Dirty Projectors – Bitte Orca
"Bitte Orca is an album for the background of a high concept coffee shop on your hipster street". I'm getting that Reality Bites feeling...
Lightspeed Champion – Life is Sweet! Nice to Meet You
Dev Hynes brings us more songs of bittersweet romance on his sophomore release as Lightspeed Champion.
Jonneine Zapata – Cast The Demons Out
Sounding like a counter-revolutionary, singer-songwriter Jonneine Zapata's task at hand is presciently hinted at in the title.
Who The Hell Are… The Fierce & The Dead?
With their debut album If It Carries On Like This We're Moving to Morecombe, London post-rock quartet The Fierce & The Dead left an indelible impression at Webcuts HQ. It was an album that defied categorisation and challenged perceptions of the post-rock genre, not only from the exceptionally long-winded and unselfconscious title, but in the way it fused elements of post-rock with hardcore, ambient soundscapes and jazz/funk experimentation. It was as if The Fierce & The Dead wanted to sound like all bands, and none, which intrigued us enough to want to find out more.
Deerhunter – Halcyon Digest
The stakes are high on Deerhunter's 4th album. Can they beat Webcuts album of the year 2008, their own magnificent Microcastle?
The Mountain Goats – The Life of the World to Come
Well versed in the Bible John Darnielle's Mountain Goats new album doesn't actually require a religious bone in your body to enjoy.
Destroyer – London – 28 June 2011
How strange to be more than fifteen years into a career and to finally achieve growing, and now glowing, recognition for the music you make. Bands today, the inverse applies, they learn to walk before they can crawl, record a debut they'll never repeat and disappear as if they never existed. Real artists will maintain and nurture their craft regardless of an audience, which more or less, is the story of Dan Bejar. Better known as the wild-card songwriter in Canadian power-pop supergroup The New Pornographers, Bejar's work as Destroyer is like mainlining into Bejar's psyche, which prior to you only got the briefest taste of.
Ipso Facto – London – 31 July 2008
Ipso Facto Pure Groove Records, London 31st July, 2008 Having caught our attention last year with their goth and garage graces, Webcuts ventured down to Pure Groove records in East London to catch Ipso Facto
Wet Illustrated – 1x1x1
Sizzling psyche-pop debut from San Francisco three-piece Wet Illustrated. A little Feelies, a little Sonic Youth.
Contiuum Books 33 1/3 – Television, Rolling Stones, Dinosaur Jr
Behind every great album is more often than not, an even greater story waiting to be told. The pursuit for higher understanding of artists and their most influential pieces of work and how the two came to pass has long been the ultimate goal of the ardent music fan who thrives on having every recorded nuance and historical detail mapped out like a combined atlas and encyclopedia of the human body. One of the more indispensible series of music books published that actually does, more or less, what is expected above, has been Continuum's 33 1/3. With the recent addition of The Rolling Stones Some Girls, Dinosaur Jr's You're Living All Over Me and Television's Marquee Moon to their honour roll, 33 1/3 show no sign of scraping the bargain bin anytime soon.
Adorable – Interview with Piotr, Robert, Kevin and Wil about Footnotes Compilation (2008)
Interview with all four members of Coventry's great lost 1990s indie band Adorable about their compilation album, Footnotes 92-94, released in 2008.
1990s – Interview with Jackie McKeown and Michael McGauhrin about 1990s and Yummy Fur (2007)
During the decade that was the 1990s Jackie McKeown fronted the highly influential but commercially ignored Glaswegian act The Yummy Fur, an ensemble that went through as many reshuffles as a blackjack dealer in Vegas.
Bauhaus – Go Away White
Cooking Vinyl, 2008 [rating:1/10] Bauhaus' original swansong, released almost 25 years ago now, was a recording halted and hindered by singer Peter Murphy catching pneumonia and being hospitalised, meaning the finished product, entitled Burning From
Cloud Control – Interview (Static, 2010)
A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren't harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they're is no discernible Sydney sound or Melbourne sound. Cloud Control's indie-folk rubs shoulders with Parades' and Jonathan Boulet's dense polyglot pop while Rat vs Possum's tribal skewed pop sounds share the same general geography as Love Connection's murky shoegaze and Super Wild Horses girl fronted garage. It's not where you come from, it's where you're at.
M83 – Saturdays = Youth
Virgin, 2008 [7/10] I have a very vivid memory of M83's previous album Before the Dawn Heals Us being played at a thunderous volume while sleeping at a friend's house early one morning, and it
The Hold Steady – Heaven Is Whenever
Heaven is here, and if the album is half as great as this review, then The Hold Steady should be counting their lucky stars.