Webcuts Music

A Tale of Two Cities? Not bloody likely. While both appear on the forthcoming Laneway bill Cloud Control and Rat vs Possum are worlds apart and aren’t harbingers of any Sydney or Melbourne scene. Although there are groups of like-minded musical acts in all Australian cities and towns they’re is no discernible Sydney sound or Melbourne sound. Cloud Control’s indie-folk rubs shoulders with Parades’ and Jonathan Boulet’s dense polyglot pop while Rat vs Possum’s tribal skewed pop sounds share the same general geography as Love Connection’s murky shoegaze and Super Wild Horses girl fronted garage. It’s not where you come from, it’s where you’re at.

While the devastation caused by mass flooding in Brisbane recently is going to mean one a hell of a clean up the upcoming St. Jerome’s Laneway festival will still go ahead in that city and could be a ray of sunshine to look forward to in a couple of weeks. All cities except for Sydney and Melbourne still have tickets available at the Laneway website. Meanwhile here’s our handy guide to who’s playing where and some bands to watch out for. Laneway this year features Les Savy Fav, Beach House, Warpaint, Foals, Deerhunter, Ariel’s Pink Haunted Graffiti, Rat Vs Possum, Yearsayer and a whole lot more.

New Years Eve’s are traditionally unplanned, last minute events, involving clubs or house parties especially in laissez-faire Brisbane. This year was different. An independent music festival at the Powerhouse, brazenly named No Years! offered a tempting program. 21 bands in total: 14 local, 5 interstate and 2 international acts, over eleven hours at lovely New Farm location. We cast our NYE net on Australia’s Bleeding Knees Club, Parades, Love Connection, Jonathan Boulet, The John Steel Singers and Oh Ye Denver Birds. And see who ranks best out of America Neon Indian and Sweden Shout Out Louds.

Originally they were The Muslims but now they have a less volatile name, The Soft Pack, and a more polished repertoire as heard on their self titled debut. Presently in Australia for the Sunset Sounds festival when they were last here Dave and Brian had some quality time with Static’s Chris Berkley who got to the beginnings of how the band formed, that name change, the San Diego and LA rock scenes, surfing, the prestigious honour of being covered by Nada Surf and the possibility of covering some Australian indie classics.

Lion Island were first encounted playing a free show in Brisbane’s King George Square. Their ability to fill a large stage with eight members and the cavernous square full of wondrous music bolstered my mood and had casual passerby’s on their way to the train, stop and listen. When seen again three months later at The Hi-Fi Bar a liking for the band was affirmed and proved that Lion Island are one of the city’s most ambitious and talented acts. Here are a band able to switch from solo singer-songwriter folk, then become a Brisbane Beirut by adding brass and violin to the acoustic guitar and drums to full out orchestral rock, as if Finn Andrews was fronting The National.

Astute music fans have probably heard of the genre chillwave – a blend of 80s synths, psychedelic pop and liberal amounts of distortion – put upon acts like Memory Tapes, Toro Y Moi and Nite Jewel. The band most closely associated with that word is Neon Indian whose main man Alan Palomo, who also has a solo project VEGA, had a chat to Chris Berkley recently in London about the c-word, the beginnings of Psychic Chasms, the Yacht remix, his collaborations with Australian dance merchants Miami Horror, how he loves to make music that messes with people’s heads and the forthcoming Australian tour for the Texan group.

For the benefit of Webcuts’ Brisbane clientele, see in 2011 in style with Swedes Shout Out Louds, texans Neon Indian and a whole lot of Australian talent including The Belligerents, Bleeding Knees Club, Dead Beat Band, The Honey Month, Jonathan Boulet, John Steel Sings, Kate & Max, Little Scout, Love Connection, Mr. Maps, Parades, Seja, Seekae, Oh Ye Denver Birds, Rocketsmiths, Vasy Mollo and Velociraptor. Phew.

Jonneine Zapata’s Cast the Demons Out came out of nowhere and managed to do what it said on the tin. And all indications were that live was where she excelled. Comparisons were bandied around from PJ Harvey and Patti Smith for there strong vocal ranges to Jim Morrison and Mick Jagger for their bold sexual stage presence. Apart from the smoldering mic stand gripping, her onstage persona also alternates between standing still with an ice cold stare, holding her arms aloft swaying like an eagle, and my favourite, lurching around the stage like a drunken marionette. Unsettling? Maybe but never boring.

Alternative rock bands of America you’re not fooling anyone with your “we love the beach” attitude. We know you’re too enchanted by leather jackets, guitars, thin limbs and pale skin to actually venture to the beach, let alone surf, except for video shoots. Another band to add to the list which includes Surfer Blood, The [...]

While on first glance Big Scary are neither that big or scary, listen to any of their EPs and the name starts to make sense. At the Mercy of the Elements released earlier this year gave us an idea of the versatility of this Australian band: The Led Zeppelin meets White Stripes heavy rock of “Hey Somebody” rubbed shoulders with epic piano driven pop “Falling Away” and the aptly named “Creature of the Night”. Those tracks signposted a more a more mellow direction which was continued on the second of their four season EPs Winter. Currently touring with the impressive folk influenced Spring with Summer just around around the corner and a bunch of live shows in regional Australia we attempted to crack open the hardworking twosome.