In a similar vein to the liner notes to Footnotes could you each say something about the songs that didn’t make it onto that album.
“I Know You Too Well” (Against Perfection)
One of the few tracks where I was”‘guided” on what to play. I usually played my part in the music making process by coming up with my own drum parts. Pete came up with this one for me and it turned out to be one of my favorites. KG
I like this one a lot, especially the drums and bass. Had we not used most of our best songs as B-sides, this probably wouldn’t have made the album though. W
Whilst a lot of our other stuff were rough sketches that were then fleshed out in rehearsals this was written in a different way to the others. I demo’d it on my 4-track with Wil and a drum machine, and had it pretty much asit was. It was about someone I knew who was just so transparent and predictable it drove me crazy. PF
“Still Life” (Against Perfection)
We really liked “Summerside” and wanted something in that style for the album, and so wrote this — but it isn’t as good. PF
“Go Easy on Her” (Fake)
Written about local heroine Tracy Tracy of The Primitives who the NME rounded on after years of championing. Even when the Primitives, who I thought had moments of pop greatness (“Crash” is possibly one of the best singles ever released), announced they were going to split, the NME started a piss-taking petition week after week calling on them not to give up. Her crime was she tried to go for something, and she didn’t make it. I really like the track, and I’d have been happy for it to be on the best of…but space (the temporal concept, not the band) was our enemy. PF
Adorable – “Go Easy on Her”
Alan McGee really loved this one and I have no idea why. W
Em Em 7th 9th Em 7th Em — B C. RD
“Radio Days’ (Fake)
This was recorded as a B-side, but we needed something fast for the album, so this made it on through the back door. W
This songs sounds like the cure’s “Inbetween Days” to me. RD
Diet “Crash Sight”. It kind of typifies for me a lot of what’s wrong on the second album, tracks trying to do the same as something on the first album, only not doing it as well. Production is one of the weakest off Fake. Alan McGee makes a guest appearance in the lyrics “A father figure put a gun in my hand, saying ‘aim high, but don’t aim for the sun son’.” I suppose the lyrics summed up where we were — “If it’s all the same to you/I’m going to do what I want to do/I’d like to crash my car my way.” We knew we were headed for a brick wall, and people were trying to get us to turn off, but we (or certainly I) wanted to be allowed to fuck-up in our own way with no outside assistance. PF
“Road Movie” (Fake)
Maybe this song should be on Footnotes, however you only get 77 (or so) minutes of music on a CD. RD
This is about the film in my head of an alternate reality. I have always been a film fan and did a degree course at Warwick University where I met Wil and Kevin. Quite a few of our videos and covers have some kind of cinematic reference. I used to walk around the streets of Coventry at three in the morning listening to my walkman pretending it was the soundtrack to my own private movie. PF
Adorable – “Road Movie”
We paid for one of my housemates to come down to London to play on the first (Pat Collier) mix of this. He was a classically trained violinist. Sadly, we realised after he’d left the studio that it was all out of tune, so we had to scrap a very expensive violin part. W
“Have You Seen The Light?” (Fake)
I think this is thoroughly average and self-indulgent. Trying really hard, but failing. PF
I really like the noisy ending to this one — you can hear Pete’s frustrations pouring out on top of my layered bass lines. A fitting ending to a frustrating career. W
The feedback at the end is me throwing my white jaguar at my amp in the studio. That’s what being in the band felt like in the end. When Pete recorded the vocals bit at the end listen our for “…be the KLF”. I can’t remember what else he said, but I remember listening to him putting it down before we buried it in the mix and i thought “wow man, fucking hell…” RD
“Dinosaur #3″ (Kangaroo Court) (A Third version of a song?)
I always liked “Dinosaur #2″. If you want to hear it, get to 1991 and come find us (say “Robert said Hi”). “Dinosaur #3″ doesn’t sound like “Dinosaur #2″. I never heard #1 but I presume it sounded like Dinosaur Jr. RD
This reminds me of Wayne (Peters, Candy Thieves guitarist) and a gig we played at Warwick University. I always loved this song particularly in its second incarnation. KG
Yes it was a third version. Version #1 was a song that sounded vaguely like Dinosaur Jr, hence the name. The lyrics stuck, and the tune was jettisoned, in favour of something distinctly unlike Amherst’s finest, but the working title stuck. PF
“This House is Rotten” (Vendetta)
This was about someone very close to me who bought a house with his girlfriend, but the relationship was completely screwed. With desperate misguided logic he tried to do up the house to make it beautiful in the doomed hope that it would make the relationship fine. PF
Adorable – “This House is Rotten”
I like the melody where Pete sings “I’m gonna tear it down.” I think it’s about a house that I shared with Pete and several other people in Coventry. If so, I guess the title suggests it wasn’t the happiest period of Pete’s life. W
ROBERT SPECIFIC
WIL SPECIFIC
What musical projects have you been involved with post-Adorable? Are the Viet Cong Blues Project still going?
I seemed to meet up with a lot of young bands in Coventry, and then Scotland after I moved North, so I’ve been doing a lot from that point of view. Best band i’ve worked with? Alamos from Dundee. They have just recorded their second LP for Pet Piranha records with Steve Albini. I also follow the bands on ClubAC30. Post Adorable I did Viet Cong Blues Project as a rolling on/off project with Chris from Mercury Tilt Switch (also Pet Piranha) and we are “still going” but I have also played for The Zephyrs. I played guitar for them a few years ago but have been rehired for drums. I’ve helped them record their fifth album, I also played on their third. They are an excellent band, you should listen to them. We’ve been offered a festival slot in spain in June so I think we’ll start to prepare for that. Also, for those into their indie trivia, I also have a playing credit on a couple of songs on Snow Patrol’s second CD (for those of you that are interested: yes they are nice people).
What was it like playing with Mogwai? Did they acknowledge Adorable as an influence?
Mogwai are also fine people, and my favourite band, possibly ever. Seeing them over the years has been a good thing, they totally deserve to be as influential as they are. Were Adorable an influence on Mogwai? No, not at all. They have Slint and Codeine to thank for how they sounded when they started. Now though, they have their own sound, as Adorable had theirs and they don’t sound alike to me.
How did you divide the guitar parts between you and Pete? You mention in Footnotes that you both have different styles of playing, could you expand on that?
I’ll try. Basically Pete played his stuff and Wil and myself filled in the gaps. We wrote the parts live and we each did our own thing. It was listening to what was going on that made it happen, then being inventive in the context of the song. It was easy to fill the gaps though. Pete played horizontally and I played vertically, so we sounded different anyway. What does that mean? Well, I understand it so see if you can work it out. Listen to the songs.
What guitar players are you influenced by?
Me? Thurston Moore and Lee Ranaldo from Sonic Youth and Kevin Shields (My Bloody Valentine) and J Mascis (Dinosaur Jr). And the Pixies. Nick Drake. Although, I don’t really sound like any of them. Wish i did though.
What have you done since Adorable? I have you down as an English Teacher.
I did teach English in Korea and Spain, but that was 10 years ago now. I’m currently Senior Liaison Officer for Institutional Relations at the University of Warwick. This involves traveling around the world setting up collaborations with other universities. It’s a great job as it means I get to travel to lots of interesting places such as India, Argentina, Brazil and Australia, but for free!
The bass style for Adorable was pretty distinctive especially at a time when prominent bass wasn’t particularly fashionable (as compared to now). You mention Andy Rourke’s bouncy bass lines, were there any other bass players that influenced your own playing?
I think my bass style was distinctive because I was self-taught and had very little musical knowledge. Most of our songs either came from me playing a bass line to Pete and him writing a guitar and vocal melody to fit, or Pete playing a guitar melody to the band and I would just play the bass melody that came into my head rather than work out what chords he was playing. Although I wasn’t a great New Order fan (Joy Division were infinitely better), Peter Hook would probably have been the biggest influence on my bass playing as many of our songs involve bass chords as well as single notes.
Do you still play/practice the bass?
No. My only musical outlet nowadays is dreaming up #1 hits for my neighbour and ex-Adorable Tour Manager, Simon Harper, to record in his home studio. We’ve been working on a cover version of “Never Understand” by the Jesus and Mary Chain done in the style of the Sugar Babes crossed with the Beach Boys for about two years now. When it’s finished we’ll move on to a Dub crossed with Gospel Choir rendition of Echo and the Bunnymen’s “My Kingdom”.
KEVIN SPECIFIC
PETE SPECIFIC
What are you up to these days?
Working at an 11-16 secondary school in Cornwall, I am a Maths teacher although I am currently the Deputy Head teacher so I don’t teach as much these days
Do you still play/practice the drums?
Got them set up in the garage and often play along to anything from the Beastie Boys to Jurassic 5 to The Stone Roses on my laptop
In the notes for “Feed Me” you mention that performances could sail close to the wind with Pete and Wil out front — can you explain that more? (I assume it to be that those two could get out of time?)
It was more likely to be me out of time actually. No, I was referring to their tendency to bait the crowd — they were always a bit confrontational which is great until you go to places like Newport, Aldershot or Middlesborough.
As a drummer, what was the most challenging Adorable song to play live?
None of them really as I wrote pretty much all of my drum parts so they were pretty simple. The use of the word “challenging” would probably relate more to how sober I was while playing — which was sober most of the time with the occasional lapse in meticulous preparation. Then, just sitting at the drums uptight was quite challenging.
Go to Part II of our extravagant Adorable special for a Pete specific interview where the status of Polak, his solo album and more juicy Adorable tidbits are uncovered.
If that still isn’t enough read a 1998 interview with Pete that explores Adorable in even more depth and the gensis of Polak.
Still love em. Still listen to them all the time. Sunshine Smile will always live in my Top 5 favourite songs ever. I only wish I could have seen they play live just once.
Still good to see that out there somewhere a few people still have the time and desire to keep the Adorable torch glowing. Can’t say at all that i ever got to know the other guys, of course we’d chat a bit at gigs or at home etc, but one thing’s for sure the A-band was a great vehicle to let Rob just play loud rock n roll guitar on stage for an hour : and for that hour you knew he was 100% into the band. Off stage I have no idea, but on-stage you always got a show….
If only they’d have…………………………………………………………………………
I saw Adorable play live in San Francisco during their tour to promote their first album. My band mates and I had heard sunshine smile on the radio and had to see them. They blew us all away!! The best concert we have ever seen. They very much influenced our sound. Even to this day, when I am songwriting, I have their sound in mind. The amalgamation of the two different guitar styles and layering of the guitars, bass, and drums was brilliant. They had some of the very best dynamics I have ever heard. All of us that were and still are into Adorable can not understand how they did not get really huge.
Thank you for this Interview, considering that there are no good information about Adorable in the Internet. No complete videos of shows. This interview really gives us help in understanding of such loss on the rock stage as Adorable. I really can`t believe that they did not have success and Creation dropped them. I better believe in some troubles between musicians and may be some kind of crisis in public reaction. Adorable are the best example of very secret music considering their fast end and info absence. And they truly stopped their way on HIGH. Love them.
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The Too Pure Singles Club returns in 2012 with a bang (or is that a rattle) with the sound of Icelandic mantra magicians Dead Skeletons. For the uninitiated, Dead Skeletons came into existence in 2008 when band member Jon Saamunder needed music for an art installation in the Reykjavik Art Museum. Enlisting the help of friends Henrik Bjornsson and Ryan Carlson Van Kriedt the trio penned the songs which would eventually become the Dead Magick album, a 72 minute, 12 song journey through space and time, life and death. “Om Mani Peme Hung” is the sound of Neu! on a meditation retreat engaging in a spiritual hypno-chant. Now repeat after me… Om Mani Peme Hung, Om Mani Peme Hung, Om Mani Peme Hung… (subscribe to the Too Pure Singles Club here).
Very impressive band and it is a shame that they didnt had success
Still love em. Still listen to them all the time. Sunshine Smile will always live in my Top 5 favourite songs ever. I only wish I could have seen they play live just once.
Still good to see that out there somewhere a few people still have the time and desire to keep the Adorable torch glowing. Can’t say at all that i ever got to know the other guys, of course we’d chat a bit at gigs or at home etc, but one thing’s for sure the A-band was a great vehicle to let Rob just play loud rock n roll guitar on stage for an hour : and for that hour you knew he was 100% into the band. Off stage I have no idea, but on-stage you always got a show….
If only they’d have…………………………………………………………………………
I saw Adorable play live in San Francisco during their tour to promote their first album. My band mates and I had heard sunshine smile on the radio and had to see them. They blew us all away!! The best concert we have ever seen. They very much influenced our sound. Even to this day, when I am songwriting, I have their sound in mind. The amalgamation of the two different guitar styles and layering of the guitars, bass, and drums was brilliant. They had some of the very best dynamics I have ever heard. All of us that were and still are into Adorable can not understand how they did not get really huge.
Jeff
Thank you for this Interview, considering that there are no good information about Adorable in the Internet. No complete videos of shows. This interview really gives us help in understanding of such loss on the rock stage as Adorable. I really can`t believe that they did not have success and Creation dropped them. I better believe in some troubles between musicians and may be some kind of crisis in public reaction. Adorable are the best example of very secret music considering their fast end and info absence. And they truly stopped their way on HIGH. Love them.