Versus – On the Ones and Threes
Out of nowhere comes a near perfect album by a near forgotten band that rewrites their own history in one superlative-inducing swoop.
Who The Hell Are… The Volcano Diary?
Sometimes a mood, feeling or memory can be condensed into a single album or song. It can be due to overexposure to that certain piece of music at the time of a memory being made, like, let's say, Christmas, or it can be the result of new music that already sounds familiar hitting on certain emotional chords, no pun intended. And new music that feels old, strange tunes that feel like a lifelong pal, is not necessarily an indictment of inherent quality, but it is certainly a step in the right direction. So goes with The Volcano Diary, a very new band that feels like they've been making music for decades.
Various Artists – Brand NEU!
Just say NEU! to drugs. Or NEU! to Oasis. A hit and miss compilation of acts influenced by this seminal German outfit.
Detektivbyrån – Hemvägen
Danarkia, 2006 [8/10] With glockenspiel, accordion and toy-piano Detektivbyrån (Dee-tek-teeve-bu-ron, "The Detective Agency") take their audience on an imaginative musical journey through the urban streets of Paris and the forests of Värmland, the Swedish province
Who The Hell Are… The Rassle?
When it comes to the mythical it-factor, New York's The Rassle by their own admission are “just rock and roll”. They understand that thousands of people have been there, done that. They're here to enjoy whatever the moment is right now, and it feels pretty damn great. Listen to The Rassle's first single, “Wild Ones” and you'll hear what they're talking about. It's a sound that's been done before. A little synthy, a little danceable. But by the time that kick drum chorus comes bellowing forward, it doesn't matter. You're bobbing your head like this is the first time you've heard indie rock before. It's fantastic.
Pixies – Brisbane – 31 July 2010
Although the Pixies had visited Brisbane only back in March this time the set list was uninhibited by the myopic focus on Doolittle. Thus we got the full spectrum of the Pixies’ canon.
Fucked Up – David Comes To Life
Concept albums, rock operas, the artistic chasm of failure widens as Fucked Up take the challenge and make the album of their career.
Mental As Anything – Essential As Anything / Tents Up
Both mental and essential, Sydney's pop legends Mental as Anything return with a career-encompassing collection and a brand new studio album.
Sonic Youth – The Eternal
The Enternal is Sonic Youth's celebration of newfround freedom. I guess that mean's no more working for the man.
Okkervil River – The Stand Ins
Jagjaguwar, 2008 The Austin boys in Okkervil River are back with another album and like always it's filled with surprising stories, dense lyrics and great tunes that stick with you. The
MGMT – Congratulations
One of the hotly anticipated releases for 2010, MGMT shake things up with their follow-up to Oracular Spectacular but the title is anything but ironic.
MNDR – Feed Me Diamonds
Ultra, 2012 "Pop music is a platform to say something. You don't have to only talk about parties." Interesting quote from ex-noise artist now shiny electropop-idol-in-waiting, Amanda Warner. Pop music has always been
The Dandy Warhols – This Machine
Beat The World, 2012 At this stage in their career, The Dandy Warhols stand as an infinitely renewable resource. With the major label shackles thrown and now releasing their own
Times New Viking – Australian Interview with Jared and Adam (2011)
Was there really once a musical sub-genre called 'Shitgaze'? I mean, somebody actually sat around, coined that term and then hoisted it on a few unsuspecting bands who by fate or ill-fortune found themselves trapped under its audiophile repelling umbrella? Think about it, shitgaze. Would you buy into that? Thankfully it's only a memory, but some of those bands still remain, including Columbus, Ohio's Times New Viking. On the eve of their first Australian tour Chris Berkley of Static spoke to Jared and Adam of Times New Viking, fresh off the plane to promote their most recent album, the discordant but progressively tuneful, Dancer Equired.
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.
Exlovers – London – 28 February 2011
There really is something enthralling about watching a band not just perform music but energetically project themselves into it. It's akin to standing against a gale who's presence is to overpower you and anything in its way. That would in part, sum up the appeal of Exlovers -- they cut a forceful, harmony-fuelled rug. The other part is they're the most attractive bunch of tattooed scruffs that you'll ever encounter. Put all this in the context of their latest single "Blowing Kisses", a song that transcends simple indie guitar music and that gale hits like a perfumed fist that still makes you want to stand up and take more.