bunnymen...), there's always at least one track (or more) of filler, or one completely misjudged stinker, but nostalgia has a price and it pays handsomely, so hey, on with the show!
Blur – Midlife: A Beginner’s Guide To Blur
The predictable commercial foibles of a greatest hits compilation are largely avoided here; each of the tracks have been carefully selected by the band and many of them are touched-up or alternative versions.
Rat vs Possum – Interview (2010)
I'd heard murmurings of a Melbourne band who subscribed to the "let's give them a real show" theory of concert performance - glitter, paint bombs and bubble wrap - along with a huge wall of
Constantines – Kensington Heights
Arts & Crafts, 2008 [8/10] Toronto's Constantines have tirelessly flown under the radar for many years now. Fiercely independent and untied to any particular scene or movement, their sound is punishing blend of brittle punk
Twin Shadow – London – 11 May 2011
Having to write a live review on the fly, almost two weeks after it happened, from notes hastily scribbled, while packing to go to a festival will show us this is not the way to be. There's no time to go into great detail, to labour the point, to draw comparisons between George Lewis Jr's physical appearance (a little bit Prince, a little bit Morrissey), or the sound (a little bit Prince, a little bit Morrissey, albeit on a synth-sprung landscape). Twin Shadow, at least from this writer's perspective, has adequately filled the gap that LCD Soundsystem left by their absence, in making music that moves and is moving, that is confident without being arrogant, and is just too perfect for words.
Continuum Books 33 1/3 – Elliot Smith – XO, Big Star – Radio City
A look into Continuum's must-read 33 1/3 series of books that investigate the history and stories behind some of the greatest albums ever made, including reviews of the most recent releases in the series -- Big Star's Radio City and Elliott Smith's XO.
Stephen Malkmus & the Jicks – Los Angeles – 25 July 2009
Stephen Malkmus & The Jicks played to an audience brimming with the intoxicating scent of bearded, checked-shirt sporting aging rock dudes. Vanessa From Queens was missing but the gang was all there.
The Grates – Brisbane – 1 May 2009
The Grates/Children Collide Hi-Fi Bar, Brisbane 1 May 2009 It's not often that you have moments like this -- where you have to take a step back from your surroundings and fathom what is the hell
Cut Copy – Zonoscope
Melbourne Modular boys gone global return for their third album with mixed results. Just what the hell is a Zonoscope anyway?
Simon Goddard – Mozipedia
The ultimate bible for Morrissey and Smiths fans, Mozipedia sorts the Suedehead from the Southpaw.
Divine FIts – Britt Daniel Interview (2012)
Divine Fits may be an unfamiliar name, but the people behind it no doubt lurk in your record collection under their original outfits. Better known as Britt Daniel from Spoon, Dan Boeckner from Wolf Parade,
Who The Hell Are… Fennel Seeds?
Never in the history of doing these 'Who The Hell Are... ?' spotlights has a band come along and answered each question so thoroughly and excitedly that to praise them any further would make it seem like we're actually in this band or take bribes (we do. email for details). From the same stable of acts (and household one would presume) that brought you the percussive pop concussions of We//Are//Animal and the not-very-French-at-all Masters In France, come spicy indie rock quartet Fennel Seeds. Further proof that North Wales these days is a happening place or one that naught much else happens.
The Veils – Finn Andrews talks about Troubles of the Brain (Static, 2011)
Barely eighteen months since the release of one of 2009's dark delights, the epic Sun Gangs, Finn Andrews the New Zealand bred, England based leader of The Veils has released possibly one the highlights of 2011 with Troubles of the Brain. Over the course seven songs Finn and his band mates explore less grandiose and orchestral avenues than those on Sun Gangs favouring instead acoustic guitars, simpler arrangements and a lighter air in general. Chris Berkley tracked down Mr Andrews just before the release of Troubles of the Brain to talk about the differences in recording at home, going out on his own label and having a feverent fanbase to help that transition.
The Darling Buds – London – 22 September 2010
You’d be forgiven for having a sense of déjà vu here. Is it 1989? Did The Primitives and The Darling Buds really both play London within a week of each other? Having been absent from the live scene for most of the '90s and all of the past decade, for both bands to surface at the same time is unthinkable. Unthinkable, but pretty damn cool. It brings back memories of a time when the music magazines invented a scene called ‘Blonde’, where bands were lumped together purely based on the colour of the lead singers hair. Which by their way of thinking meant you were either a Blonde, a Goth or in Fairground Attraction.
The Charlatans – Brisbane – 10 November 2010
It's been a long time time between drinks for The Charlatans and Australia. Fresh from playing their Some Friendly 20th Anniversary shows around the UK The Charlatans were down under recently with a more conventional touring schedule. It's certainly not the fan fest that they are used to back home but a rapturous welcome still greets the band. With a set drawn mostly from their very early material honed through recent tours, and the obligatory new songs that every band pulls out, it's a different set to what fans might expect but shows the depth of quality over their long career.