Arcade Fire – Sweden – 30 June 2010
As anticipation mounts for the release of their upcoming third album The Suburbs, Arcade Fire commence on a brief hit-and-run tour of intimate and out-of-the-way places in Europe, somehow finding themselves performing on a moat in the middle of a limestone quarry in Sweden. For a band like Arcade Fire, such inventive and idyllic surrounds seem apt, but it only poses the question -- How hard can a quarry rock?
Esben and the Witch – Violet Cries
Over-indulgent Gothic melodrama from Brighton's Esben And The Witch. How do you like your nightmares? Black with 2 sugars, thanks.
Kaki King – London – 13 July 2010
When does standing in the front row give you a direct line to god? Just because your idol, or current object of interest, is able to look you in the eye while they’re singing doesn’t mean that this is your opportunity for some face-to-face "let's get to know each other" time. Really, it doesn’t. And it’s rare that a concert is marred by one asshole that doesn't get the hint and won’t shut up, but shit does happen, and it happened to Kaki King and to the respectful crowd who had to endure this one "fan" and his relentless pursuit in establishing a "connection".
Lick – A Bitter Taste of Britpop – Interview with Gary Cosby (2007)
Lick were one of Britpop's great forgotten bands. Forming in Camden in 1994 they made a splash with glam anthems, penchant for eyeliner and sexually charged lyrics. But the dream was all over two years later on the cusp of releasing their debut album. We feature an in-depth Q&A with lead singer Gary Cosby about the band and the their unreleased album Turbulence.
The Morning Benders – Big Echo
Oh, summery shimmery albums. Why must you hook us so? Berkeley, CA's, The Morning Benders serve up a treat.
The Honeys – Interview with Bruce Begley about Star Baby (2008)
All my favourite bands break up too soon. Some dissolve and leave no trace they ever existed, others leave behind a body of work, be it that beguiling debut or just one crucial single that
Grouplove – Never Trust A Happy Song
Energetic indie-rock from LA's Grouplove but watch out for "the boring half of the record". Whoops.
Hoodoo Gurus – London – 4 July 2008
Hoodoo Gurus The Forum, London 4th July, 2008 Photo by Craig Smith. "I can still recall the time" began Dave Faulkner, as he stood in front of 1500 Australians (and some locals) at London's
The Decemberists – The King Is Dead
The Decemberists discard the costumes and dispense with the theatre slipping into more familiar musical threads on album number 6.
Adorable – Footnotes 92-94
Review of mid-90s band, Adorable, compilation album that combines singles, album tracks from their two LPs and b-sides.
Fucked Up – David Comes To Life
Concept albums, rock operas, the artistic chasm of failure widens as Fucked Up take the challenge and make the album of their career.
Devo – Something for Everybody
There are people who write for this website who weren't even born when Devo last made a record. This is not for them.
Peter Murphy – Should The World Fail To Fall Apart
Cherry Red, 2011 [5/10] While the other three members forged on with nary a breath to contemplate what lay behind them, it took the ex-Bauhaus frontman 3 long years to record his first solo album.
The Stills – Oceans Will Rise
The Stills channel an environmental apocalypse with Oceans Will Rise. Will anyone be left to hear it?
No Years Festival – Brisbane – 31 December 2010
New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia's Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.
Interpol – Interpol
The Lights are on but the tunes aren't home on Interpol's disappointing fourth otherwise known as #4.