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Jess Ducrou – Interview about Splendour in the Grass (2009)

By |June 17th, 2009|Categories: Interviews|Tags: , , , , , , , , , , , , , , , , |

Second Splendour line up in full and interview with Splendour promoter Jess Ducrou about the tremendous success of the festival, the process for picking the line-up and this year's bands, future expansion of the site and the improvements in ticketing technology.

HEALTH – Interview with Jake Duzsik (Static, 2010)

By |April 26th, 2010|Categories: Interviews|Tags: , , , |

Finding unexpected notoriety through their collaboration with electronic arsonists Crystal Castles, Los Angeles Noise Rock quartet HEALTH have been a prominent musical force in the LA scene over the past couple of years. With their second album Get Colour released late last year, the band have evolved beyond being nihilistic noise makers into an act that is pushing the textural accessibility switch.

Who The Hell Are… Civil Civic?

By |November 16th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

There aren't that many great instrumental duos in the history of rock and roll. I've thought about this for about 20 seconds or so and bored already. To arrive at that musical decision, and to arrive at that musical decision when your bandmate doesn't even live in the same country, is as perverse as it is stupid. Being as they are Australian, perverse stupidity is our calling, and it's why Civil Civic succeed where others have just gone "Dude, we need another member". With the title still up for grabs (or until some smart-ass avant-garde freak shoots me down), Civil Civic could turn out to be the greatest instrumental duo in the history of rock and roll. Wouldn't that be just dandy?

Helvelln – Interview with Jeremy Gronow – Part 1

By |September 10th, 2011|Categories: Features, Secret History of Australian Music|Tags: , , , |

It's ok for you to think "who? never heard of 'em". Honestly, you'd have to be aged 35+, Australian, and a regular listener of Triple J or Triple R. Maybe you watched Neighbours. In the finicky annals of Australian music history, and with no disrespect to Helvelln, they barely warrant a mention. To briefly summarise, Helvelln were an inspired pop/rock 3-piece formed in Melbourne in the late 80's, released two singles and one album and then broke up in the early 90's. Google them and you'll get pictures of mountains. Impressive and rocky, but hardly rock n' roll.

Who The Hell Are… Janus 4-14?

By |September 22nd, 2010|Categories: Features, Who the Hell Are|Tags: , , |

Janus 4-14's tag is 'indie pop that won't make you cringe', but they fail to recognise that statement itself is cringeworthy. Despite being presumptious of their own sound, Janus 4-14 do make for great music. They exist in a time that some would regard as the golden age of music, that mid-90's alternative scene when American bands owned their airwaves. They took their influences from the UK, as well as their own country, and put together something that sounded like The Ramones meets The Buzzcocks, that in itself was almost a new breed of rock n' roll -- fast or slow, these were raging guitar-driven, melody-led slices of imperfect perfection.

Who The Hell Are… Seize The Chair?

By |August 24th, 2011|Categories: Features, Who the Hell Are|Tags: , , , , |

You have to question the motives behind a band who put a picture of two gurning band members on the front cover of their debut 7", or when asking the record company for a promo photo being offered 'the one where they're all dressed up in drag', or 'the one where they're chewing grass' (we passed on both). Sheffield's Seize The Chair have the air of a band who clearly and delightfully just don't give a fuck. In fact they probably just want to make music and have a laugh. Which, if you've seen that record sleeve, you'll be laughing too.

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