Home2026-06-18T23:49:56+10:00

Exlovers – London – 28 February 2011

By |March 7th, 2011|Categories: Live Reviews|Tags: , , , , |

There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.

Dean Wareham – London – 8 December 2010

By |December 15th, 2010|Categories: Live Reviews|Tags: , , , |

Long before he cleared the air/dished the dirt (whichever way you look at it), on his band mates in his autobiography Black Postcards, it was widely known there would never be a proper Galaxie 500 reunion. In the intervening years since their disbandment in 1991, both Dean Wareham and the unit known as Damon and Naomi have gone their separate musical ways to moderate degrees of success. With Wareham’s post G500 outfit Luna winding up in 2005, he’d now put to pasture two bands presumably allowing him time to reflect on past glories with a renewed desire to not let that youth go to waste.

The Scare – Interview (2007)

By |January 8th, 2008|Categories: Interviews|Tags: , , , , , , |

Craig Smith takes us on a journey from Brisbane to Birmingham with Wade Keighran bass player for punk rockers The Scare. Taking in emotional break downs and playing the UK festivals, to the booze soaked recording of Chivalry and being wide eyed in L.A. -- this is the definitive account of The Scare's rags to musical riches tale.

Who The Hell Are… The Capitalist Youth?

By |October 12th, 2010|Categories: Features, Who the Hell Are|Tags: , , , |

Consider The Capitalist Youth, a trio of former high school classmates who play “acoustic indie rock combining a living room full of misfit instruments with lyrically driven songs about summer camp, existential crises and gubernatorial indiscretions”. They don’t write and play the kind of music that will leave listeners dumbstruck over their redefinition of a genre, but they’re able to adeptly inject something into their music that only a handful of others have done well: humanity, with a laid back sense of humor, and without any of the awkward pauses that come from other bands who get lucky on a song or two and can’t maintain things the rest of the way.

The Cult – London – 21 January 2011

By |February 18th, 2011|Categories: Live Reviews|Tags: , , , , |

When you add up the years, you realise Ian Astbury and Billy Dully have been making music as The Cult for a long-ass time. Sitting in the rafters of the Hammersmith Apollo ("Hammersmith Odeon", Astbury demurs, referring to the venue's previous appellation), the debt paid to the excesses of rock n’ roll have more-or-less treated both kindly. Astbury, the once flower-child/wolf-child looks a little rough round the edges, but when you style yourself on Jim Morrisson and then suddenly become him, what can you expect. Duffy on the other hand, is ageless, looking more like David Beckham‘s older brother than a well-tooled guitar god.

Go to Top