Bauhaus – In The Flat Field/Mask
A powerhouse debut and its cathartic, brooding follow-up, Bauhaus' back catalogue is remastered and revived for the masses.
The Walkmen – London – 20 February 2009
The Walkmen Scala, London 20th February 2009 While they are most certainly welcomed, perhaps even loved, as a band, The Walkmen are quickly becoming as anachronistic as their name. Coming onstage to an enthusiastic response,
Spoon – Interview with Britt Daniel and Jim Eno (Static, 2010)
Spoon's latest album, Transference, seemed to show the band finding new ways to tie their own shoelaces, searching out their own "Mystery Zone" or what Britt Daniel will later say in the interview "we gotta try to please ourselves first". Notable for being our first interview where the band asks us the questions, Spoon have perhaps realised there's more to making music than pleasing yourself. You've still got to please your Mom too...
The Kills – Alison Mosshart talks Midnight Boom (2009)
Arriving on the scene way back in 2002 with the gritty Black Rooster EP, The Kills took the garage rock aesthetic and beat it down, creating a skin and bones strut that stank of sex
The Whitest Boy Alive – Rules
Erlend Øye and company break some rules but also unwittingly create them on their second album entitled, you guessed it, Rules.
The Feelies – Glenn Mercer talks about Here Before (Static, 2011)
An act that many have been holding their breath for the return of for as long as they've been absent from the stage are Haledon, New Jersey's The Feelies. Arriving in the late 70's, and releasing one of the first great new wave/post-punk albums of the early 80's (truly. no hyperbole here) in Crazy Rhythms, The Feelies were the Velvet Underground and Television's geeky Jersey cousins. An enthralling percussive ride, full of jerky rhythms and wild, melodic guitar interplay, the sound of The Feelies would evolve over the years, drifitng away from the arty CBGB crowd toward a more refined pastoral 'college rock' sound that typified an era when bands like R.E.M. and Camper Van Beethoven loomed large.